No Gods No Masters is a highlight in their discography and one of their best works to date, a potent and outspoken dose of genre-blending artistry that confidently returns Garbage to their position as a band perpetually ahead of the curve.
No Gods No Masters is one of the coolest, most vital releases of 2021, let alone one by a band some 30 years and seven albums into their career. Listen and learn.
For all of the group’s abundant signature moves on No Gods No Masters, the record never feels like a nostalgia bid. That’s because after 26 years, Garbage know who they are and are comfortable with themselves.
Strange Little Birds from 2016 was a belting return to form for Garbage, and although No Gods No Masters has its moments, it’s not quite at the same level. Mainly written pre-lockdown, it strangely fits the current world probably better than it would have done if released earlier, though.
The heightened level of fury and overall frustration about the state of society is admirable. Some might say there is not enough of it in today’s music. But that needs to be balanced with songs which beckon you back for another listen, an aspect of the confrontational No Gods No Monsters that too often falls short.
No Gods No Masters: Garbage's Triumphant and Empowering Return
Garbage's album "No Gods No Masters" marks a triumphant and empoweringNo Gods No Masters: Garbage's Triumphant and Empowering Return
Garbage's album "No Gods No Masters" marks a triumphant and empowering comeback for Shirley Manson and her bandmates. With thought-provoking lyrics addressing topics such as patriarchy, sexism, religion, racism, and other crucial issues of today's world, Garbage delivers a powerful statement that is often overlooked by many artists of this generation. Shirley Manson, an incredible feminist, continues to showcase her creative artistry and has much more to offer through the music of Garbage.
"No Gods No Masters" is a fearless and unapologetic album that confronts societal norms and challenges the status quo. Shirley Manson's distinctive vocals convey a sense of urgency and passion, driving home the messages embedded within each song. The band's musical prowess shines through as they skillfully blend elements of rock, electronic, and pop, creating a captivating sonic landscape that complements the lyrical depth.
Throughout the album, Garbage tackles a range of social issues with honesty and conviction. Tracks like "The Men Who Rule the World" and "No Gods No Masters" directly address the oppressive nature of patriarchy and the need for dismantling systems of power. The band fearlessly calls out the flaws of organized religion in "Godhead" and sheds light on racial inequality in "No Horses." Each song is a powerful anthem that demands attention and sparks important conversations.
Shirley Manson's role as a feminist icon is further solidified in "No Gods No Masters." Her ability to use her platform to discuss these important themes is commendable, and she encourages listeners to question societal norms and fight for a more equitable world. Through her introspective and thought-provoking lyrics, Manson proves that she is not just a talented musician but also a powerful voice for change.
"No Gods No Masters" showcases the enduring relevance of Garbage as a band. They refuse to shy away from addressing uncomfortable truths and tackle them head-on. The album serves as a reminder that music has the power to be a catalyst for social change and sheds light on issues that are often overlooked or ignored.
In conclusion, "No Gods No Masters" is a powerful and essential album that exemplifies Garbage's ability to create thought-provoking music. Shirley Manson and her bandmates fearlessly delve into important topics, shining a light on social injustices and inspiring listeners to challenge the status quo. As a feminist icon, Manson continues to be an incredible force within the music industry, using her artistry to make a difference in the world. Garbage's return with this album is nothing short of triumphant, and they prove that their creative energy and impact are far from being exhausted.…Expand
Now this is more like it. After 3 albums I thought were average, the band has finally made the follow-up to Beautiful Garbage (2001) thatNow this is more like it. After 3 albums I thought were average, the band has finally made the follow-up to Beautiful Garbage (2001) that Bleed Like Me (2005) should have been. Musically and production-wise, this is by far their best since Beautiful Garbage; jagged and abrasive when it needs to be but also atmospheric and gorgeous sounding. And lyrically, Shirley Manson has never been this biting. The only reason this isn't a perfect 10/10 is "Flipping the Bird". Maybe the band felt the record needed a lighter moment by that point, but for me the song is too light, and sticks out against the rest of the material like a sore thumb. Even still, this is an exceptional piece of work from a band I had very nearly given up on. I wasn't going to mention this, but I feel like credit needs to be given to the band/Heba Kadry for their mixing/mastering choices. This is genuinely a gorgeous-sounding record. Kudos to everyone involved.…Expand
Their best album since Beautiful Garbage. They came back strong with industrial electronic songs and powerful and catchy songs like “TheTheir best album since Beautiful Garbage. They came back strong with industrial electronic songs and powerful and catchy songs like “The Creeps”, “Wolves”, “Godhead” and “Anonymous xxx”.…Expand