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For the most part, however, this is an ultra-sugary album which leaves a strangely sour aftertaste - not a flavour the public seems too fond of.
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On their charming debut, the four-piece fulfil their promise of being the edgy, sexually voracious Ace of Bass.
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With Gwen Stefani sidelined by motherhood, Canada's Dragonette fills the No Doubt void by walking a similar line between girly electro pop and boyish new wave.
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This sweet-and-sour debut that is more original than your average pop thing.
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Galore sounds like the stock "empowering dance pop" library compilations that music publishers bombard film music supervisors with.