Ultraviolence
by Lana Del Rey
User Score
8.8

Universal acclaim- based on 2264 Ratings

User score distribution:
  1. Positive: 2,028 out of 2264
  2. Mixed: 52 out of 2264
  3. Negative: 184 out of 2264
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  1. Blakebcb123
    Jun 11, 2015
    10
    THIS is music. Beautiful. Claps for Dan Auerbach.

    Best Tracks: "Cruel World" "Ultraviolence" "Shades of Cool" "Old Money" "Black Beauty"
    Worst Track: "Guns N Roses"
  2. truerowance
    Jun 10, 2015
    7
    After listening to this album, I realised it's not that bad but it's not thaaaaaaat good. Anyway, Ultraviolence shows that Lana kinda grew up since Born to Die. And I like it.
  3. Wael
    Jun 2, 2015
    10
    This album is so much different than any other Lana Del Rey record, especially her major-label debut Born To Die. Good different. The amazing hip hop beats are gone, only to be replaced with magnificent guitars. The deep sad lyrics vanished, only to be replaced by even sadder and more bitter words. Lana's confidence is on top, her vocal performance is very passionate and very on point. TheThis album is so much different than any other Lana Del Rey record, especially her major-label debut Born To Die. Good different. The amazing hip hop beats are gone, only to be replaced with magnificent guitars. The deep sad lyrics vanished, only to be replaced by even sadder and more bitter words. Lana's confidence is on top, her vocal performance is very passionate and very on point. The record has this big summer-y feel to it, even though it's the saddest thing I have ever heard. Standouts are Money, Power, Glory; Sad Girl; and Brooklyn Baby. Go miss Grant! 8/10.… Expand
  4. Lenis
    May 11, 2015
    9
    It seems like is a very personal material for her, the alternative side is mixed with a very clever production that brings fresh rock sound, it's really great to see her growing up as an artist and bring such a beautiful record she's a poet and this kinda dreamy tracks are magic and belong so well to each other in a very cohesive way.

    Highlights: West Coast, Brooklyn Baby, Ultraviolence    It seems like is a very personal material for her, the alternative side is mixed with a very clever production that brings fresh rock sound, it's really great to see her growing up as an artist and bring such a beautiful record she's a poet and this kinda dreamy tracks are magic and belong so well to each other in a very cohesive way.

    Highlights: West Coast, Brooklyn Baby, Ultraviolence (especial shotout to Flipside)    … Expand
  5. ryanloveslana
    May 9, 2015
    10
    Lana's second effort under Interscope, gives off a more likeable sound than Born To Die (2011). On ULTRAVIOLENCE, the sound is more Sadcore and pop. However, it makes me upset that both "Florida Kilos" and "Flipside" were not included on the regular deluxe editions nor international versions of iTunes. My highlights of the album are "Cruel World", "Ultraviolence", "Shades of Cool", "WestLana's second effort under Interscope, gives off a more likeable sound than Born To Die (2011). On ULTRAVIOLENCE, the sound is more Sadcore and pop. However, it makes me upset that both "Florida Kilos" and "Flipside" were not included on the regular deluxe editions nor international versions of iTunes. My highlights of the album are "Cruel World", "Ultraviolence", "Shades of Cool", "West Coast", "Pretty When You Cry", "Old Money", "F**ked My Way to the Top", "Florida Kilos", and "Flipside". Overall, a beautiful-sad album.… Expand
  6. SergioCosta
    Apr 18, 2015
    10
    This review contains spoilers, click expand to view. I love this album, i really identify myself with the lyrics. She show how dark can be the love for something and you'll do anything to get it, Lana did a perfect job and i'm so proud and grateful for it!… Expand
  7. nclsmrn
    Mar 26, 2015
    10
    I am speechless. This is one of the best albums of 2014. Feels like you're drowning on the saddest lake in the most depressing forest that could exist.
  8. traviol
    Mar 7, 2015
    10
    Seriously, this is one of the best albums she has ever recorded. The dark theme with a west coast sense suit each other perfectly. Her voice makes it sound more richer. This album could be considered as the best album of 2014 and a masterpiece. It exactly shows us who she really is. Great work.
  9. thanospap
    Feb 12, 2015
    9
    This is my first review on an album and I am so happy to do it for Lana Del Rey's "Ultraviolence".
    The title may confuse some of you for the content of the album because the word "ultraviolence" is connected to " A Clockwork Orange" movie by Stanley Kubrick. Well not. This work has nothing to do with this gorgeous movie. It is an album that has to do with painful love, domestic violence,    This is my first review on an album and I am so happy to do it for Lana Del Rey's "Ultraviolence".
    The title may confuse some of you for the content of the album because the word "ultraviolence" is connected to " A Clockwork Orange" movie by Stanley Kubrick. Well not. This work has nothing to do with this gorgeous movie. It is an album that has to do with painful love, domestic violence, fame, rumours and the New York based artist's feelings about the other side of U.S.A.
    Actually, the lyrics' content is not much different from her Lizzy Grant's first album under the persona of Lana Del Rey, Born to Die. But this is not a problem, when the music, the rythms, the style and the atmosphere have become more mysterious and rock far away from some hip-hop and pop songs such as "Diet Mountain Dew" and "Off To The Races", which are amazing, but "mature" enough.
    Most of the songs are making love with the guitars of Dan Auerbach, producer of the album, and Rick Nowels in songs like "Shades of Cool", which contains a great solo playing the role of a bridge with the chaotic vocals by Del Rey.
    "Ultraviolence" begins with "Cruel World" which is a well-chosen introduction of the album, since it creates an atmosphere of melancholia and mystery and then "Ultraviolence" comes making it clear that Lana Del Rey is a complicated soul different from the others. An honest soul.
    In general, the album is a strong proof that Lana is not a girl aiming to be on the top of the charts and that she simply expresses her thoughts via the music with some really poetic lyrics.    … Expand
  10. valgreen
    Feb 5, 2015
    10
    Can't find the right words to describe this album because it's so **** good. It's amazing, really. You feel like floating in the sky in each song. Just so good. THIS should be nominated to the Grammys, and even winning. Sad that it isn't. But still, the best alternative album of 2014.
  11. MCRR
    Jan 25, 2015
    7
    A moody, sultry, sexy, luscious offering from Del Rey. The album is a touch somber, but in a 'oh-so-good' way. The dark and seductive vibe just pulls you right in. One can try and resist, but the sheer magnetism of Del Rey's beautiful charms is simply irresistible.
  12. longjetty7
    Jan 12, 2015
    9
    This album is near-perfect, probably my favorite of 2014. The first time I listened to Ultraviolence, I thought it was boring, but the more I listen, the more I like it. The sound is atmospheric and lush, and strangely it sounds both modern and throwback. Including the 3 songs on the Deluxe edition, I love every song except The Other Woman, but that sort of doesn't count because it's aThis album is near-perfect, probably my favorite of 2014. The first time I listened to Ultraviolence, I thought it was boring, but the more I listen, the more I like it. The sound is atmospheric and lush, and strangely it sounds both modern and throwback. Including the 3 songs on the Deluxe edition, I love every song except The Other Woman, but that sort of doesn't count because it's a cover (still fits with her whole persona though). This album is perfect for getting high to, or just kicking back and thinking about the meaning of life.… Expand
  13. nasosli
    Dec 27, 2014
    10
    This review contains spoilers, click expand to view. Lana takes it in an different level. Am I the only that thinks that Lana del Rey is the QUEEN IF ALTERNATIVE. Amazing. New sounds and......amazing. Congrats!!!!!!!… Expand
  14. LoveMeHarder
    Dec 24, 2014
    9
    Ultraviolence is a very remarkable, cohesive body of work. It may not have the most upbeat and exciting tracks, but it sets a perfect, dark atmosphere. Lana has outdone herself on Ultraviolence, I'd recommend listening to it.
  15. NathanCabello
    Dec 16, 2014
    7
    Worst album of Lana, this really causes me sleep, the songs appear to be identical and are too few who are saved, I hope it improves a lot in the next album.
    Highlights: Florida Kilos and Ultraviolence
    Lows: Sad Girl and Black Beauty
  16. diofelicciano
    Dec 16, 2014
    8
    If this album could be described in only two words, I would describe as "depressingly amazing". Lana's sophomore album is denser than its predecessor, deeper too. You can feel her pain and desires just like you were on her skin. And that's great!
    "West Coast", "Cruel World", "Brooklyn Baby", "Florida Kilos" , "Sad Girl" and the title-track are the best moments.
  17. ultraviolenmilk
    Nov 9, 2014
    9
    Lana vërtetë e tejkalon atë në këtë album . Trading hop udhëtim / hip prodhimit me një shkëmb alternative të ndjehen të përzier me disa pop ëndërr nga The Black Keys Dan Auerbach . Vocals Lana janë pasuruar edhe në të gjithë LP përbërë nga këngë të përhershme deri në 6 minuta . Unë do ta quaja " albumin e errët " të këtij Lana ndërsa qenë më të mirë të saj . Nëpërmjet këtyre vlerëson ,Lana vërtetë e tejkalon atë në këtë album . Trading hop udhëtim / hip prodhimit me një shkëmb alternative të ndjehen të përzier me disa pop ëndërr nga The Black Keys Dan Auerbach . Vocals Lana janë pasuruar edhe në të gjithë LP përbërë nga këngë të përhershme deri në 6 minuta . Unë do ta quaja " albumin e errët " të këtij Lana ndërsa qenë më të mirë të saj . Nëpërmjet këtyre vlerëson , Lana ende duhet të punojë për kah lirika e saj . Tracks si **** My Way To The Top dhe Sad Girl janë gjysmë të mirë dhe mund të ketë qenë hedhur larg për versionin luksoz . Gruaja tjetër është edhe një nga këngët më të mira të formuluara nga Lana , pasi ishte shkruar fillimisht për Nina Simone . Në përgjithësi , Ultraviolence mund të jetë një nga albumet më të mira të 2014

