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The WireFeb 20, 2019Thankfully here, in spite of the occasional song in Latin or mention of the Peninsular War, Batoh succeeds in stripping things all the way back to a jewel-like clarity. ... Even when things do take on a heavier and more expansive turn, technique, structure and lyrical meaning are powerfully combined. [Feb 2019, p.44]
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UncutFeb 20, 2019A set of one-take, fragile musings, predominantly for acoustic guitar and voice. [Mar 2019, p.23]
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Feb 20, 2019Nowhere is Batoh's most provocative yet accessible solo album; its otherworldly strangeness is uncompromising, but somehow welcoming because of its deep focus. Its many textured ripples, fissures and psychic pathways resonate long after its playing timer expires.
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MojoFeb 20, 2019From the jaunty beat group undertow counterpointing his melodramatic vocal style on the opening title track, through the almost self-consciously traditional slide guitar and harmonica combination of Devil Got Me, to his most adventurous use of the mouth harp as a bringer of Dionysian frenzy, to the pastoral backwater of the penultimate Sundown--is actually more in keeping with his experimental rock beginnings. [Apr 2019, p.94]