Metascore
71

Generally favorable reviews - based on 12 Critic Reviews

Critic score distribution:
  1. Positive: 7 out of 12
  2. Negative: 0 out of 12
  1. Spin
    83
    Imagine Joni Mitchell if she'd made Miles after Mingus. [Feb 2005, p.92]
  2. Brings in a smoky mysticism and freeform beauty that recalls Nick Drake, Tim Buckley, and Joni Mitchell.
  3. Todd... smartly allows her soaring, angelic voice to take the lead, leaving the sparse arrangement of strings and keys to take a delicate backseat. This also means her lyricism, poignant and wry, stands out.
  4. Mojo
    80
    A lesson in ageless folk rock opulence. [Apr 2005, p.97]
  5. Manzanita may be too diverse to be cohesive, but it is filled with interesting songs and the continued potential for great things.
  6. Under The Radar
    70
    Todd is one of the few writers who can be heavy without being suffocating, self-conscious without being self-obsessed, and fragile without being frail. [#9]
  7. The high points of the album are the tracks that feature Todd by herself either on guitar or piano, filling the song with the trembling strength of her singing.
  8. The New York Times
    60
    There is nothing but earnestness and obsession in her songs, which risk both clichés and awkwardness as they reach for honesty. [31 Jan 2005]
  9. One problem though: Mia peaks too soon. That opener is by far the strongest song. The rest is by turns meditative, breezy, intimate, and snoozy.
  10. Manzanita is an uneven album that nonetheless reveals a great talent and a terrific voice.
  11. Uncut
    60
    A peculiar take on neo-baroque folk with an utterly contemporary twist. [Apr 2005, p.100]
  12. Urb
    50
    It's nice that a singer/songwriter can fit comfortably on a label known for abstract techno and heady hip-hop. It's not so great when she sounds like Dido. [Apr 2005, p.109]
User Score
tbd

No user score yet- Awaiting 2 more ratings

User score distribution:
  1. Positive: 2 out of 2
  2. Mixed: 0 out of 2
  3. Negative: 0 out of 2
  1. Jun 15, 2011
    7
    A welcome return after The Golden State's overly produced sound. If GS had any good outcome on Manzanita, it introduced a fuller of soundA welcome return after The Golden State's overly produced sound. If GS had any good outcome on Manzanita, it introduced a fuller of sound brought in from some of her touring band. There are still songs with just her and a piano or a guitar - which highlight her lyrical writing, but sons like "The Way," "Deep At Sea" and "What If We Do?" underscore the rich territory brought in from the new band sound. Building a career on austere songwriting, what's most surprising is the sense of humor or whimsy on Manzanita are the songs that I would have never guessed she would have done. Songs like "Casa Nova," and "Tongue-Tied" are welcome additions. Full Review »
  2. BBlatt
    Mar 24, 2005
    9
    Brilliant work. Lyrically subtle, musically satisifying.Cohen, Mitchell and Janch.