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- Critic score
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- By date
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Jun 2, 2016This set proves once again they're a band that can be reshaped as needed, and is clearly built to last.
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MagnetJun 1, 2016The Jayhawks have always sounded nostalgic, but Paging Mr. Proust proves there's still vitality in the tried and true. [No. 131, p.57]
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Apr 29, 2016Though the songwriting is adventurous and the performances assured and occasionally even inspiring, what results is a collection of good songs comprising an album that is somehow less than the sum of its parts.
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Apr 29, 2016The result is a most welcome and simply terrific record from a perennially underrated band.
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Apr 29, 2016If Mockingbird Time was a reminder of how well Olson and Louris compliment one another, this album demonstrates that Louris still knows how to make a memorable album as the group's sole leader.
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Apr 28, 2016A bright, challenging album.
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Apr 27, 2016With or without Olson, the Jayhawks remain one of the lynchpins of Americana, a position they proudly solidify on the impressive Paging Mr. Proust.
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MojoApr 27, 2016The album's exemplary and diverse array of toothsome guitar sonics helps, but more crucial still is yer Hawks; oh-so-distinctive vocal harmony blend. [Jun 2016, p.96]
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Apr 25, 2016The album is a fitting addition to the band’s legacy and a confident demonstration that they are capable of keeping on for a long time coming.
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Q MagazineApr 21, 2016Those raised on the Jayhawks' best Work Tomorrow The Green Grass and Hollywood Town Hall, will still go home satisfied. [Jun 2016, p.112]
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Apr 21, 2016With its serene harmonies and Byrdsy jangle of arpeggiated guitars, “Quiet Corners & Empty Spaces” heralds the most potent Jayhawks album in ages, with some of Gary Louris’s best songs captured at their sweetest by producers Tucker Martine and Peter Buck.
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Apr 21, 2016It's a record that finds The Jayhawks in pristine fettle, it's country-rock stylings evoking the blithe warmth of 1995's Tomorrow The Green Grass while punching a little harder with age. [May 2016, p.70]
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Apr 21, 2016Songs such as the rolling The Devil Is In Her Eyes and the carefully layered Isabel’s Daughter are the work of a group who have absorbed much of what’s great about rock’n’roll and turned it loose in the present.