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- Critic score
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Classic Rock MagazineDec 18, 2014The sound of a very classy singer, and her smokin' band, having a fabulous time. [Aug 2014, p. 209]
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Sep 23, 2014This album debuted at No. 1 in her native Ireland, and it has the muscle to catch on here.
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Sep 23, 2014This a powerful, uncompromising release and one that doubles down on her established style while pulling no punches.
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Jul 24, 2014This album is no time capsule; it's fresh and bracing.
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Aug 27, 2014May understands a hard rock beat ignites the primal, instinctual critique of the modern world. She celebrates the eternal value of that notion.
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Jul 24, 2014Here we get her bright, puckered vocal attack showcased on a bevy of instantly infectious cuts.
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MagnetAug 6, 2014Imelda May's fourth album works best when she drops the bad-bad-girl stereotypes, but takes a few songs for her to hit her stride. [No. 112, p.59]
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Sep 23, 2014The obvious skill and spring in May’s delivery can excite, but her music has become too uniform, too fixed in its backward view to keep us rapt.
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MojoJul 24, 2014The feel is antique and wearily repetitive. Only the sexed up Wicked Way and the deft and tender Little Pixie, about her baby daughter, offer any light and shade. [Jul 2014, p.92]
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Jul 24, 2014Her follow-up to the popular Mayhem finds Imelda May still indulging the boisterous rapscallion character suggested by titles like “Wild Woman”, “Hellfire Club” and “Gypsy In Me”.
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Jul 24, 2014May's an engaging and entertaining storyteller on the more breakneck material, particularly the dynamic Wild Woman and the melodically astute Hellfire Club. The ballads, however, are less distinguished.