    10/10    … Expand
  18. theBEAT
    Oct 13, 2014
    9
    Lana Del Rey's sophomore album Ultraviolence guides the listener through a dark path of 60's/70's americana in tragic LDR fashion exploring the sexy yet mysterious allure of the pop chanteuse. A violently cinematic listen.
    BEST TRACKS: Cruel World, Brooklyn Baby, West Coast, Money Power Glory
  19. Adson
    Oct 7, 2014
    9
    Live this fantasy! Del Rey used her total emotion in this album. "West Coast" is psychedelic and made me fly. The choices of singles was awesome and in my fav's top 5, I have: 1 - West Coast, 2 - Ultraviolence, 3 Shades of Cool, 4 - Pretty When You Cry and 5 - Money Power Glory.
  20. WarriorLotus
    Sep 29, 2014
    8
    Born to Die was a bit of a hot-mess. Ultraviolnce on the other hand shows us, for the first time, who Lana Del Rey really is. This is a great indie-esque record. All the songs sound like they belong together. It would have been better with at least one song as dramatic as Young & Beautiful, but other than that, it's a silent killer. Calm and slow, but very infectious and like-able.Born to Die was a bit of a hot-mess. Ultraviolnce on the other hand shows us, for the first time, who Lana Del Rey really is. This is a great indie-esque record. All the songs sound like they belong together. It would have been better with at least one song as dramatic as Young & Beautiful, but other than that, it's a silent killer. Calm and slow, but very infectious and like-able.

    Highlights-
    Brooklyn Baby
    Old Money
    Money Power Glory
    **** My Way Up to the Top

    Lows-
    Not many, but Cruel World could have been better if it was more engaging. Black Beauty should have been on the standard edition, possibly taking the place of Sad Girl or The Other Woman.    … Expand
  21. framaz72
    Sep 27, 2014
    8
    Ultraviolence is, again, a musical chef-d'oeuvre. Lana has grown out of her pop sonorities to a more jazzy rock sound. She has kept the slowed, melancholic type that is her musical identity. Ultraviolence is about friends, love, drugs, loneliness, drugs again, money and fame. Lana has taken a risk when changing her style but we can still hear and feel her soul crying and praying for someUltraviolence is, again, a musical chef-d'oeuvre. Lana has grown out of her pop sonorities to a more jazzy rock sound. She has kept the slowed, melancholic type that is her musical identity. Ultraviolence is about friends, love, drugs, loneliness, drugs again, money and fame. Lana has taken a risk when changing her style but we can still hear and feel her soul crying and praying for some kind of release. Much darker than Born to Die, Ultraviolence contains a re-adaptation of the unreleased song Methamphetamines, Old Money as well as the final version of Black Beauty, the demo having leaked months before. Florida Kilos is part of the highlights of the album, final track of the deluxe edition it is the only cheerful/dancing songon the album. Guns and Roses and Money, Power, Glory seem not worked enough, but the album in his whole is a must-have jewel.… Expand
  22. Rumblefish
    Sep 21, 2014
    9
    I was a big fan of the first album "Born to Die" but Ultraviolence tops it. There is a uniqueness to what Lana Del Rey is producing. Her voice, phrasing and general sound are all individual. She sounds incredibly organic and authentic (an irony considering she has been labelled as "manufactured"). The subject matter of the songs themselves are interesting and engaging. It's not oftenI was a big fan of the first album "Born to Die" but Ultraviolence tops it. There is a uniqueness to what Lana Del Rey is producing. Her voice, phrasing and general sound are all individual. She sounds incredibly organic and authentic (an irony considering she has been labelled as "manufactured"). The subject matter of the songs themselves are interesting and engaging. It's not often that a collection of songs (as in the first album) written purely from a woman's perspective, can be so enticing as to draw the ear of a male audience, but Del Rey achieves this - no-one is safe from the allure of her voice!

    This second album is well-paced, reminiscent and even more damaged than the first. There is a sadness pervading through the songs, a rueful resignation or poor choices made and lives taking unfavourable paths. There's also a dignity and a defiance. A heroic trashiness if you will.

    This is an outstanding collection of tracks, never pandering to the radio crowd. When one looks at the other female icons of the day (GaGa, Beyonce, Shakira, Nicki Minaj, Rihanna, etc) and the shallowness and vacuity of what they produce, it becomes clearer that Lana Del Rey is the only one flying the flag for true female artists these days. She deserves all the credit in the world for this and for the affecting experience of listening to her music.    … Expand
  23. lucas24
    Sep 19, 2014
    10
    Um dos melhores albums de 2014. Suave e agressivo ao mesmo tempo, Lana abusa de sua brilhante criatividade criando mais uma maravilha para os ouvidos.
  24. leandroblows
    Sep 18, 2014
    10
    A melhor viagem do universo, ser levado da costa oeste até o Brooklyn em um Chevy Malibu pra depois ser tragado para um lugar ainda mais obscuro e belo, a alma da Lana. O melhor disco de 2014 sem dúvida, valeu a pena acabar com minhas unhas de tanto esperar.
  25. jrodfilms
    Sep 7, 2014
    7
    a dark album that stays consistent with its theme. the title track and lead single 'west coast' and definitely favorite tracks. however, i did find the later part of the album to be filler. brooklyn baby sounds a bit like summertime sadness.
  26. PinkFriday
    Sep 6, 2014
    8
    Não admiro muito esse estilo de música, mas com Lana é diferente. Ultraviolence é um álbum brilhante, principalmente na parte da letras, que são bem profundas. Apesar de algumas músicas serem muito grandes e algumas faixas cheguem a dar um pouco de sono, Lana mostra que não é só mais uma, e está na indústria musical para ficar.
  27. OsianLewisBlog
    Aug 23, 2014
    7
    http://osianlewis.blogspot.co.uk/2014/08/lana-del-rey-ultraviolence-review.html

    Read my Review 'Lana Del Rey 'Ultraviolence Review: The Emotional Landscape of a Tortured Soul.'

    7.5/10
  28. gabsneverdies
    Aug 23, 2014
    10
    Rainha é assim mesmo amores, aceitem, senti no Ultraviolence algo menos comercial que o BTD embora ambos sejam ótimos, já posso esperar grandes coisas para os próximos álbuns
  29. foucauldian
    Aug 22, 2014
    10
    It is a masterpiece, something to be hailed and beatified in the musical halls of time. 'FMWUTTT' and 'Brooklyn Baby' have godly production. The themes and lyrics expressed with in this album evince the sheer power and talent Lana Del Rey has.
  30. KCOTAKU
    Aug 10, 2014
    10
    If I could score this album a 12 I would, I do have to say 1st of all I am a huge fan of Del Rey's other albums Born To Die & Paradise. Ultraviolence is unlike something I have ever heard before, it's nostalgic sounding but yet it feels so fresh. Every tack is unique in it's own way. In my opinion Ultraviolence is 100% the album of the year. I love every tack off the album but these are myIf I could score this album a 12 I would, I do have to say 1st of all I am a huge fan of Del Rey's other albums Born To Die & Paradise. Ultraviolence is unlike something I have ever heard before, it's nostalgic sounding but yet it feels so fresh. Every tack is unique in it's own way. In my opinion Ultraviolence is 100% the album of the year. I love every tack off the album but these are my four favorites: Old Money, Money Power, Glory, Black Beauty & Brooklyn Baby.… Expand
  31. adhamhany
    Aug 7, 2014
    9
    This is, to a degree, a different kind of music than what we heard in her last studio album. Here, it's more diverse, though most of them create the same atmosphere. The vocals are quite enchanting, thanks in no small part to Lana's voice, which is just as beautiful, sad, and eerie as it has always been.

    While these things contribute to making this the great album that it is, the lyrics    This is, to a degree, a different kind of music than what we heard in her last studio album. Here, it's more diverse, though most of them create the same atmosphere. The vocals are quite enchanting, thanks in no small part to Lana's voice, which is just as beautiful, sad, and eerie as it has always been.

    While these things contribute to making this the great album that it is, the lyrics are what truly elevate it. Full of melancholy, reflection, and nostalgia. An album about broken people, love, happiness, the America of decades ago, and the women who inhabited it.

    Perhaps my only problem with this album is how it - sometimes - felt repetitive.

    Deciding what my favorite tracks in this album are is a bit meaningless. There's too many of them. Besides, the album is best experienced as a whole. Also, try to get the deluxe edition; it has four bonus tracks, two of which are pretty great, and the other two are still worth it.

