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Dec 22, 2017It’s all supported by a through-line of warm, cozy production that imbues the album with a pleasant nostalgia, the kind we’ve come to expect from Slim and his reworking of dug-in American genres like folk, country, and blues.
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MagnetDec 22, 2017On Lost At Last, Vol. 1, he trusted in the spontaneous nature of creation, letting the songs dictate the direction the arrangements take. Eighteen players joined him in the studio, but they remain in the background, mixed down to add subtle, almost invisible nuance to these bleak songs of heartache and dejection. [No. 149, p.59]
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Dec 22, 2017Lost at Last, Vol. 1 is filled with loose ends and mess. ... Even if Langhorne Slim can't come up with the tunes to suit his sound, that sound is bewitching enough to make Lost at Last, Vol. 1 worth a listen.
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Dec 22, 2017Tracks like the rambling "Old Things," the hoedown-lite "Bluebird" and perhaps the most precious song about outlaw life, "Private Property," shoot for middle-of-the-road appreciation, sucking out any grit from the recording.