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MojoAug 25, 2020Lina bringing the tradition, Raul Refree adding experimental soundscapes for her to play in. [Sep 2020, p.89]
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Aug 25, 2020Lina_Raül Refree is no Los Angeles clone. But it could be a long-lost, slightly weather-beaten cousin. Intimate, heartfelt, and solemnly inviting, it’s also a wonderful record in its own right.
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Aug 25, 2020The deeper resonance of the piano is boosted further by judiciously deployed synth sounds and the effect is slower and more dreamlike. Quando eu era Pequenina is particularly beautiful, with its expansive piano chords and haunting synth sounds, while Os meus olhos são dois círios, rooted in electronics, is flatter but, thanks to Lina’s vocals, scarcely less beautiful.
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Q MagazineAug 25, 2020Fado is a harder sell, a stronger taste. Still, Lina's voice has an irresistible dramatic heft, and combined with the smudgy ambient arrangements, all dark wood and bitter coffee, she and Refree could fill a gap that non-believers might not know they had. [Apr 2020, p.111]