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Few bands have managed to blend so many divergent sounds and styles together to make such an interesting, great-sounding, and cohesive [key word] record as Evangelicals have with The Evening Descends.
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What really makes this album special is the ways in which the Evangelicals pull off big-stage spectacle on what still sounds like a public-access cable-show budget.
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UncutEvangelicals sing of skeletons, snowflakes and things that go bump in the night with witty samples and imaginative arrangements. [Mar 2008, p.87]
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MagnetThe Evening Descends is a dizzying, carefully crafted ride; it spins, but never out of control. [Winter 2008, p.102]
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A winsome and not entirely stable treat.
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On their sophomore album, Evangelicals give us a glimpse of a more mature, real band.
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The one knock on this record is that it just isn’t very dynamic, as too many of the tracks fail to strike with the impact of truly great efforts. There are exceptions, of course, and the drumming on the fantastic 'Skeleton Man' propels the track with a driving momentum that’s too often missing on The Evening Descends.
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When the messy, antic songs go pop (the Of Montreal-esque "Paperback Suicide"), they really pop; when they head into comedown territory ("Party Crashin'"), aimlessness ensues. Thankfully, Evening mostly partakes of the good stuff.
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MojoThe sudden shifts between smooth/jarring and soft/hard make for an uncomfortable but compelling ride. [Mar 2008, p.113]
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Evangelicals certainly have the potential to push through and make amazing music--it’s just too much hit and miss here.
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Under The RadarJones' ruinous voice brings the otherwise ascendant The Evening Descends toward a dark and inhospitable night. [Winter 2008, p.81]
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Intricate layers and rolling, subtle lifts give way to chaos, but taken in one dose, The Evening Descends is a few hits short of lovely.
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A sprawler is always a dangerous gambit for a band. It can easily trip over the line from cracked genius into failed experiment, as The Evening Descends does.
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The Evening Descends isn’t actually a concept album (at least, I can’t find any hard evidence saying it is), but the mixture of overblown seriousness and misfiring silliness, cut with a bludgeoning lack of subtlety and some well-worn-out running themes, mean it sure as hell sounds like it would’ve been if it’d been given half a chance.
User score distribution:
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Positive: 11 out of 12
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Mixed: 0 out of 12
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Negative: 1 out of 12
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May 17, 2020
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SMar 15, 2008
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JCC.Mar 14, 2008