    I liked Born to Die when i heard it a year or two ago, and became very excited for her career and what she might have in store for us. With Dan Auerbach as producer, this album exceeded it's predecessor in more ways than one. I'm still as excited as i previously was, and i hope she gets to create more wonderful work.    … Expand
  32. Vorex
    Aug 4, 2014
    4
    Being a big fan of Born To Die, I was very disappointed with the mediocre 'Ultraviolence' which, nearing two months on, still hasn't grown to my ears. The album has been completely over-praised by fans and even the most prestigious music critics, likely for her edgy/different sound. Ultraviolence fails to produce any unique and different sounding songs. In fact, the majority of the songsBeing a big fan of Born To Die, I was very disappointed with the mediocre 'Ultraviolence' which, nearing two months on, still hasn't grown to my ears. The album has been completely over-praised by fans and even the most prestigious music critics, likely for her edgy/different sound. Ultraviolence fails to produce any unique and different sounding songs. In fact, the majority of the songs on the album sound almost completely the same and it's often hard at times to distinguish between them. There's been times when I've listened to the album in the background and all of the songs on the album just flow into this same-sounding blur, making you forget you're even listening to anything at all. the only time I think I ever realise I'm listening to the album is at the very end when 'Florida Kilos' plays, which is of a much higher quality to the rest of the sound of the album. I can only hope that Lana listens to the real critics of the album so she can continue to write the timeless classics such as those from her debut album, and so that I can continue to be a fan of her.… Expand
  33. TVKing
    Aug 3, 2014
    10
    One of her best albums, with charming compositions and more use of her own genre without going to a rap base but a kind of indie dreampop one, using the escense of a shading background of shattered memories and a the feeling of she's giving her own nature to the listener.
  34. jotaeseche
    Jul 29, 2014
    8
    If the first Lana's try was a mixture of genres, styles and movements, this second strike appears more realistic, more steady, more mature. Which of them is better? I think it's up to the listener. What's objective now is the ability the artist has to re-invent herself and keep on moving while still being the same. Admirable.
  35. milasunshine
    Jul 25, 2014
    0
    I'm hoping this will become a grower as BTD is still one of my favourite albums. I do miss the hip hop beats but understand she wanted to explore a different hence the collaborations on this album. Unfortunately her new direction has not resonated with me as yet. Not as good as BTD I'm afraid.
  36. paypalkia
    Jul 22, 2014
    10
    I can't believe how perfect this album is. Lana Del Rey, you are my goddess, and Ultraviolence has changed my life forever. From the booming sounds in the background of Cruel World, to the heartbreaking vocals of Pretty When You Cry, to the beautiful shade of F*cked My Way Up To The Top, to the remastered beauty of Black Beauty, and to the odd shine of Florida Kilos, this album has won myI can't believe how perfect this album is. Lana Del Rey, you are my goddess, and Ultraviolence has changed my life forever. From the booming sounds in the background of Cruel World, to the heartbreaking vocals of Pretty When You Cry, to the beautiful shade of F*cked My Way Up To The Top, to the remastered beauty of Black Beauty, and to the odd shine of Florida Kilos, this album has won my heart. A perfectly cohesive album that screams it's title. It's dark, depressing, beautiful, and perfectly crafted. Sure, she may have lost some fans by throwing away the hip-hop beats of Born to Die, but that was never her true passion. She has gained and found her true fans in those who support this music. A hazy, smoky, old feel brought on by raw drums, guitars, bass, and slight distortion. Her voice brings all the instruments to life, it seems, and brings the viewers to life into an adventure made by her. A sad adventure, but a beautifully told adventure by the greatest storyteller "pop" music has today: Lana Del Rey. She may not be played on the radio, but she is quite the pop star. A popular star that doesn't have radio play, or even wants/needs it, because her music speaks louder than the radio's overdose of "it gets better" songs. She writes not to influence, but to release. She writes not for us, but for herself. Her devotion to this truly brings out the beauty of her music. Not everyone will like it, but that's okay, as long as she's happy doing what she's doing. Lana Del Rey has perfected her craft, created a dark masterpiece, and I can't wait to see what she will do next. For now, I'll be playing this endlessly.… Expand
  37. CuttingSledge
    Jul 17, 2014
    0
    Finally got around to listening to this after hearing a couple songs on indie radio, Sirius XM, etc. I'm not getting what the fuss is about. Then I read the user reviews on here, many of which don't jive at all with the relatively lukewarm reception to the left for Critics Reviews -- um, "Album of the year" or "favorite of all time," what does her label pay you to log on and give her a 10?Finally got around to listening to this after hearing a couple songs on indie radio, Sirius XM, etc. I'm not getting what the fuss is about. Then I read the user reviews on here, many of which don't jive at all with the relatively lukewarm reception to the left for Critics Reviews -- um, "Album of the year" or "favorite of all time," what does her label pay you to log on and give her a 10? Is that one of those work at home jobs I see advertised all the time in the comments sections of gossip sites? There's a reason this peaked immediately on Billboard and is quickly fall off the charts, it's just not that good. She's just not that good. And every time she opens her mouth, a la her latest Rolling Stone interview, she reminds us that she's a creation of others, and when she has to stand up and sing, on SNL for example, or speak for herself in Rolling Stone, she's just not that interesting or talented.… Expand
  38. kekinha
    Jul 15, 2014
    10
    Lana razed, made ​​a very different album Born to Die without losing its authenticity. One of the best albums of the year, voice and lyrics are outstanding. Loved.
  39. jhuly
    Jul 15, 2014
    10
    Full album. Lana shines on this album not only to be beautiful, somber. The evolution of vocal Born to Die for Paradise was great, but it got to the point Ultraviolence. Her voice shines all the time, and the guitar makes radiant what she does best for the public, its beautiful compositions about their past loves. The album is lovely and without doubt the leaves away from everything theFull album. Lana shines on this album not only to be beautiful, somber. The evolution of vocal Born to Die for Paradise was great, but it got to the point Ultraviolence. Her voice shines all the time, and the guitar makes radiant what she does best for the public, its beautiful compositions about their past loves. The album is lovely and without doubt the leaves away from everything the market has to offer today. Lana needs to be recognized for doing something different and quality to the market.… Expand
  40. MariEullalia
    Jul 15, 2014
    10
    It's an album that does not have a very wide variety different songs. But lyrically is wonderful and rich.
    Lana could do something to the previous level, but with more mastery. It's a beautiful album and will undoubtedly still far, wait a Grammy nomination, and it deserves a lot. All involved are to be congratulated.
  41. andreslopez
    Jul 13, 2014
    10
    This album is by far my fave one, it's too amazing, those vocal are great and every song is just wow. Brooklyn Baby is the best ballad i' ve ever heard...Del Rey definitely surprised me.
  42. Italian10
    Jul 11, 2014
    9
    " ULTRAVIOLENCE CD " BY POP SUPERSTAR LANA DEL REY IS A " VERY CLASSIC , STYLIST , AND MASTERFUL CD ". DEL REY HAS " GROWN AND CHANGED ALOT AS A POP ARTIST ON THIS CD ". ALTHOUGH ALOT OF THE MUSIC IS " TERMED BY MANY FANS AS DARK AND SLOW MOVING"-- IN A " FUNNY SAME SENSE THE MUSIC IS VERY " CLASSIC AND STYLIST "- ( AS IS DEL REY AS A SUPERIOR MUSIC ARTIST ). BEING A " HUGE DEL" ULTRAVIOLENCE CD " BY POP SUPERSTAR LANA DEL REY IS A " VERY CLASSIC , STYLIST , AND MASTERFUL CD ". DEL REY HAS " GROWN AND CHANGED ALOT AS A POP ARTIST ON THIS CD ". ALTHOUGH ALOT OF THE MUSIC IS " TERMED BY MANY FANS AS DARK AND SLOW MOVING"-- IN A " FUNNY SAME SENSE THE MUSIC IS VERY " CLASSIC AND STYLIST "- ( AS IS DEL REY AS A SUPERIOR MUSIC ARTIST ). BEING A " HUGE DEL REY FAN I'M " VERY PROUD OF LANA DEL REY " IN " ULTRAVIOLENCE CD " DEL REY IS TAKING " GROWING ALOT AND TAKING HUGE STEPS TOWARDS BECOMING A " POP MUSIC ICON " !!… Expand
  43. JotaBrasil
    Jul 11, 2014
    7
    Foi assim que eu comecei o Primeira Impressão de Born to Die em 2012:

    "Para tentar fazer a resenha do álbum de estréia de Lana Del Rey, Born to Die, é necessário seguir uma linha de raciocínio: Lana Del Rey é a versão em um mundo paralelo da Adele. Lana Del Rey é uma artista fabricada, dark, plastificada, indie, misteriosa, melancólica. Enquanto Adele seria a versão de um dos filmes de    Foi assim que eu comecei o Primeira Impressão de Born to Die em 2012:

    "Para tentar fazer a resenha do álbum de estréia de Lana Del Rey, Born to Die, é necessário seguir uma linha de raciocínio: Lana Del Rey é a versão em um mundo paralelo da Adele. Lana Del Rey é uma artista fabricada, dark, plastificada, indie, misteriosa, melancólica. Enquanto Adele seria a versão de um dos filmes de Woody Allen, Lana seria a David Lynch. Tão diferentes, tão geniais."

