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The lyrics are nearly as evocative, with Burnett issuing detective-novel threats ("I can stir you like a Bloody Mary") and spinning dystopian sci-fi fantasies. But too often, on songs such as the droney 'Dope Island' (a duet with ex Sam Phillips), Burnett's melodies veer between off-puttingly strange and nonexistent.
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While there is no doubting the power of Marc Ribot’s off-kilter twanging or the noirish density of the music, the songs don’t really work on their own.
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Much of the album features a heavily minor-saturated tone complimented by dissonant brass chords and harmonies that emphasize the play’s catastrophic surrealism.
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Guitarist Marc Ribot adds a little flash to the gray affair, but Burnett prefers subtlety, which may have worked in theatre but not so much on disc.
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Between the singer/songwriter's hectoring-preacher delivery and predictable surf-guitar-noir arrangements, the result is one dreary sermon.
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Q MagazineBut even knowing that [it's inspired by a Sam Shepard play], it's impossible to tell what's going on. [June 2008, p.149]