Buy Now
- Critic score
- Publication
- By date
-
May 3, 2017The Last Rider is a gorgeous record, hazy and honeyed, which sounds and feels like a remastered '70s folk-pop classic.
-
May 24, 2017This album delivers pop at its most intelligent and affecting, stuff that, in a cooler world, would be beaming out of radios everywhere.
-
Apr 27, 2017he Last Rider is yet another confident stride along that path, and anyone with a passion for smart and savvy grown-up pop is enthusiastically urged to follow him wherever it leads.
-
MojoApr 25, 2017There's an appealing stealth and positivity to Ron's writing here. [Jun 2017, p.91]
-
Apr 20, 2017The amiable quality of his lyrics and his enduring melodicism are in full effect on The Last Rider, which is notable in the Sexsmith canon for being the first record to employ his long-tenured touring band, a whip-smart quartet of tone-savvy sidemen who for many years have faithfully adapted the minute details of his many releases for the stage.
-
Apr 20, 2017The pleasures of The Last Rider are subtle. Despite the album’s amiable surfaces, Sexsmith purposely understates the perils of observing and thinking too much. The mellifluous surface hides the roughness underneath.
-
UncutApr 20, 2017The Last Rider is another warm collection of bittersweet pop songs, alternately wistful and playful, freighted with memories of time and place. [May 2017, p.39]