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- Critic score
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- By date
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Apr 8, 2019These tracks [with pop collaborations] amount to unremarkable radio fare and dilute the artistic voices of all involved. ... The instrumentals have more bite.
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Apr 8, 2019If it seems unfair to judge Hyperion’s weaknesses against the work of Lévy’s supposed peers, it’s equally frustrating that he hasn’t yet given us a real idea of who he is as an artist.
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Apr 8, 2019Advice for Gesaffelstein: ditch the singing guests, and experiment more with the danceable dimness.
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Apr 8, 2019Despite some positives, Gesaffelstein isn’t able to recreate past glories, nor advance on them--or even successfully reinvent himself. By the end of it, you’re mostly left feeling confused and underwhelmed.
User score distribution:
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Positive: 6 out of 11
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Mixed: 5 out of 11
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Negative: 0 out of 11
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Dec 29, 2019Most people dislike it, but personally I love it. It's a great mixture of different genres brought together successfully.
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Oct 9, 2019I love the mystery and darkness of this album, I see that many critics have not understood Gesaffelstein's work.
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May 15, 2020