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Jules Image
Metascore
82

Universal acclaim - based on 6 Critic Reviews What's this?

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  • Summary: The debut full-length release for the 19-years-old from Baltimore was self-recorded during his senior year in high school.
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  • Record Label: Pias America
  • Genre(s): Pop/Rock, Alternative/Indie Rock, Indie Rock, Neo-Psychedelia, Alternative Singer/Songwriter, Alternative R&B
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Score distribution:
  1. Positive: 6 out of 6
  2. Mixed: 0 out of 6
  3. Negative: 0 out of 6
  1. Oct 22, 2019
    80
    Full marks for exploration, but in this case the simplest tricks work the best.
  2. Q Magazine
    Oct 22, 2019
    80
    Playing almost everything himself, his command of sounds and styles feels masterful, seamlessly gliding between MOR-ish pop funk, stacks of gothic choral harmonies and the dreamy future-psych of Tame Impala. [Dec 2019, p.106]
  3. Oct 22, 2019
    80
    That Jules is so hard to pin down is a big part of its appeal; wondering where he'll go next is almost as exciting as the music he's already made. One thing is for sure: This album is an introduction to a first-rate musical mind.
  4. Mojo
    Oct 22, 2019
    80
    His wunderkind status is underlined by an obvious passion for Brian Wilson: stacked harmonies, deft chordal shifts. In Butterflies From Monaco, that Wilson influence comes laced with sturdier fragments of rock and funk a la Prince. [Dec 2019, p.93]
  5. Oct 22, 2019
    79
    It typically takes young musicians quite a long time to find their unique sound, but we’re lucky to hear Julien Chang searching for his in real time.
  6. Dec 9, 2019
    74
    While his lush harmonies are occasionally quite striking (as on the slow-motion Fleet Foxes pastiche “Butterflies From Monaco”), this tendency leaves lethargic material like “Somerville Demo” feeling especially listless. On an album as rich with the spirit of teenage discovery as Jules, these are forgivable sins.
Score distribution:
  1. Positive: 0 out of
  2. Mixed: 0 out of
  3. Negative: 0 out of