Metascore
84

Universal acclaim - based on 15 Critic Reviews

Critic score distribution:
  1. Positive: 14 out of 15
  2. Negative: 0 out of 15
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  1. Jan 14, 2019
    100
    It’s a determined, seductive experience, brimming with belief and completely torching everything they’ve done before. As of now, The Twilight Sad are basically untouchable.
  2. Jan 11, 2019
    100
    This is still the band we fell in love with over a decade ago: confessional, honest, enthralling. It's just that this time out they're sleeker and sharper than before.
  3. 95
    It Won/t Be Like This All the Time (IWBLTATT) is another dauntless step forward, unflinchingly embracing the core aspects of their sound, while boldly incorporating loftier ideas. It is not some grandiose attempt at a knockout punch or some cheap leap at the mainstream; you cannot fake sentiment, or force people to feel something. IWBLTATT is a laser guided arrow to the heart; an enveloping noise that chips away at you over time.
  4. Jan 30, 2019
    90
    While it’s a stretch to describe the record as ‘poppy’, it’s certainly their most accessible material to date, with songs like The Arbor, Videograms and Let’s Get Lost taking up residence in the head long after the record has stopped playing. ... It may be only January, but there’s already been a place filled on that Best Albums Of 2019 list.
  5. Jan 17, 2019
    90
    It Won/t Be Like This All the Time should be the record to finally see them breakthrough into the wider consciousness of the listening public. It certainly deserves to be.
  6. Jan 15, 2019
    90
    It Won/t Be Like This All the Time is like all of us. It's bruised, lonely, confused yet hopeful. It feels more important than a collection of songs on a spinning disc. It's a balm, a hand to hold and a kick up the arse. It's the album the Twilight Sad have always been destined to make, and it's the album fans have always known they would make.
  7. Jan 18, 2019
    85
    They continue to plough the same furrow as on their previous albums, yet with a little more urgency, consistency and richness that some of their earlier work lacked. There is a simplicity here, both in terms of lyrical content and musicality.
  8. Jan 17, 2019
    82
    This is their most listenable album, one that dials back the heavy-handed metaphors and overwhelming musical gloom for something more danceable and upbeat, though still dour as ever lyrically.
  9. Rather than being owned by their demons, The Twilight Sad have created an 11-track exorcism to master them. It’s a full-bodied and inescapable mood-piece, and a visceral account of their victory in the fight to exist. We should feel grateful to have them.
  10. Jan 22, 2019
    80
    As it acknowledges current hardships and allow the tiniest glimmer of hope for tomorrow, It Won't Be Like This All the Time proves the Twilight Sad are making some of their most vital music more than a decade into their career.
  11. Jan 18, 2019
    80
    There’s certainly nothing new about their sound and fury and throbbing basslines--they fit comfortably into a lineage stretching from the Cure and the Chameleons to the Killers and White Lies--but they have timeless, high-quality songs. The new ones are more direct and--potentially impacted by the death of their close friend, Frightened Rabbit’s Scott Hutchison--more impassioned.
  12. Jan 15, 2019
    80
    Their fifth album is anchored by thudding, motorik beats that create a dancier base on which James exorcises his deepest demons, and it’s an even more intense form of communication.
  13. Q Magazine
    Jan 11, 2019
    80
    While these tracks have definitely been soaked in the dour euphoria that The Cure specialise in, The Twilight Sad are very much their own band. [Feb 2019, p.116]
  14. Uncut
    Jan 11, 2019
    70
    Violence, guilt, betrayal and despair assail singer-lyricist James Graham's protagonists, while Andy MacFarlane marshals something miasmic, sometimes glistening synth glides and doleful guitars, suggesting Johnny Marr's wilder Smiths experiments. [Feb 2019, p.37]

Awards & Rankings

User Score
8.1

Universal acclaim- based on 38 Ratings

User score distribution:
  1. Positive: 32 out of 38
  2. Negative: 3 out of 38
  1. Jan 20, 2019
    10
    Been a Sad fan since 2011. They've never produced a bad album but this one is something else. It flows beautifully from track to track, theBeen a Sad fan since 2011. They've never produced a bad album but this one is something else. It flows beautifully from track to track, the lyrics are more direct than before which is a refreshing change and James delivers the vocal performance of his entire career. A lovely post-punk, noise rock Scottish gem that has something for everyone. Full Review »
  2. Jan 23, 2019
    10
    These guys should be way bigger than they are. Fourteen Autumns and Fifteen Winters was almost 12 years ago and I still scratch my head as toThese guys should be way bigger than they are. Fourteen Autumns and Fifteen Winters was almost 12 years ago and I still scratch my head as to why they didn't become massive off the back of that album, which still sounds amazing today. This new record is definitely their most well-rounded and cohesive album. The sound they're producing now is incredible; Andy's guitar creates thrillingly varied waves of noise complemented perfectly by the industrial synths and droning bass lines and James's lyrics are more accessible, not that I don't love the metaphors of Fourteen Autumns. The songs are more accessible and have more obvious hooks without cynically shooting for the mainstream. This is a special album with a depth that rewards repeat listens. Life's seldom fair, but if there's any justice this album will find them the bigger audience they richly deserve. Full Review »
  3. Mar 18, 2020
    8
    From the evidence here, The Twilight Sad know how to be epic and have a great way with melody. They also know how to create a mood and thatFrom the evidence here, The Twilight Sad know how to be epic and have a great way with melody. They also know how to create a mood and that mood is as dark as a North Atlantic Winter. This album radiates gloom but in a way that makes it sound colossal. Reminiscent of The Cure's darkest stuff ("Pornography" for example) in terms of the vibes created and how they immerse the listener but with a sound that is their own. Of the 11 songs present, there are a few highlights but more importantly there isn't one track that could be classed as a dud, each track has its place and has been well thought out. I certainly see myself delving further into this bands back catalog on the back of this. This band are doing the dark post punk thing better than anyone else at the moment. Full Review »