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The collection as a whole has a transitional feel, as though Jamie T is still finding his way between the two poles of his primary inspiration. Yet with his propensity for both engaging storytelling and hooks, he's too talented not to figure it all out in spectacular fashion.
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Under The RadarKings And Queens never manages to exceed its D.I.Y. entropy. [Fall 2009, p.72]
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It’s the slower, acoustic ballads that may be Kings & Queens’ biggest surprise, and to which listeners may respond most strongly, one way or the other. The trouble is, Treay’s no pop singer; he retreats into a mumble, slurring his words.