    Quase dois anos e meio depois é preciso pegar a linha de raciocínio dessa introdução/definição em relação à comparação ao cinema para entender o novo álbum da Lana Del Rey. Anteriormente, a cantora era uma personagem de si mesmo desenhada exageradamente com cores fortes (como em Cidade dos Sonhos) para "chamar" atenção para sua música e, obviamente, para ela mesma. Depois de conquistar essa atenção, negativa ou positiva, Lana pode deixar de lado suas amarras mais pesadas, tirar a maquiagem mais forte e tirar as roupas de festa e ser uma cantora mais real (como em Blue Jasmine), mesmo sem perder a áurea que encantou os fãs. O resultado dessa nova/velha Lana Del Rey está impresso em Ultraviolence.

    O grande resultado do caminho percorrido por Lana está na sua sonoridade: enquanto Born to Die tinha uma construção sombriamente pomposa e estilizada com um verniz comercial-que-não-quer-ser-comercial, Ultraviolence é naturalmente sombrio, mais cru na sua concepção e continua com o verniz, mas com um brilho mais fosco. Lana parece mostrar com mais afinco quais são as suas reais influências originais e não apenas usá-las como temperos especiais. Por isso, Ultraviolence é um álbum basicamente de indie rock com adições de pop ao contrário do antecessor que era um trabalho pop indie com toques de rock. A responsabilidade vem do produtor Dan Auerbach, vocalista da banda The Black Keys, que dá para o trabalho uma cara, não apenas mais rock, mas, também, mais crua, mais simplista, mais real e mais contida. Assinando mais da metade das faixas de Ultraviolence, Dan não esquece de respeitar de deixar as características marcantes da cantora como o lado sombrio, a melancolia, a delicada psicopatia que emana dela com toques de uma beleza pálida e triste. Todavia, devido aos trabalhos magníficos de instrumentalização em todas as faixas, em especial, das inserções das guitarras, a sonoridade aqui ganha uma atmosfera mais real e orgânica se transformando em um trabalho aflito e inquietante. E tudo isso, pasmem, é muito bom. Infelizmente, nem tudo são rosas em Ultraviolence.

    Vocalmente, Lana deve ser sempre elogiada ou criticada já que a sua voz, mais que outras cantoras, é uma de suas características que defini ela e a sua personalidade. Porém, não podemos negar que, em Ultraviolence, podemos ouvir claramente a "evolução" da cantora que escolhe um caminho bem diferente do que fez em Born to Die: em vez de apostar em performances mais encorpadas e poderosas como uma cantora de uma big band sombria, Lana se torna mais visceral apostando em na versatilidade de sua voz usando o tom mais agudo e, alguns momentos, a sua faceta mais suave (quase um falar em alguns momentos). Isso dá para Lana uma atmosfera de acordo com a vibe da sua sonoridade: delicada e mais frágil no sentido de ser mais real e tocável. Provavelmente, muitos não vão gostar, por motivos diversos, mas como eu sempre admiro quem se arrisca em buscar uma evolução na sua jornada artística, eu dou uma avaliação positiva no geral. O que grande problema de Ultraviolence é o seu teor lirico. Sim, querido leitor, Lana continua em sua batalha quase épica para mostrar o lado sombrio da vida, mas com toda a beleza melancólica que um dia de frio pode trazer. Estão lá os homens perigosos, as drogas, as luzes da cidade, os carros antigos, as referências underground e a narradora presa em um filme noir. Todavia, ao contrário dos trabalhos anteriores, falta uma força motriz por trás das faixas que deixa o resultado final abaixo do esperado. Talvez em buscas de soar mais contida, Lana se despe de uma criação mais abundante de suas letras e, apesar de ser uma mudança interessante, faz com que parte da sua personalidade seja corrompida. Repito: não é ruim, pois, ao longo do tempo, ela tende a refinar cada vez mais. Os grande destaques do álbum ficam por conta das faixas a grandiosa Cruel World, Ultraviolence que ganha pontos surpreendentes em mostrar uma situação de abuso contra a mulher de uma maneira bem imparcial, o single Shades Of Cool, a enigmática Money Power Glory e a melhor do álbum fica a cargo da sensacional Old Money. Depois de ouvir Ultraviolence, acredito que o álbum tem tudo para poder marcar a recente história da música, ser um sucesso comercial e até de critica e o, mais importante, ser o começo de uma nova fase na carreira de Lana que espero seja tão prolifera quanto ao do Woody Allen e não como a do David Lynch.    … Expand
  44. AuralFixation
    Jul 10, 2014
    9
    Lana Del Rey rocketed to stardom just over two years ago with her debut studio album, Born To Die. The album captivated audiences with Del Rey's low, smokey vocals and large, climatic orchestral booms. It seems that with her sophomore album Ultraviolence, Del Rey has traded in some of the orchestra for guitars and brought her songbird-worthy upper register to the forefront.

    I can see a    Lana Del Rey rocketed to stardom just over two years ago with her debut studio album, Born To Die. The album captivated audiences with Del Rey's low, smokey vocals and large, climatic orchestral booms. It seems that with her sophomore album Ultraviolence, Del Rey has traded in some of the orchestra for guitars and brought her songbird-worthy upper register to the forefront.

    I can see a lot of Lizzy Grant in this album. (And if you don't know what I mean by that, Lana Del Rey's birth name is Elizabeth Grant; she tried to launch a music career under her given name but it fell flat.) The record takes a lot of hints from her hundreds of unreleased tracks, but with hints of what she learned from Born To Die and Paradise. Personally, I don't care for a lot of her unreleased material, but the works here on Ultraviolence are perfectly polished. However, this change could leave many music lovers that have only heard Born To Die scratching their heads and asking what happened to their alternative pop princess.

    Dan Auerbach's influence on this album is especially present on the first five tracks of the album; those tracks in particular are very open and sound as if they were recorded in just a few takes. There are few imperfections here and there and it leaves for a very unique sound; it's definitely not bad by any means, it just makes the songs seem raw and pure. And lyrically, I believe that corruption display throughout this album makes the content of Born To Die seem like child's play. Del Rey's debut focused on alcohol dependence, love, and heartbreak, while Ultraviolence is packed with drugs, sex, scandal, lying, cheating, and (obviously) violence.

    In thirty second snippets, this album is lackluster. When I first heard the snippets of the album that were released on an online music store, I feared that this album would go down in my books as a three-star effort; a back-step from her debut. However, the majority of the tracks on Ultraviolence are well over four minutes long; each track swells and blossoms over time, which cannot be heard in just thirty seconds. Each ambient track must be heard in full to comprehend the true beauty of this album. This new-found alternative rocks sound will draw new people in, but the lyrical content of this album and the ideas and concepts behind it are going to steer other people away; I'm sure she's already realized that. It's an album soaked in corruption; it's not going to be pretty. When you take a step back and appreciate it for what it is, Ultraviolence truly is a gem.

    You can read my full review at http://auralfixationreviews.blogspot.com/2014/06/ultraviolence-lana-del-rey.html    … Expand
  45. happily123
    Jul 8, 2014
    9
    This is a labor of those that you hear every hundred years. Lana has once again demonstrated his talent by putting all their criticism, emotions and behaviors in profound and unique lyrics. Not to mention the vocals on the album, this woman's voice sounds like that of an angel, it seems somewhat superficial... **** this is one of the best albums of the year, I feel in the clouds listening to him
  46. Pookster
    Jul 8, 2014
    1
    After how much she's been beaten up for her millionaire dad trying to buy success for her, buying back her rights and changing her name after she failed as Lizzy Grant, bombing on SNL anyway, maybe-dating Axl Rose for attention, desperately taking the gig at Kimye's wedding (now that's an instant indie cred killer), etc., I actually started rooting for her -- heck, there are a millionAfter how much she's been beaten up for her millionaire dad trying to buy success for her, buying back her rights and changing her name after she failed as Lizzy Grant, bombing on SNL anyway, maybe-dating Axl Rose for attention, desperately taking the gig at Kimye's wedding (now that's an instant indie cred killer), etc., I actually started rooting for her -- heck, there are a million people trying equally hard to get famous, who are every bit as phony, why single her out to hate? Unfortunately, this record fails to transcend, it's merely mediocre gloom (nevermind her lame quotes about wishing she was dead). It sounds exactly like they hired the latest amalgam of "top producers" to manufacture yet another pose for her -- starker this time, a tad quirkier, but keep it safe, throw in random disjointed radio hooks, refer to Lou Reed, "borrow" from great old songs that will feel familiar to people, but they won't quite put their finger on right away (although even I have a soft spot for the allusion to "Edge of Seventeen" in "West Coast"). The more I hear these songs, the more she annoys me. In sum it sounds like simply one more calculated commercial mishmash, the record company trying to create a darker Selena Gomez to fill another niche. Too bad, she's not entirely untalented, she had a chance to do better than this insincere-ennui snoozer. By the way, the avalanche of absurd 10 posts from people who'd never posted a review before, and say things like "favorite artist of all time," or "one of the greatest talents of the century" -- come on people, if Lizzy's publicity machine extends now to soliciting posts here, at least give her a 7 or 8, that's far more credible.… Expand
  47. AllyH
    Jul 8, 2014
    9
    Ultraviolence has done something music for the last twenty years has failed to do. Become a masterpiece in it's own sub-genre. Stripped back from the lush strings and heavy beats of Born To Die, Ultraviolence focuses on the dark, seedy underbelly of the West Coast, delivering vintage rock and roll drums to the back of the sound field and reverb drenched vocals and rhodes arrangements toUltraviolence has done something music for the last twenty years has failed to do. Become a masterpiece in it's own sub-genre. Stripped back from the lush strings and heavy beats of Born To Die, Ultraviolence focuses on the dark, seedy underbelly of the West Coast, delivering vintage rock and roll drums to the back of the sound field and reverb drenched vocals and rhodes arrangements to the front.

