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The combination of Lewis and Rodriguez-Lopez seems promising, albeit one that could use a few tweaks and a tad less self-indulgence on the conceptual front.
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Juliette Lewis dials down the aggression, amps up the introspection, and adds a dose of weirdness on her third album, Terra Incognita. As always, what Lewis wants to achieve is apparent and admirable, but not necessarily quite what is achieved.
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MojoJuliette Lewis's third shot at crossing over from award-winning actress to respected songwriter appears to br gatherng pace. [Oct 2009, p.98]
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A rich, rowdy and mostly rewarding listen.
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Lewis convincingly mixes guttural aggression and haunting sonic effects. However, the songwriting is mostly nonexistent, and some tracks are puzzling non-fits that destroy any consistent atmosphere.
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The conceptual stuff is ill-advised.... But she's a competent angst-belter who knows how to imitate singers she likes, from Courtney Love to Kim Carnes--even if her Janis Joplin is too close to 30 Rock for comfort.
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Q MagazineFor all her Stakhanovite efforts and the title track's Hole-esque venom, the fact is she's yet to prove that it is music and not acting that is her true calling. [Oct 2009, p.112]