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May 20, 2016With this effort Shauf successfully portrays the complicated smogarsbord that is youth by capturing in its crudest form at a party, with its hedonism and heartbreak, and in doing so propels himself miles ahead of his singer-songwriter peers who have tried to do the same.
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May 18, 2016Shauf brings the same mentality to pop music as the songwriting greats of the '60s and '70s did, with gorgeous instrumentation, subtle arrangements and an all-round organic feel. Paired with his very human and humanizing lyrics, The Party is relatable and honest, simply marvellous.
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May 23, 2016Partygoers collapse or embarrass themselves; strings, clarinets and lush Harry Nilsson-style moments all add to the snapshot of an accomplished new voice.
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May 20, 2016His idiosyncratic, mumbled vocal delivery might occasionally make understanding the lyrics a bit of a challenge, but it's also one of his unique distinctions and with The Party, he's added another strong outing to his canon.
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MojoMay 18, 2016Shauf paints an endearing sketch of his house party's many moods. [Jun 2016, p.97]
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UncutMay 18, 2016The Party is definitely worth celebrating. [Jun 2016, p.79]
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May 18, 2016Played entirely by Shauf save for the lush string arrangements, it’s a baroque-pop exercise with echoes of Seventies smarties like Harry Nilsson, Randy Newman and Steely Dan, though rather more empathetic than them. And less cynical.
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May 20, 2016While the arrangements are lush, they don’t get too overbearing or massive to take away from the lyrics. Fans of artists like Elliott Smith and Grizzly Bear will likely enjoy Shauf’s music, but overall Shauf really comes into his own on The Party.
Awards & Rankings
User score distribution:
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Positive: 21 out of 22
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Mixed: 0 out of 22
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Negative: 1 out of 22
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May 22, 2016
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May 22, 2016
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Dec 20, 2016