- Critic score
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- By date
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The new environment rejuvenates Mr. Cornell for good and bad: he sounds shallower than he was before but pithier too.
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Scream may be the most compelling train wreck of an album in recent memory.
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MojoScream has balls, Cornell vacating his comfort zone with admirable readiness. [Apr 2009, p.98]
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Sometimes it's good bizarre. Other times it's bad bizarre.
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Produced with a heavy hand by Timbaland, the third solo album from ex-Soundgarden and Audioslave singer Chris Cornell is strangely appealing in its elaborately empty efficiency.
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The resulting dynamic is two distinct flowers from the sound garden that produce an only occasionally sweet-smelling bouquet.
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The problem with Scream isn’t that Cornell is too much of an artist to go pop, it’s that the fit is so unbecoming.
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Their collaboration suggests a nice philosophical dissonance, but only in theory. In practice, Scream is nearly awful.
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Timbaland, who has sprinkled his hip-hop fairy dust on weaker voices, rinses away Cornell's inherent dirt and power, and compresses the godfather of grunge until he squawks.
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There are flickers of funky light on the lush old school soul of ‘Ground Zero’ and the Motown-esque ‘Other Side Of Town’, but for the most part it’s all depressingly castrated.
Awards & Rankings
User score distribution:
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Positive: 63 out of 151
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Mixed: 6 out of 151
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Negative: 82 out of 151
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Oct 17, 2020Chris Cornell's voice does work well with Timbaland's production. This album has aged well.
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Aug 25, 2019
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Dec 9, 2014