- Critic score
- Publication
- By date
-
Theyre the most unique band since The Van Pelt or At The Drive-In, with vocals comparable to the lyrical finesse of Tim Booth.
-
They don't always sound consistent on this debut, occasionally misfiring with underworked material, but overall the strengths overshadow any weaknesses, and when they truly hit their stride they're devastatingly effective.
-
Uncut[A] promising, flawed debut. [Apr 2004, p.110]
-
Alternative PressString arrangements--plus frontman Dan Eastop's expressive vocals--save songs like "SF" from falling into rehash hell. [Jul 2004, p.146]
-
As ordered as it is wild, as gorgeous as it is gruesome, Lay of the Land is indeed a ballsy record.
-
The band's energy, intensity, and dynamism, as well as a collection of distinct songs, still do not prevent the record from sounding subdued and monochromatic.
-
BlenderSeachange wrap their songs in the glorious dissonance of Sonic Youth and the mighty alt-rock-meets-R&B rhythms of the Afghan Wigs, but underneath it all, they just want to creep you out. [May 2004, p.131]
-
Whether or not the album really captures the bands reputable live show is utterly debatable, but its certainly one to inspire the imagination.
User score distribution:
-
Positive: 3 out of 3
-
Mixed: 0 out of 3
-
Negative: 0 out of 3
-
BrianMMay 2, 2004An interesting album to say the least. There are some strong tracks on here and some duds. But the overall feel is energetic.
-
pauljApr 6, 2004a few dry spots where all elements do not quite gel, but the high points are well worth a listen.