Metascore
74

Generally favorable reviews - based on 10 Critic Reviews

Critic score distribution:
  1. Positive: 8 out of 10
  2. Negative: 0 out of 10
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  1. Aug 24, 2018
    83
    With its songs that loom like smoldering towers and enveloping hazes of electronic programming, KIN, the band’s score for Jonathan and Josh Baker’s apocalyptic pursuit film of the same name, splits the difference between the average late-period Mogwai record and its previous film work, and when it dodges the temptation toward the histrionic.
  2. 80
    KIN is the uncommon soundtrack that doesn’t require any context other than its own to command more than passive attention.
  3. Q Magazine
    Aug 28, 2018
    80
    This is a starkly beautiful suite of music by a band who--after two decades--just keeping growing in stature. [Oct 2018, p.115]
  4. Aug 24, 2018
    80
    Not only are the band adding to their soundtrack credentials but they're also getting rather good at the old pop banger.
  5. Aug 31, 2018
    70
    Where Mogwai's other scores pushed their boundaries, KIN simply restates their strengths--which, fortunately, are as formidable as ever.
  6. Aug 31, 2018
    70
    Mogwai have come a long way since ‘Angels vs. Aliens’ in 1996. Gone are the walls of raging guitar and searing feedback. In its place is understated quiet and contemplation. This underpins KIN and really adds a grandiose dollop cinematic majesty.
  7. Aug 29, 2018
    70
    By the high standards of Mogwai’s soundtrack work--and therefore their work in general--it’s a bit tread watery. But it’s still bloody Mogwai, a band never less than magical.
  8. Sep 5, 2018
    69
    However well they reflect KIN’s mood and themes, these pieces don’t quite cohere into a proper stand-alone album. Independent of the film, they feel more like a series of impressionistic sketches that tease at the eruptions of Mogwai’s definitive work, yet stop short of hitting their maximalist potential.
  9. Mojo
    Aug 24, 2018
    60
    It's a tense, grace and often euphoric listening experience that simultaneously lacks the grit, drama and disquiet of their finest work. [Oct 2018, p.91]
  10. Uncut
    Aug 24, 2018
    60
    As a whole it feel overfamiliar, with little of the cohesiveness that made, say, Les Revenants so powerful. [Oct 2018, p.30]

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