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Mar 9, 2016Luneworks is not a lulling listen; rather, the album seems to turn restlessly with sonic insomnia, the songs tracing the arc of some sleepless passage like a night plagued by intense longing.
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Mar 25, 2016It’s hard to single out a standalone track from this impressive debut and this, in itself, is testament to the LP on the whole.
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Mar 9, 2016It’s a delicate, naked offering that flits between mournful vocals, processed backward synths and serrated edges of what sounds like guitar distortion.
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Mar 9, 2016Significantly more experimental than Colleran's previous work, Luneworks also feels much more personal, and it continues to establish MMOTHS as a unique voice in the indie electronic scene.
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Mar 21, 2016Although there is plenty that sounds of-the-moment we also get the sense that we’re drifting on a continuum between the future and the past.
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Mar 9, 2016The back end of the record seems to lose everything that is so great about Luneworks and replace it with something even better: a discordant, throbbing pulse.
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Q MagazineMar 16, 2016It can all be a bit hazy and formless, but when sweeping the sky for sounds on the ominous prog-drift of Body Studies or bathing in the light cast by Loveless on Deu, Colleran shows his skill at controlling the most nebulous sounds. [May 2016, p.112]
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Mar 14, 2016Tracks such as Deu invoke a little Boards of Canada and Colleran likes to call Dubliner Kevin Shields an influence, making for a beatific album that’s more satisfying than just modish background texture.
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Mar 9, 2016Luneworks works best when the Rhodes, laptop and ennui work in harmony, seemingly unguided, providing moments of pure blissed-out release.