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A winning result.
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Marking not so much a revival as a triumphant rising from the ashes, “The Antidote” is a surprisingly potent and clear vision of musical intent.
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UrbSure it's not as deep, dubby or listless as Charango, but this album is equally suitable for the late-night comedown. [Oct 2005, p.79]
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Both a total curveball and pleasant surprise.
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Q MagazineThey have toughened up. [Jun 2005, p.113]
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MojoMartey is a definite improvement. [Jun 2005, p.106]
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UncutLike most of their work, it all sounds teasingly familiar. [Jun 2005, p.97]
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Where many electronica artists choose to mine vintage soul and hip-hop, very few have looked to 1960s folk-rock and guitar-driven anthems for inspiration. The results are quite astounding - if unexpected - and the change is definitely welcome.
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After a while, the songs begin to sound the same, and while Martey's vocals are consistently strong, the fact that she almost always sings in the same range robs them of much of their effect.
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The downside to all of this newfound strength is that it seems that the Godfrey brothers have painted themselves into a rut with this vocalist. By focusing all of their efforts into playing to her strengths, they have eschewed most of the variety of their earlier work.
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Try as you might, searching for vestiges of the ol' Morcheeba is futile.
User score distribution:
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Positive: 7 out of 8
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Mixed: 1 out of 8
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Negative: 0 out of 8
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ChristianFJan 4, 2006
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mikeNov 3, 2005
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realvoysSep 29, 2005