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Though the guitarist has flirted with folk before (notably on 2001's "Crow Sit on Blood Tree") never has he done so with such inventiveness or, as 'Look Into the Light' and 'In the Morning' illustrate, such charm.
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MojoGraham Coxon has left behind his early Jam-meets-Syd-meets-Billy Childish thrashings and his more petulant little-boy-lost vocals, and recorded an album seemingly inspired by Paul Weller's "22 Dreams." [Jun 2009, p.98]
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Street produces again, and Robyn Hitchcock is among the guests, but even they can't make up for repetitive, one-dimensional songs--mostly sleepy folk, occasionally fuzzy psych.
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Q MagazineToo many of Coxon's conceptual songs are crucified on the cross of his man-child voice, neither weird enough to beguile nor strong enough to hold your attention. [Jun 2009, p.124]