    Lana has developed far more vocal confidence and hit the ground running on this second album. I have a feeling it will achieve Cult status in time and critical acclaim. The lyrical content is both sombre and playful, it is deliciously dark and the freedom in musicianship invokes a band feel reminiscent of the 70's.

    Ultraviolence is her best work yet.    … Expand
  48. absolutetrino
    Jun 30, 2014
    10
    love it , she is simply awesome, if you want to buy an album to enjoy slowly, well produced with iconic songs and that will melt in your mind then this is it. alos she is doing something quite diffeent to the rest so on that level i think she is really cool.
  49. mandiarmando
    Jun 28, 2014
    9
    Lana del rey outdoes herself making this remarkable album doing it catchy and enjoyable, nevertheless, is not an album try to raise the spirits, instead of that, the album invites you walking on the street or driving your car listening it. You will find out another registers in her which make the album pleasant with the atmosphere of the music and her beautiful voice. The first five songsLana del rey outdoes herself making this remarkable album doing it catchy and enjoyable, nevertheless, is not an album try to raise the spirits, instead of that, the album invites you walking on the street or driving your car listening it. You will find out another registers in her which make the album pleasant with the atmosphere of the music and her beautiful voice. The first five songs are definitely a gift for your ears and the last two ones (old money and the other woman)… Expand
  50. CynicalCritical
    Jun 27, 2014
    0
    Really this is just bad. And dull. I first heard West Coast on the radio, and almost kinda thought it started out kind of cool. But then it spun off into disconnected styles and nonsense. When I heard the full album, it just got worse from there. She's done.
  51. thaleslucas
    Jun 27, 2014
    10
    'Ultraviolence' isn't "more of the same", let alone "but less". Its a creative album while the lyrics and production make Lana Del Rey the greatest artist actuality. She takes inspirations on the past and do it our reality. This is THE ALBUM of the year!
  52. mariohenrique
    Jun 25, 2014
    9
    Amazing album. My favorites songs are 'Sad Girl', 'Old Money', 'Money Power Glory' and ****** My Way Up To The Top. Lana is amazing. I can't believe that some reviews are a **** I love the album, The album of 2014. But I still wait Adele's new album.

    XO
  53. James49
    Jun 24, 2014
    9
    This is an excellent album and much better than I thought it was going to be. It's hard to top an album like Born To Die but somehow Lana did just that. I find that most albums have a few good songs in the beginning and then fizzle out with a lot of filler. This does not happen on Ultraviolence. Yes, there are one or two songs I could probably do without but, as a whole, there are just soThis is an excellent album and much better than I thought it was going to be. It's hard to top an album like Born To Die but somehow Lana did just that. I find that most albums have a few good songs in the beginning and then fizzle out with a lot of filler. This does not happen on Ultraviolence. Yes, there are one or two songs I could probably do without but, as a whole, there are just so many damn good songs here.
    If you are a fan and loved BTD, you will love Ultaviolence. It's a little slower and lacking some of the up tempo beats of BTD, but that is not a bad thing. Lana Del Rey makes beautiful and emotive music that is intoxicating and she is in peak form here. If anything, Ultraviolence has an equal or even more amount of feeling and emotion than BTD. I would highly recommend Ultraviolence to anyone who is a fan of Lana and her type of music. I think this album will catapult her to a whole new level of success. I ordered the deluxe mp3 with three extra songs and was glad I did. Buy it, you won't be disappointed.    … Expand
  54. Spangle
    Jun 24, 2014
    9
    Overall, Lana Del Rey's second full length album is a major success. Every track truly feels almost atmospheric to me at times and, from what I can hear, Lana's lyrics are no longer as cringeworthy as they were on some of the efforts from her first album. Though, I still prefer the first effort, because while it was almost as dark as this one, there was a certain lightness to it thatOverall, Lana Del Rey's second full length album is a major success. Every track truly feels almost atmospheric to me at times and, from what I can hear, Lana's lyrics are no longer as cringeworthy as they were on some of the efforts from her first album. Though, I still prefer the first effort, because while it was almost as dark as this one, there was a certain lightness to it that lifted the dark cloud from the music. This album is entirely dreary. Everything has a dark rain cloud hanging over it and while all of the songs are beautiful, that can get tiresome at certain points. The tracklisting here is also really well done, as the songs all flow very well into one another, though that also leads to some of the songs almost sounding the same at times, which is a negative for this one, as a few of the songs feel and sound the same as one another. But, since I like those songs, I do not really mind all that much. "Cruel World", "Money Power Glory", and "Black Beauty", are really the standout tracks here for me.… Expand
  55. Hernanmolina21
    Jun 23, 2014
    9
    A well crafted affair that seems like if it was made in another era. Lana del Rey keeps her way into make the industry and mainstream public believe that there´s more possibility for music if we look at the past rather than the future.
  56. Annderson
    Jun 22, 2014
    10
    This review contains spoilers, click expand to view. A perfect album from Lana Del Rey, reflexive, calm, spiritual, hot as ice and cold as fire, the entire album takes us to Del Rey's world, the production from Dan Auerbach brings a different face to the album, it makes it even better than Lana's last albums: Born to Die and it's re-release: Paradise. Since the beginning of the record, the music attracts you and makes you go to the deep old and surf rock from the West Coast, traveling to the jazz air from the Brooklyn, after it takes us to the Latin-American inspired America and finally to the Florida, it makes you feel like you're listening to a new album every time, the highlights of the album are for sure the polemic, sad and depressive but at the same time with a lot of soul and love, the title song, Ultraviolence, a potential single, also Shades of Cool and Brooklyn Baby that are perfect opposites, West Coast ia a musical monster, perfect, universal and harmonic song. Also Pretty When You Cry, a lovely song about a man and the ambitious Money Power Glory, also don't forget the beautiful and soft Black Beauty from Deluxe Edition and the very cool Florida Kilos who sounds like a song that Lizzy Grant would have written and sung before she was Lana Del Rey.… Expand
  57. racingwinds
    Jun 22, 2014
    10
    While Ultraviolence is notable in many ways, perhaps the most exciting thing is that the album functions cohesively as a work rather than just a compilation of singles. Lana is simply intoxicating in every way. While the record is almost overwhelmingly dark and downtempo (read: sad), those who complain clearly haven't realized that this melancholy attitude is truly how Lana Del Rey wants to be.
  58. finnicKa
    Jun 21, 2014
    10
    Ultraviolence is pure to its core & its the greatest complement I can pay Lana as her fan since Lizzy days. In a world where its no longer politically correct to self-analyze our own heart's desire & boldly proclaim it, she is everything a person, who is tired of pretense, can hope for. While BTD took pride in one's own self, Ultraviolence is ALL ABOUT ACCEPTING. IN heart & in brain. AUltraviolence is pure to its core & its the greatest complement I can pay Lana as her fan since Lizzy days. In a world where its no longer politically correct to self-analyze our own heart's desire & boldly proclaim it, she is everything a person, who is tired of pretense, can hope for. While BTD took pride in one's own self, Ultraviolence is ALL ABOUT ACCEPTING. IN heart & in brain. A little self-deprecation, a little mockery, a lot of weirdness & a lot of love; to one's own self. If its not 'authentic' I dunno wtf is.

