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MojoDec 12, 2011Three of the tracks pass the 13-minute mark, but not a second is wasted. [Aug. 2011, p. 100]
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Dec 6, 2011The essence of the music might be simple but the band squeezes remarkable emotions from it. The new world order of psychedelia is here.
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Aug 2, 2011They now sound more like a band that has really found its own voice. Recording live in the studio in as few takes as possible also seems to have given them a new edge.
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Aug 2, 2011Simultaneously grounded and spiralling off into the stratosphere, this is urgent, epic stuff that doesn't let up for a moment.
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Aug 2, 2011The result is furiously syncopated, no-holds-barred rock made marvellously strange by Camara's squawking fiddle and invocatory singing.
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Aug 2, 2011This is a brilliantly ambitious, exploratory recording that captures the pure, powerful vibe of a great ensemble.
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Aug 2, 2011There's some fine playing on this set, as on the exuberant 15-minute work-out Djanfa Moja, but the bass lines on Nightwalk or the bluesy Waide Nayde make the band sound unexpectedly predictable, despite Camara's remarkable solos; two of the best tracks are taken from the bass-free Trance Sessions
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Aug 2, 2011The most pungent aroma rising from Juju's avant-jazz dub-trance grooves is that of a funkier Mahavishnu Orchestra.
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UncutAug 19, 2011It's an intense, at times crazed live-in-studio session. [Aug 2011, p.104]