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Miguel De Pedro has instead delivered an oeuvre that plays like a stream-of-consciousness narrative of his growth, and of his many, many tangents, as a musician.
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On Shout at the Döner, De Pedro makes sure he has all his bases covered, all the flesh lined up before he can cannibalize it, taking good shit and doing evil things with it, and vice versa.
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It is the right kind of unsettling to get your feet and heart pounding with the full power of your soul in total awareness of the moment. Embrace the darkness and appreciate the light.
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Call it retro in service of sweat and smiles, celebrating the ridiculousness of dance music at its loudest and most unmannered.