    P.S: I usually couldn't care less about stanning, but these A.K.A guys are making me gag in their blatantness.    … Expand
  59. Lophorina
    Jun 21, 2014
    0
    This album is much different than BTD.... Is not that commercial like debut. Is quite boring and you can listen to this like one song all the time.... Nothing special and Lana she lost her originality. Is still good and strong voice... but that it. Nothing new in the music and really average. She could do better, more memorable than this crying cat on the roof. Really disappointed.
  60. GeorgeMiranda
    Jun 20, 2014
    10
    Lana is a great singer and knows what to do. When she spoke it would be something more obscure she was right, and I he did not believe she could, but it's there now. She promised and did something more obscure, worked and hypnotic. Her voice is amazing, even looking tired and failed. This was not an accident, because everything matches. The lyrics are wonderful and many personal, evenLana is a great singer and knows what to do. When she spoke it would be something more obscure she was right, and I he did not believe she could, but it's there now. She promised and did something more obscure, worked and hypnotic. Her voice is amazing, even looking tired and failed. This was not an accident, because everything matches. The lyrics are wonderful and many personal, even critics always judging as not authentic. Could it be that she invents these love stories? Why if everything is really a scam, she is the best actress and author. For even in her videos she shows how many things actually happened. For me it is all true, and no one can judge it as a farce, come on appreciate what she does best: quality music. Such criticisms speak more on her personality than the music should be disregarded. Ultraviolence is a complete album, one of the best of the year!… Expand
  61. nannylima
    Jun 20, 2014
    10
    The album undoubtedly shows that Lana has authenticity yes, although not elevated to its fictitious name, but Elizabeth Grant. The lyrics are beautiful and tells another part of the life of the singer. The tracks Ultraviolence cause you only travel in a different world. They sound alike as the most distinctive are the letters. Lana's vocals are muffled, and sync with the instrumentation isThe album undoubtedly shows that Lana has authenticity yes, although not elevated to its fictitious name, but Elizabeth Grant. The lyrics are beautiful and tells another part of the life of the singer. The tracks Ultraviolence cause you only travel in a different world. They sound alike as the most distinctive are the letters. Lana's vocals are muffled, and sync with the instrumentation is perfect. Dan A. undoubtedly produced one of the best albums of the year. Ultraviolence just shows how Lana evolved from Born to Die, and surely, makes us curious about the next job.… Expand
  62. maricog
    Jun 20, 2014
    10
    Definitely one of the best album of 2014. This album has soul which is rare in the market. This album will make you feel nostalgic about the 70's. Good job lana!!!
  63. Teodoro
    Jun 20, 2014
    10
    Esse album da Lana é incrível,mais que uma obra de arte.
    Ultraviolence é o melhor album indie pop que já ouvi.
    Born To Die e Paradise são ótimos mas Ultraviolence veio pra provar que é o melhor trabalho da Lana.
  64. lucasbatista
    Jun 20, 2014
    10
    Ultraviolence is a masterpiece. Lana is deep in her feelings. We can feel the glory of this album. The voice, the lyrics, the money, the power, the glory, the love, the violence, the pain, everything. Give me all that Ultraviolence.
  65. renspinheiro
    Jun 20, 2014
    10
    This album show the world that she came to stay. "Born to die", the first one, is little less mature than this one, but, we can see clearly that this album is strong, mature, beautiful and classy. It shows the world that she CAN DO IT! Execellent
  66. Luc525
    Jun 20, 2014
    0
    Boring, boring, boring. That's all what you can say about this album. It was something fresh with her previous one, but this is just a big turn off. Lana you can do better.
  67. Teethy
    Jun 19, 2014
    10
    I love love love this album and it's definitely a grower. It gets better the more you listen to it. I have to say lana has evolved as an artist since her Born To Die days.
  68. LuisDuarte
    Jun 19, 2014
    10
    This album is so perfect it makes me cry, all of the songs are perfection, especially Old Money and Brooklyn Baby. Lana you did it again, I love you and I love this album soooo much.
  69. Elnino
    Jun 19, 2014
    0
    I didn't get in to Born to Die but thought Lana Del Rey had potential, then came Paradise and I felt disappointed again but Ultraviolence is so different a direction it just doesn't work. Ultimately it's depressing and dreary, bringing back the 50/60s isn't something new!! it's a rehash and that's exactly what this album sounds like a rehash of the 30s-80s I can here every other song I'veI didn't get in to Born to Die but thought Lana Del Rey had potential, then came Paradise and I felt disappointed again but Ultraviolence is so different a direction it just doesn't work. Ultimately it's depressing and dreary, bringing back the 50/60s isn't something new!! it's a rehash and that's exactly what this album sounds like a rehash of the 30s-80s I can here every other song I've ever heard in there with no passion and all produced in a muffled, slow, snooze fest drone that makes a reply unbearable. I really thought there was more to Lana but there isn't it's not new or genius to rehash old tunes and not make them sound like your own. Very disappointed tbh she hasn't got what it takes she's too shallow and superficial to take me on a mental journey with the music and lyrics it's just painfully boring and so lacking that genius touch. If you haven't got it you haven't got it.… Expand
  70. chuck_d
    Jun 19, 2014
    9
    First off, I'm a big fan of hers. I tried to get tickets to her concert in Vegas and Frisco but they sold out in minutes. I drove 7 hours to Phoenix just to sit in the second deck. So now that you have some perspective on me..
    I was prepared to be indifferent with this album, because I love Born to Die and I just figured this would not measure up. I was wrong, and I'm so glad.
    This    First off, I'm a big fan of hers. I tried to get tickets to her concert in Vegas and Frisco but they sold out in minutes. I drove 7 hours to Phoenix just to sit in the second deck. So now that you have some perspective on me..
    I was prepared to be indifferent with this album, because I love Born to Die and I just figured this would not measure up. I was wrong, and I'm so glad.
    This disc opens up with a gem-of-an-anthem called Cruel World that is long and powerful. Ultraviolence is another of my favorites. Shades of Cool and Brooklyn Baby provide a slight/nice change of pace, and some light-heartedness to soften the mood a bit, and then West Coast really puts it into full swing. Sad Girl is a lovely song that you may get lost in. Pretty When You Cry I also enjoy, as well as Money Power Glory. F***ed My Way to the Top is SO satisfying, in the same vein as Cola was, if you're into that type of thing (Lord knows I am). Old Money is a really sweet song and quite emotional, and The Other Woman is a real change of pace, right in time for, in my opinion, the big surprise on the disc: Black Beauty. This is a huge, sweeping anthem. Guns and Roses and Florida Kilos are fine as well, but not at the top of my list. I would have scored this album a 10 but i'm allowing her some room to grow in the next album, which I understand she is already thinking about. God, I hope so.    … Expand
  71. violaxxoo
    Jun 19, 2014
    10
    很欣慰在我以为BTD会成为绝唱的时候打雷又交出了一张完美的答卷。延续她惯有的恋父、毒品以及各种性暗示，这张专辑打造出了一个七十年代纸醉金迷的世界，完整性更甚BTD。我很害怕这张砖会出现比Yayo还不堪入耳的歌曲，还好现在yayo保住了打雷最难听的歌的地位。每首歌歌词都值得细细品味，没有像黑暗天堂一样乏善可陈的空洞悲伤。打雷说这张专辑会更黑暗更戏剧性，她做到了，每首歌都像一部值得回味的电影。打雷没有花哨的动作，爱她的人都是爱她的音乐。很欣慰在我以为BTD会成为绝唱的时候打雷又交出了一张完美的答卷。延续她惯有的恋父、毒品以及各种性暗示，这张专辑打造出了一个七十年代纸醉金迷的世界，完整性更甚BTD。我很害怕这张砖会出现比Yayo还不堪入耳的歌曲，还好现在yayo保住了打雷最难听的歌的地位。每首歌歌词都值得细细品味，没有像黑暗天堂一样乏善可陈的空洞悲伤。打雷说这张专辑会更黑暗更戏剧性，她做到了，每首歌都像一部值得回味的电影。打雷没有花哨的动作，爱她的人都是爱她的音乐。
  72. CaseyWest
    Jun 18, 2014
    6
    Good record but a little derivative. It sounds like Chris Isaak's "Wicked Game" repeated over and over again. The issue of her authenticity I think is irrelevant. Either she's playing a character or not.
  73. Gabo_397
    Jun 18, 2014
    10
    When I first heard Lana, I liked her but I wasn't very convinced about her whole thing of the "American dream" and the way she saw life in general, so Born to Die for me was a good album but it lacked of some maturity and cohesion. Ultraviolence not only is a lot of times more complex and serious but is also amazingly beautiful without the need of so many musical arrangements andWhen I first heard Lana, I liked her but I wasn't very convinced about her whole thing of the "American dream" and the way she saw life in general, so Born to Die for me was a good album but it lacked of some maturity and cohesion. Ultraviolence not only is a lot of times more complex and serious but is also amazingly beautiful without the need of so many musical arrangements and ornaments. Never in my life I had heard something like this. The album is the perfect combination of soul, pop, rock, and alternative music that along with her spectacular way of singing create a Masterpiece.

    THIS IS PURE PURE BLACK BEAUTY!    … Expand
  74. annacarolina
    Jun 18, 2014
    10
    “É absolutamente lindo – é mais obscuro que o primeiro " - Lana , falou e fez ! Esse estilo único do álbum te puxa de uma maneira inexplicável, apenas escuta uma musica e já da vontade de escutar o álbum todo. Os solos de guitarra, a voz angelical da Lana e as batidas envolventes uma combinação perfeita.
  75. astrochu
    Jun 18, 2014
    7
    Wow! I didn't think Lana could do Born to Die again, and you know what, she didn't! and I'm kind of surprisingly relieved. To be honest, I WANTED BORN TO DIE AGAIN! I mean, I liked the simplicity and melancholy of her first album but here with Ultraviolence Lana hasn't just dished out more of what she thought we'd all like, No! she's taken her shtick of morose pop but sprinkled just aWow! I didn't think Lana could do Born to Die again, and you know what, she didn't! and I'm kind of surprisingly relieved. To be honest, I WANTED BORN TO DIE AGAIN! I mean, I liked the simplicity and melancholy of her first album but here with Ultraviolence Lana hasn't just dished out more of what she thought we'd all like, No! she's taken her shtick of morose pop but sprinkled just a little bit of sophisticated, hopeful colour throughout it, partly, due to some great floating vocals during a lot of the choruses. But does Lana lose her apathetic sound from this little spark of brightness? I don't think so at all, if anything it makes the comedown feel so much lower. That and each song seems to either slow down during the chorus(Brooklyn Baby, Shades of Cool) or speeds up (West Coast). It's this constant change in pace which TELLS the listener how to feel, and it’s exactly this constant flux in mood which I wasn't expecting!

