• Record Label: Matador
  • Release Date: Sep 23, 2014
User Score
8.3

Universal acclaim- based on 119 Ratings

User score distribution:
  1. Negative: 7 out of 119
Buy Now
Buy on

Review this album

  1. Your Score
    0 out of 10
    Rate this:
    • 10
    • 9
    • 8
    • 7
    • 6
    • 5
    • 4
    • 3
    • 2
    • 1
    • 0
    • 0
  1. Submit
  2. Check Spelling
  1. Sep 23, 2014
    6
    honestly it felt kinda empty for me, it had it's moments but it was forced for me but it deserves a 6 from me ..................................................................
  2. Sep 28, 2014
    6
    I don't really get it. I mean Perfume Genius have always shown restraint, which is unique in itself these days, and the space and emptiness of this album is quite refreshing. But only really on the clsoing track is there anything to really grasp onto in terms of a melody, some soul and a drumbeat. It may be my favourite album after a few more plays but right now it comes across as very overrated.
  3. Oct 29, 2015
    6
    none of it deems too surprising, in spite of its experimental production and almost the pure stretch to differentiation Perfume Genius clearly wishes to make, but non of it is bad either, there are emotional and memorable moments
Metascore
87

Universal acclaim - based on 31 Critic Reviews

Critic score distribution:
  1. Positive: 31 out of 31
  2. Mixed: 0 out of 31
  3. Negative: 0 out of 31
  1. Nov 26, 2014
    70
    He lacks the humour, more explicit angst and emotional confidence of John Grant and lacks Garneau's devotion to melodrama and pop. He is hardly Stephin Merritt. He exists independently as a cultural explorer as well as simply a very fine, very sensitive songwriter.
  2. Magnet
    Nov 12, 2014
    80
    Too Bright highlights the moments of buoyancy that dotted his first two outings--both of which sounded nothing if not dour on first listen--and setting the stage for Hadress as one off the most compelling new American songwriters of the last half-decade. [No. 115, p.61]
  3. Mojo
    Nov 7, 2014
    80
    It is a deeply odd but consistently compelling work. [Nov 2014, p.98]