• Record Label: !K7
  • Release Date: May 28, 2013
Metascore
68

Generally favorable reviews - based on 9 Critic Reviews

Critic score distribution:
  1. Positive: 4 out of 9
  2. Negative: 0 out of 9
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  1. May 28, 2013
    80
    These songs also reflect how When Saints Go Machine have expanded and enriched their sound on Infinity Pool even more than Konkylie might have suggested.
  2. Jul 8, 2013
    50
    The record attempts to fuse dance music and complexity, but doesn’t quite reconcile the two; instead, its mindless thrills butt up against impenetrable baths of sound.
  3. Jun 13, 2013
    60
    It’s a deep dive that, while not as accessible as the band’s previous works, proves they’ve chosen experimentation over stagnancy.
  4. Jun 24, 2013
    60
    It's a record that lacks the structure and order needed to make it into a cohesive unit, one that can be listened to beginning to end without skipping tracks.
  5. May 28, 2013
    55
    There’s much to admire about When Saints Go Machine’s effort to move their synth-powered pop music away from the dancefloor into more cerebral realms. But like the band name itself, their attempts at cleverness can come off sounding clunky.
  6. Q Magazine
    Jul 10, 2013
    60
    Added to this unlikely musical melting pot is singer is Nikolaj Manuel Vonsild's falsetto, occasionally reminiscent of both Arthur Russell and Antony Hegarty. [Aug 2013, p.107]
  7. Jun 20, 2013
    80
    It's a thoughtful, cleverly composed work that is often quite beautiful--just in a sad way, that's all.
  8. 85
    They’ve struck a perfect balance between pushing boundaries and making people dance.
  9. May 28, 2013
    80
    Infinity Pool contains some of the most immediately accessible and infallibly addictive songs that the band have ever produced--the record is full of wonky, glistening pop anthems.

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