    Lets be honest with ourselves, we all think we know Lana's sound and we listen to her precisely because we like to indulge in our own fantasies of self pity, of which Lana's previous album Born to die did so well; Self Pity and apathy. But even Lana is thoughtful of the fact that there is so much self pity we can come to accept from a multi million dollar star. because really, an artist whose theme is based on woe and sadness eventually loses there creditability once they start to become (even more) wealthy.

    Instead of treating myself to the self induced moody state I've come to expect from Lana, I was instead forced to prick up my ears, and then suddenly calm down as each song on Ultraviolence constantly shifted from lull to high. This is an album that demands your attention in its own subtle way as it unexpectedly turns from hope to sorrow, constantly teasing the listener from one state to another. And this is exactly what this album is all about, that is; you have to be prepared to listen to it. It's not an intense album per se, but it's more thoughtful than her last, so just be prepared (and you'll be rewarded!) Lana still has that washy jazzy Twin Peaks sound that can be heard in the percussion and groaning cello, but there is a brightness in the guitar and light strings that is slightly more noticeable and which adds a great bitter sweet contrast. I think this is especially pronounced in "Old Money" or "Shades of cool" which almost sounded like it was going to burst out into a bond song with those opening chords, but then her angelic vibrato voice kicks in with that hint of contrived imperfection and really hits the spot in the way we've come to expect from her previous work, but with a little extra. Lana is really coming into her own with this second album (third? if you count Paradise) and she is by no means a one trick pony.

    I really think Lana is pushing her passive listeners with this one. I mean, the fanbase with grow to like it, they're just committed that way. But I'm not too sure if any of these songs stick out as radio friendly. Which leads me to my overall summary, and that is; Ultraviolence doesn't have the instant wow factor of Born to Die, but really, how could she ever make an album that sounded even sadder, yet at the same time still retain the pop elements that helped establish her unique, accessible sound? Anything else would just be venturing into experimental jazz territory, which might be applaudable, but it's not what people expect from Lana. For those who take the time I think this album might provide a longer and more rewarding listening experience than Born to Die with its more sophisticated production and thoughtful music composition, as well as Lana's obviously developing vocal talent.    … Expand
  76. Hiru-kun
    Jun 18, 2014
    10
    One of Lana's most personal Album, in my opinion. Great melodies, great lyrics, great singer.You can feel the emotion in her voice from the first song until the last, and you simply can't get bored of it, because each time you listen to the songs, you fell in love even more.

    This Album only confirms that Lana really is the Queen of Indie Pop.
  77. michaelmadonna
    Jun 18, 2014
    10
    My favourite album of 2014 so far! After Lana released West Coast it was obvious this album was going to be impressive but after hearing it all,it's more than impressive, it's amazing!

    With ultraviolence Lana stays true to herself. She keeps that vintage/ jazzy sound that she has become famous for but develops on it. Lana has shown a much more darker side lyrically (Ultraviolence) and    My favourite album of 2014 so far! After Lana released West Coast it was obvious this album was going to be impressive but after hearing it all,it's more than impressive, it's amazing!

    With ultraviolence Lana stays true to herself. She keeps that vintage/ jazzy sound that she has become famous for but develops on it. Lana has shown a much more darker side lyrically (Ultraviolence) and musically (Shades of Cool).

    Highlights:

    - West Coast, - Ultraviolence, - ****** my up to the top & - Money Power glory    … Expand
  78. Muddsjr
    Jun 18, 2014
    7
    its another flawed record from Lana in my opinion. Simply for the fact that the songs feel a little samey the further through the album you get.. but that doesn't necessarily mean that the tracks themselves are.
    If it makes sense, I personally feel that every song is well written and put together (if not for the lyrics) and all the choruses are big, powerful and even beautiful at times.    its another flawed record from Lana in my opinion. Simply for the fact that the songs feel a little samey the further through the album you get.. but that doesn't necessarily mean that the tracks themselves are.
    If it makes sense, I personally feel that every song is well written and put together (if not for the lyrics) and all the choruses are big, powerful and even beautiful at times. but when they're all put together... that's where the sameness feeling comes for me.    … Expand
  79. Adelmo
    Jun 18, 2014
    8
    Não superou Born To Die, mas é um ótimo álbum. Acho que ele não deveria ter usado tanto efeito na voz. Mas ela mostrou nesse álbum que ela é uma verdadeira representante do Indie Music.
  80. tannerty
    Jun 18, 2014
    10
    'Ultraviolence' is truly a great album that comes together very, very well. The track listing flows nicely and it's definitely a step up in sound from Born To Die. Personally, I love Born To Die - I didn't think she could top that, but she did. This is a by far more mature album, and Auerbach and her did a great job at making it come together. For me, Guns & Roses could've been left out,'Ultraviolence' is truly a great album that comes together very, very well. The track listing flows nicely and it's definitely a step up in sound from Born To Die. Personally, I love Born To Die - I didn't think she could top that, but she did. This is a by far more mature album, and Auerbach and her did a great job at making it come together. For me, Guns & Roses could've been left out, but just like any Lana song, it will grow on me. Standouts of the album would include Shades of Cool, Old Money and Cruel World. Lana Del Rey hit a home run with this album, and I can't wait to see what she has in store for her next.… Expand
  81. chiaradakno
    Jun 18, 2014
    10
    Well... I really loved Born To Die style, but this is more in my comfort zone, so deep and sad, dark, guitars and drums... I really really adore every track. For me is PERFECT!
  82. RonneWesley
    Jun 18, 2014
    10
    Wonderful album, Lana was responsible for bringing back the 60s and 70s and reinvent an almost "dead" style. The album's production is flawless and the addition of guitars in the music gives life to the music, here Lana risks vocally and offers wonderful soprano, the old feelings still fit in her velvet voice. And the lyrics here are more restrained expression and emotion at the rightWonderful album, Lana was responsible for bringing back the 60s and 70s and reinvent an almost "dead" style. The album's production is flawless and the addition of guitars in the music gives life to the music, here Lana risks vocally and offers wonderful soprano, the old feelings still fit in her velvet voice. And the lyrics here are more restrained expression and emotion at the right times, references to American icons are the basis for the deconstruction of the American dream. Lana did it again.… Expand
  83. iTom
    Jun 18, 2014
    10
    Amazing album! reminds me of Lizzy Grant. It's really quiet and not loud, it's just a masterpiece! I think this would be my favourite Lana Del Rey album. Album of the year!
  84. JT9855
    Jun 18, 2014
    8
    Ultraviolence is beautifully compiled and with the help of Dan Auerbach, this album has feels much more complete compared to her preceding album, Born to Die. She takes on a persona in this album, a heartbroken but sultry girl and encapsulates them into each song. Each song is idiosyncratic in some way, however it is amazing how Lana Del Rey maintains the theme throughout each song toUltraviolence is beautifully compiled and with the help of Dan Auerbach, this album has feels much more complete compared to her preceding album, Born to Die. She takes on a persona in this album, a heartbroken but sultry girl and encapsulates them into each song. Each song is idiosyncratic in some way, however it is amazing how Lana Del Rey maintains the theme throughout each song to deliver an accomplished album. The extra songs within the deluxe album are a great treat for Del Rey fans, adding something extra, especially Florida Kilos where she take the undertone of innocence and allows a breath of fresh air to flow into her dark album. However, some songs were repetitive, but they should not ruin the adventure she takes you through when listening to this album. Overall, Lana have outdone herself and created a masterpiece that will not be forgotten.… Expand
  85. Deano87
    Jun 17, 2014
    10
    Lana Del Rey and Dan Auerbach have created a stunningly beautiful album with dark and haunting lyrics.

    This is a great album and can see this achieving worldwide success.
  86. JustAUser
    Jun 17, 2014
    10
    The confidence and boldness that Del Rey shows on this album is new, fresh, and exciting. The dreamlike and atmospheric quality of the album combined with her vocals make this very much one of a kind and unique. Unlike many of her previous works, the tracks are not overproduced and easily compliment her musical ability.
  87. guilhermearpi
    Jun 17, 2014
    9
    Maybe the songs are really very similar, but it makes her album get a vibe that only Lana can do. Her voice and melodies have perfect sync. She's not the best singer yet, but she does what she knows do better in her work. Anyway, we can't wait something different from her and it's not a big deal if she keep doing songs so good like that album. She made a good work in Ultraviolence albumMaybe the songs are really very similar, but it makes her album get a vibe that only Lana can do. Her voice and melodies have perfect sync. She's not the best singer yet, but she does what she knows do better in her work. Anyway, we can't wait something different from her and it's not a big deal if she keep doing songs so good like that album. She made a good work in Ultraviolence album and I really think she can be the Queen of Alternative Indie Music!!… Expand
  88. ClaireMarie
    Jun 17, 2014
    10
    Produced by Auerbach,this is the best album I've heard this year.Each song contained in this record matched perfectly,Del Rey shows that her first album was just a test and now she is a new person.Songs like Money Power Glory and Black Beauty has big chances to be the next hit of the year and of this album after the first single West Coast.
  89. rick12
    Jun 17, 2014
    10
    This is a perfect album from beginning to the end,very well produced by Dan Auerbach.In this record Lana proved that she is not a fraud as they said in her first album Born to Die,beautiful lyrics,perfect instrumental,from so far is the best of her career and of the year until now.
  90. BobTurn
    Jun 17, 2014
    10
    Beautiful record. No need to analyze everything like some 2nd year college literature class. Turn off the computer, close your eyes and listen! Magic.
  91. remmiwskao
    Jun 17, 2014
    9
    Upon first listen, Ultraviolence is a complete musical departure from her debut. Produced by Dan Aurebach of The Black Keys, Ultraviolence has replaced the bombastic string and melodramatic orchestral climaxes with understated, pulsing guitar riffs, echoing drums and various layers of Del Rey’s now totally confident and poised vocals. The album opener, ‘Cruel World’ sets the tone for theUpon first listen, Ultraviolence is a complete musical departure from her debut. Produced by Dan Aurebach of The Black Keys, Ultraviolence has replaced the bombastic string and melodramatic orchestral climaxes with understated, pulsing guitar riffs, echoing drums and various layers of Del Rey’s now totally confident and poised vocals. The album opener, ‘Cruel World’ sets the tone for the rest of the record; a slow burning song featuring purposely-imperfect vocals that forces the listener to experience the hurt and dystopian world that Del Rey does. This is nothing new – Born To Die provided the same offering – however the subdued tone of Ultraviolence is much more fitting with its oppressed and dark thematic nature.

