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- Critic score
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- By date
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Jul 15, 2015It's the sound of someone coming out the other side of personal upheaval, and even if there are a few missteps, Williams connects in a very human way, providing plenty of allure for an album that feels very much like a debut.
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Jun 30, 2015[An] unsparingly intimate, deeply moving 11-song cycle.
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Jun 30, 2015Using machined rhythm tracks, there is the distance of EDM on Venus--something not so blood and guts. Yet, in the detachment, a certain honesty arises.
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Jul 22, 2015It feels like Williams is trying on a few different costumes to see what she likes, and only landing on material that feels natural maybe half the time. The good news is all of these songs are catchy and singable, and Williams strong vocal performance makes everything work even when a song doesn’t feel quite natural for her.
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MojoJul 6, 2015Heavy on atmosphere, but candid and brave also. [Aug 2015, p.98]
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UncutJul 1, 2015Sassy power ballads such as "Before I Sleep," "Sweet Love Of Mine" and "Not Good Enough" sit somewhat uneasily between Celine Dion and Stevie Nivcks. Yet as the album progresses, there's just enough to retain the interest of former fans. [Aug 2015, p.83]
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Jun 30, 2015This album is full of emotive and nuanced performances, the aches of her heart resonating powerfully. However, the sheen and the bombast of much of the production reeks not just of a kind of entitlement, but of desperation.
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Jun 30, 2015The LP's gospel-flavored synth-pop is invitingly adventurous, but Williams can't hold the space like her touchstones here.
User score distribution:
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Positive: 4 out of 8
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Mixed: 2 out of 8
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Negative: 2 out of 8
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Jul 4, 2015
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Jul 2, 2015