- Critic score
- Publication
- By date
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BlenderIt's highly clinical, and Allison is as remote as ever. [#11, p.124]
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UncutHer best record yet. [Jun 2002, p.107]
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We Are Science is strikingly gorgeous and powerful. It's also just a little bit cheesy (but in a good way), as though you were watching Patsy Kensit star in Breaking The Waves.
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After the limp meandering of Afterglow, We Are Science is unquestionably a leap in the right direction.
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We Are Science is striking, very bold, and very sexy.
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ResonanceHer breakthrough record. [#36, p.53]
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MojoNot a record for those prone to depression, but a varied, substantial and intriguing one. [June 2002, p.112]
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We Are Science sees Dot Allison going beyond even the highs of One Dove and crafting an accessible, evocative masterpiece that consistently surprises and thrills.
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Q MagazineA startling fusion of ethereal singing with churning, computer-generated beats and ambience. [June 2002, p.110]
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MagnetShe's a ghost in the machine; unfortunately, the machine is an Atari 2600. [#57, p.80]
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UrbA churning, droning, sickly sweet nouveau-electro trip. [Nov 2002, p.94]
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'We Are Science' has a spooky cinematic scope with a dubbed-up, electronic gospel feel for our times.
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When these songs keep the pretense to a minimum, her melancholy mood can be affecting. But much of the rest is dreadfully muddy, lacking in both substance and texture.
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MixerA hit-and-miss release. [Nov 2002, p.80]
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An intriguing effort.