    Elsewhere, lead single, ‘West Coast’ provides a relatively upbeat and gritty sound in comparison to the rest of the album, and ‘Money Power Glory’ showcases Del Rey’s unique and astounding vocal range. ‘F***** My Way To the Top’ demonstrates that – unlike Born To Die – less is more, with Del Rey’s silk-like vocals floating above a pulsing beat and faint guitar strums. ‘Old Money’ is the most Lana Del Rey song that Lana Del Rey has ever made; an absolutely stunning ode 1960s America with herself reminiscing the “sunset, small towns… red racing cars”, and ‘Flipside’, a slow-burning Western-influenced track which – had it been around during the 90s – would have been perfect for the epic yet tragic final scene of Thelma & Louise.

    The album is not without its flaws, however; Del Rey’s cover of ‘The Other Woman’ doesn’t fit whatsoever with the atmosphere the rest of the album has conjured up until that closing track, and provides an incredibly underwhelmed finish to an album that sounded well thought out. Some of the lyrics are questionable and grow irritating, such as Del Rey repeating "dope and diamonds" sixteen - yes, sixteen - times during 'Money Power Glory', and there are certain tracks that beg for more of a climax than they are given.

    Ultraviolence, then, is an overall winner; the stripped-back, low-key and understated burning progressions of the songs create an intense, unique and totally encapsulating experience. Whilst there are missteps, it is a massive step forward for an artist that is consistently panned for being a one-time act.    … Expand
  92. Drakulka
    Jun 17, 2014
    10
    Only one word - EXCELLENT! This album is a true masterpiece. Lana Del Rey has really grown up in every aspect. She's so much more confident about her vocal performance, the songs are way more mature, than on Born To Die. The mood is great and the production is gorgeous! It was really worth all that hype, that Ultraviolence created. And I'm very happy, that we have got such a different andOnly one word - EXCELLENT! This album is a true masterpiece. Lana Del Rey has really grown up in every aspect. She's so much more confident about her vocal performance, the songs are way more mature, than on Born To Die. The mood is great and the production is gorgeous! It was really worth all that hype, that Ultraviolence created. And I'm very happy, that we have got such a different and eclectic artist like Lana Del Rey.… Expand
  93. tearsofmarilyn
    Jun 17, 2014
    10
    Ultraviolence is like a rare work of art that everyone should have at home. Never once something seemed so poetic and touching. Lana shows us what some already knew a few years she came to stay.
  94. gamias1
    Jun 17, 2014
    9
    The record is great and it is way better than "Born to Die". Lana's voice is stunning and I love the orchestration. Also the great Dan Auerbach from the Black Keys produces the majority of the songs and helps by playing a variety of instruments. It's a must buy for both Lana's fans.
  95. cadmus2166
    Jun 17, 2014
    10
    Ultraviolence is an extremely cohesive and coherently themed album. The album flows along well in Lana Del Rey's self-described narco-swing style of music, while her songs retain the darker topics that originated in Born To Die and Paradise. An extremely enjoyable album.
  96. Summerboy
    Jun 17, 2014
    10
    Só confirmou que é a rainha indie. Pefeito do começo ao fim, uma coleção de hinos como Sad Girl, Old Money, West Coast, Is This Happiness, Shades Of Cool... E claro, Ultraviolence. O melhor álbum de 2014.
  97. JonnahZKennedy
    Jun 17, 2014
    7
    A long time fan of Del Rey's music (from the Ray Days to all the unreleased and leaked tracks), I am proud to say that Ultraviolence does not disappoint. Ultraviolence has the scope of a cinematic western movie that has been dreamed up in the dark hours of night when we are left to our own devices and forced to reflect, and this album is obviously a deeper reflection on Lana than in BornA long time fan of Del Rey's music (from the Ray Days to all the unreleased and leaked tracks), I am proud to say that Ultraviolence does not disappoint. Ultraviolence has the scope of a cinematic western movie that has been dreamed up in the dark hours of night when we are left to our own devices and forced to reflect, and this album is obviously a deeper reflection on Lana than in Born to Die, and what is more, it is beautiful in it's ambition as it aspires to overcome the shortcomings of it's predecessor. The record is a mix of low rock melodies and anticlimaxes, which short bursts of exuberant outcries that break through the shades of gray in a brilliant fire that makes even the worst songs on this album so brilliant. Inspired by the classic 'A Clockwork Orange', Lana creates her own modern classic as the voice of the album resounds long after the song has finished.

    The leading singles of this album underwhelmed, yet songs such as 'Old Money', 'Black Beauty', 'Money Power Glory', and 'Cruel World' shine brightly in the dark night Lana has constructed with her vocals and the unique sound of this album; yet, the album becomes tiresome in it's constant use of heavy background vocals that sound much more freshman than junior in that, they tend to wash out the power of her main vocals. What is more, this album features much less chorus than Born to Die, and much more narrative, original and inventive storytelling that allows for a much finer experience all together I think, this is not to say that the chorus is no longer the main mode of transport for the delivery of this album, but it does take somewhat of a backseat in Ultraviolence.

    The lyrics of each song, though, do tend to fall into Old Paul's (Video Games) in that, while these lyrics are far less fantastical than those in Born to Die, they do tend to become airy and overly dark and cliche. What is more, for all of it's opulence, this album is repetitive in it's songs as Lana presents the same story in some form or fashion in every other song, such as loving an older man in 'Shades of Cool' and 'Brooklyn Baby'. This causes Lana to become self-cliched as she continues to use the same ideas as though to invent a Lanaverse akin to that of Stephen King and James Joyce as she continues to build on and construct the artificial history of Lana Del Rey which is veiled with created experiences as well as subtle references to her very own life, yet it is much less obvious in comparison to Born to Die which was 'The Hobbit' to her 'Lord of the Rings' as she introduced us to her persona that we have fallen in love with. Multiple tracks on the album also tend to borrow the style of West Coast the first single from this album and could easily be the title track, and this becomes somewhat bothersome because it creates a very easily tired musical experience that could cause some to continuously bounce between this album and Born to Die as I have.

    Overall, fans of Del Rey will enjoy this sequel which shows that Lana has become both more confident in her work and much more adept in her conception and creation, even so, if you are much more use to her vocals and sound in Born to Die, the sudden shift to an even moodier and darker Lana will take some getting used to. Ultraviolence is beautifully dark and hauntingly magical in it's artificial realism, and that's what makes it so great.    … Expand
  98. tricck
    Jun 17, 2014
    10
    Is Del Rey's best album so far,more cohesive than Born To Die.She is much more mature in this album, with strong lyrics and strong vocals.She came to make a difference in the music industry and this new album is the proof of it.
  99. VictorKnowles
    Jun 17, 2014
    0
    The songs are very similar, and all have an air of sleep. She needs to do more happy songs, this album may depress others. The songs are cloying and all that was written seem lazy. I do not think she has a vocal power, she does not leave her calm and boring style.
  100. Orlandreson
    Jun 17, 2014
    10
    I'm a huge fan of Lana's...she is probably my favorite artist of all time. For me her debut, Born To Die, was my favorite album of 2012 and Ultraviolence is just as good of an album, if not better. Its a perfect blend of pop, indie rock, alternative and blues.
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Awards & Rankings

2
#2 Most Discussed Album of 2014
8
#8 Most Shared Album of 2014

Critic Reviews

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Metascore
74

Generally favorable reviews - based on 35 Critic Reviews

Critic score distribution:
  1. Positive: 25 out of 35
  2. Mixed: 9 out of 35
  3. Negative: 1 out of 35
  1. Absolute Punk (Staff reviews)
    Sep 9, 2014
    78
    A shake up in the lyric department would be nice to see next time around, but on this outing Lana Del Rey is able to sell it with striking vocal performances and breathtaking compositions.
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  2. Mojo
    Aug 20, 2014
    60
    While her David Lynch qualities remain, there's also something of the masochistic Lars Von Trier heroine in the resigned drowse of these songs. [Sep 2014, p.92]
  3. No Ripcord
    Aug 4, 2014
    70
    Underwhelming ending aside, it’s fair to say that Del Rey (and her collaborators) have more than risen to the challenge of keeping her a part of the pop culture conversation, for all the right reasons.
    Read full review
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