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Dec 21, 2015Late Nights, in its subtle seduction, feels all the more special in an era that increasingly rewards artists who shout the loudest. Jeremih makes you shut everything else out so that you can hear him whisper in your ear. It was worth the wait.
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Dec 21, 2015Jeremih’s vision is astounding, and the places in which he gets to indulge in adventurous risk-taking more than make up for the safe plays that surround them.
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Jan 4, 2016Late Nights shoots at the moving target that is modern rhythm and blues and scores, because sometimes sheer talent just can’t be denied.
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Dec 21, 2015Jeremih’s no saint, certainly, but this album feels universal in its depictions of desire--his sexiness is satiable, his desires multifaceted, and the way he chooses to explore them deliberately diverse.
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Dec 21, 2015The album’s a treasure trove of exciting, sharp production, recruiting some of today’s most tuneful producers (Mick Shultz, Vinylz, London On Da Track, Murda Beatz, DJ Mustard, Soundz) who simply understand what works best for Jeremih’s adroit, rhythmic vocals.
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Feb 1, 2016Jeremih’s consistency is admirable. That said, though, the large majority of the features drag Late Nights away from excellency.
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Dec 21, 2015The succession of guest artists is so long that it becomes disruptive. Jeremih nonetheless delivers enough slightly quavering, somewhat vulnerable sounding NC-17 and X-rated lines to keep ears perked.