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- Record Label: Fueled by Ramen Records
- Release Date: Aug 19, 2022

- Summary: The seventh full-length release for Brendon Urie's solo music project Panic! At the Disco was recorded live to tape with Jake Sinclair and Mike Viola.
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- Record Label: Fueled by Ramen Records
- Genre(s): Pop/Rock, Alternative/Indie Rock, Emo-Pop, Pop Punk
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Score distribution:
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Positive: 5 out of 7
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Mixed: 2 out of 7
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Negative: 0 out of 7
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Aug 19, 2022Viva Las Vengeance is Urie's amorous declaration to everything sumptuously mythic, exultant, tragic, and yes, even silly about loving and aspiring to be a part of the rock'n'roll world. That Urie is completely self-aware about his place in that world makes Viva Las Vengeance all the more delicious.
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Aug 19, 2022For those of us who love both power pop and musical theater, though, and haven’t been as much enamored of their previous emo, this is Panic!’s best album. The paradox is that this may be one-man-band Urie’s hardest-rocking collection, as well as his most stagy.
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Aug 19, 2022Yes, ‘Viva Las Vengeance’ is a very different Panic! At The Disco album, but it stays true to their devil-may-care attitude.
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Aug 19, 2022The album is like a wild ride in a muscle car where someone’s constantly fiddling with the radio, forever chasing the high that comes with hearing the perfect riff at the perfect moment. ... Viva Las Vengeance sounds great, its piston-like licks and soaring solos acting like time machines to a rose-colored-glasses-refracted era.
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Aug 24, 2022It absolutely borrows plenty from all of Brendon’s influences – but that’s not a bad thing. Viva Las Vengeance is both consistently catchy and classic-sounding, and another fine addition to Panic!’s remarkably varied discography.
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Aug 19, 2022A fun, enjoyable vessel that spotlights a magnetic talent. The music might not entirely be Panic! at the Disco’s own – but like fellow Vegas bigwig Elvis, that’s clearly no barrier.
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Aug 19, 2022While it does knock out some definite singalongs, sprinkling in some fun hooks and catchy structures, there is something missing beneath the veneer of theatricality. This is an album that hints at complexity, but it is inevitably overshadowed by Urie’s one-man-show.
Score distribution:
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Positive: 79 out of 123
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Mixed: 9 out of 123
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Negative: 35 out of 123
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Aug 20, 2022
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Aug 20, 2022
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Aug 20, 2022
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Aug 20, 2022
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Oct 6, 2022I honestly think this album isn't bad, but I wouldn't say it's their best work. There's some good songs and there are some that are meh.
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Sep 13, 2022
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Aug 21, 2022
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