• Record Label: Partisan
  • Release Date: Jun 24, 2014
Metascore
71

Generally favorable reviews - based on 13 Critic Reviews

Critic score distribution:
  1. Positive: 10 out of 13
  2. Negative: 1 out of 13
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  1. Jul 31, 2014
    80
    Despite Martin’s prominent role, Phox are more than just her and a backup group. The rest of the players continue to shine when she is not present.
  2. Jul 8, 2014
    80
    It’s all meticulously crafted, but thanks to an easygoing dynamic, each track sounds somehow breezy and nonchalant.
  3. Jun 24, 2014
    80
    On this debut, not a single note is out of place.
  4. Jun 24, 2014
    80
    Although some tracks may blend together on initial listen, PHOX ultimately serves as a colorful debut from a promising young band.
  5. Jun 24, 2014
    80
    This sense of uncertainty is powerful, and what makes Phox one of the most honest and refreshing albums in recent years.
  6. Jun 23, 2014
    80
    Phox is an undeniably tight unit, and their long history as friends imbues each track with a distinctive warmth that eludes similar-sounding acts, but their not-so-secret weapon is Martin, who can bend cliches to her will, and does so often throughout the 12-song set.
  7. Jun 23, 2014
    80
    By existing at their own preferred pace, PHOX’s wonderful inability to conform to anyone else’s standards is what forces listeners to slowly digest their subtly multi-layered sounds. PHOX may be self-sufficient enough to do without your love, but it certainly deserves it.
  8. 70
    Because the sound is so jam-packed with instrumentation, and Martin’s voice so often bouncing about in the same patters, the sound can sometimes get a little muddy--a little salt to cut the sweetness would have been welcome here and there.
  9. Jun 23, 2014
    70
    Phox and its producer, Brian Joseph (a recording engineer for Bon Iver who worked with the band at Bon Iver’s April Base Studios), make the most of studio flexibility in songs that develop and transform themselves radically as they go.
  10. Jun 27, 2014
    67
    Fortunately, you won’t get the cavity-inducing earnestness and inoffensiveness that comes with the occasional preciously strummed banjo. Instead, you’ll get better-calibrated songs that sound fresh in a genre that, as these friendly and talented Midwesterners show, still has life left in it.
  11. Sep 8, 2014
    60
    For those that don’t mind accommodating some puppyish enthusiasm to go with their elsewhere-provided edge, there’s plenty of sugary sweet and surreptitiously diverse treats in Phox’s picnic hamper to enjoy.
  12. 60
    What saves that song ["Slow Motion"] , and indeed the album as a whole, is Monica Martin's honeyed voice; it's full of soul, even when the arrangements aren't.
  13. Magnet
    Jul 18, 2014
    30
    There are seeds of talent in Phox, but this album doesn't let the band flourish. [No. 111, p.59]
User Score
8.0

Generally favorable reviews- based on 4 Ratings

User score distribution:
  1. Positive: 3 out of 4
  2. Negative: 0 out of 4
  1. Dec 18, 2015
    10
    I first stumbled across PHOX about a year ago when I heard their song "1936" on an obscure indie folk playlist. Of all of the songs listed inI first stumbled across PHOX about a year ago when I heard their song "1936" on an obscure indie folk playlist. Of all of the songs listed in the playlist, it was "1936" that really peaked my interest. I listened to it for like 2 weeks, and eventually I was like, "I should check out this band!" However, after hearing most of their songs and not really feeling anything towards it, I started to think that PHOX might just be a one hit wonder for me. But for whatever reason I always came back to PHOX, listening to more and more of their music and eventually things started to click.

    When did things start to click? is was when I listened to "Leisure", a beautifully warm song that just made me feel all cozy, and just sets such a great atmosphere in general. And after falling for "Leisure" I began to fall in love with practically all of PHOX's other songs too. "Kingfisher" and "Shrinking Violets" became two of my favorites from the album. It's also cool, they have a song called "Raspberry seed" and in my opinion it's very reminiscent of the iconic song, "Stairway to Heaven."

    Another thing worth mentioning about this album is that it flows incredibly well! The way that "Calico Man" transitions into "Leisure" is seamless. Additionally, the final song on the album, "In Due Time" is such a perfect song to end the album with. It wraps up the whole album with a nice little bow.

    Monica's vocals really deserve special praise for this album, because her voice is what brings the song to life. Her vocalizations are unreal. I'd direct some interested people to hear the last minute of "Slow Motion", because it does a great job of showing off her incredible range.

    The instrumentals on PHOX are extremely varied and inject the album with folky goodness. However, to no fault of the supporting instruments, I find that the album could have benefitted even more if the songs had stronger instrumentals. It's not that they are particularly bad, but they definitely have a tough act to follow because they're in charge of supporting Martins incredibly unique voice. I'm really excited for PHOX's next album though, because I have this great feeling that the bands instrumental has gotten better and will be more memorable by the next album.

    It may have taken me a while to warm up to PHOX, but once I did, I think I began to appreciate music in general just a bit more. I'm also very excited to hear how this band's sound evolves for their next album!
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