• Record Label: Capitol
  • Release Date: Apr 1, 2014
Metascore
59

Mixed or average reviews - based on 12 Critic Reviews

Critic score distribution:
  1. Positive: 3 out of 12
  2. Negative: 1 out of 12
Buy Now
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  1. Apr 1, 2014
    80
    In spite of the extremely high expectations, he has managed a pretty neat debut that will please fans who have been waiting since his early singles.
  2. Mar 13, 2014
    74
    A rare debut, as well crafted as it is likeable.
  3. 65
    Croll has some great, great tunes but they so often artfully distract from the rest of his approach, which can often be minimal, and lacking in effort.
  4. Mojo
    Mar 21, 2014
    60
    Sweet, then, but you wouldn't eat a whole one. [Apr 2014, p.98]
  5. Mar 14, 2014
    60
    It’s patchy then, but there’s enough quality here to suggest Croll is capable of better things in the future.
  6. Mar 10, 2014
    60
    It's pleasantly pristine stuff from the still relative newcomer.
  7. Mar 10, 2014
    60
    It's all wrapped in a leisurely vocal style that recalls Jack Johnson--in a good way, if you can believe that.
  8. 60
    His ambitious arrangements need more disarray, and less sweetness.
  9. It won’t frighten the horses, but it might encourage you to buy an overpriced T-shirt.
  10. Mar 31, 2014
    40
    Cuts like "Must Be Leaving" and the purring "Wanna Know" are symptomatic of an earnest record that means and says absolutely nothing.
  11. Q Magazine
    Mar 18, 2014
    40
    A sameness of mood is not helped by debatable lyrics. [Apr 2014, p.106]
  12. Apr 4, 2014
    33
    For someone who records under his own name and not that of a collective, Croll remains a mystery, a patchwork of influences content to blend in, not to stand out.
User Score
8.1

Universal acclaim- based on 18 Ratings

User score distribution:
  1. Positive: 16 out of 18
  2. Mixed: 0 out of 18
  3. Negative: 2 out of 18
  1. Apr 22, 2023
    10
    A stand out album in the mid-2010's pop scene that feels truly innovative even after almost 10 years, from the drums in Must Be Leaving, theA stand out album in the mid-2010's pop scene that feels truly innovative even after almost 10 years, from the drums in Must Be Leaving, the solo in Always Like This and the bass-line in Only Ghost, truly inspiring production and lyrical composition especially as a first release. This album is one of few that I can say has no weak ends, each track flows together in a uniquely comprehensive way that keeps you interested while each track holds its own weight, a truly beautiful album that deserves nothing less than a 10. Full Review »
  2. Nov 13, 2016
    10
    One of the best albums I have ever listened too. A couple years after its release, it is still my go to album in the car. Very excited forOne of the best albums I have ever listened too. A couple years after its release, it is still my go to album in the car. Very excited for album two. Make sure you check out the Deluxe version, its on another level. Full Review »
  3. Jul 1, 2014
    9
    After listening to this album i can happily say that Dan Croll is one of my favorite artists to date. This is one of the best debut albums iAfter listening to this album i can happily say that Dan Croll is one of my favorite artists to date. This is one of the best debut albums i have ever heard. Aside from one song which i personally found boring i am utterly in love with Dan's music. Never have i found a composer who can truly put a smile on my face. I am addicted to Dan's uplifting music. And i need to mention that his live music sounds almost identical to his prerecorded tapes, unlike most artists who sadly use a profuse amount of auto tune. How this album got the score that it did is beyond me. But what i do know is this, i am hooked on sweet disarray and i need more music from Dan Croll right now! Full Review »