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Music and Words Image
Metascore
60

Mixed or average reviews - based on 9 Critic Reviews What's this?

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  • Summary: British visual artist David Shrigley's words were turned into music by Arab Strap co-founder Malcolm Middleton in this collaboration that also features Bridget McCann, Gavin Mitchell, and Scott Vermeire.
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Score distribution:
  1. Positive: 2 out of 9
  2. Negative: 0 out of 9
  1. Dec 9, 2014
    90
    Shifting perspectives and clever juxtapositions are all over this album, Middleton and Shrigley have created an album that on the face of it appears to be simple, but there’s untold depth here, as well as some endlessly creative swearing.
  2. 80
    Through it all, Middleton somehow locates the appropriate settings for Shrigley’s perverse poems (or is it the other way round?) with charging techno pulses animating the hysterical protests of a teenager appalled at the vandal antics of a “Houseguest”, and chuntering stomp-beats illustrating the grotesque primitivism of a homicidal “Caveman.”
  3. Dec 9, 2014
    60
    Shrigley’s work is not for everyone, and Middleton has only a cult following; while Words And Music won’t change either of those facts, the prospect of someone stumbling across this record by mistake makes it more than a worthwhile endeavour.
  4. Dec 9, 2014
    60
    Turner prize-nominee Shrigley’s misanthropic worldview-- murderous cavemen, sadistic houseguests and monkeys eating their offspring are among the topics covered--is present and correct, although not everything here benefits from the surreal linguistic twists of his solo work. When he does catch you off guard, it’s splendid stuff.
  5. Dec 15, 2014
    60
    The album works because the two men, both fortysomething and either born Scottish (Middleton) or Glasgow School of Art-educated (Shrigley), share a puerile, misanthropic simpatico and a rinky-dink, borderline outsider approach to their art, in which social niceties are frequently torched.
  6. Jan 20, 2015
    60
    A bizarre little record, Music And Words was seemingly kicked off in 2007. With a seven-year gestation, it would be nigh on impossible to maintain a full sense of coherency, but the twin artists just about manage it.
  7. Q Magazine
    Dec 16, 2014
    40
    Shrigley's humour quickly suffers from the law of diminishing returns; once the initial shock has dissipated, it fails to stand up to repeated listening. [Jan 2015, p.128]

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