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UncutIt's a perfect match with producer Richard Hawley, who here channels his love of epic reverb pop to more interesting ends than on his solo albums. [Dex 2008, p.86]
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‘Amarillo’ Man records Richard Hawley-produced album of songs from Sheffield.
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Made In Sheffield is a surprising record, lovingly conceived and beautifully executed.
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For long time observers though, the return of Tony Christie to the arena of mature balladry and lush production values will do plenty to gladden the heart.
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This is a quiet, dignified record which, while maybe not being the most exciting album you'll hear all year, would make a cracking Christmas present for the more mature relative in your life.
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The new arrangements don't add lustre to every track; Hawley's own 'Coles Corner' was so expertly crooned the first time that it feels unnecessary here. But more incongruous reworkings, including a version of the Human League's 'Louise', fare better and Christie's voice is engaging throughout.
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Hawley's own sentimental nostalgia is perfectly tailored to Christie's velveteen croon - perhaps too perfectly, because the deep-pile strings and lapsteel reduce too many songs to high-class mood music.
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MojoThese sweetly sad songs of grown up, imperfect romance reach their height with a jazzy version of Hawley's own 'Coles Corner,' where dreams and reality intermingle around Sheffield's now-demolished romatic rendezvous of the same name. [Dec 2008, p.100]
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Q MagazineAnyone unfamiliar with Sheffield's rich musical heritage could be left thinking the city's main legacy was maudlin ballads for the Saga set. [Dec 2008, p.128]
User score distribution:
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Positive: 2 out of 3
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Mixed: 0 out of 3
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Negative: 1 out of 3
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LisaTDec 14, 2008
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scottsDec 2, 2008Excellent album...lots of depth here.