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Generally favorable reviews - based on 11 Critic Reviews What's this?

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Score distribution:
  1. Positive: 8 out of 11
  2. Negative: 0 out of 11
  1. Their approach may seem unorthodox, but the final result is as compelling as it is accessible.
  2. This is red wine music, no doubt about it, but red wine music for the discerning indie intelligentsia, perfect for a long night where the only ambition you've got left is to sink so far into the floor cushions that you'll never get up again.
  3. The four-piece have made a follow up that makes their beginnings busking on the South Bank seem like a myth propagated by publicists. Receiving a nod of approval for their pigeonhole-defying venture really has emboldened them.
  4. Blending an almost futuristically elegant sense of atmosphere with flashes of raw, flesh-and-blood expression, Portico Quartet isn't the first to carve out such a pan-global sonic world, but it's created one that's welcoming to visit.
  5. Isla is nothing revolutionary. That's not to say that its originality is completely lost, but perhaps a touch more adventure and earnest into the mix would change the Portico Quartet's breeze into something much more powerful.
  6. Isla boldly showcases an unconventional combination of instruments and melodic ideas, a revolutionary musical terrain that Portico Quartet will hopefully continue to explore.
  7. Uncut
    The ubiquitous use of the hang, a sophisticated modern take on the old-fashioned steel pan, gives a distinctive sound to this east London quartet. It's a surprisingly versatile instrument from which Nick Mulvey and Duncan Bellamy coax melodic and rhythmic patterns to complement Jack Wylie's inventive sax riffing. [Nov 2009, p.99]

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