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Why Hasn't Everything Already Disappeared? Image
Metascore
82

Universal acclaim - based on 27 Critic Reviews What's this?

User Score
7.6

Generally favorable reviews- based on 65 Ratings

  • Summary: The eighth full-length release for the Atlanta indie rock band was co-produced with Ben H. Allen, Cate Le Bon, and Ben Etter.
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Score distribution:
  1. Positive: 25 out of 27
  2. Negative: 0 out of 27
  1. Jan 15, 2019
    100
    This album seeks to ask questions, to entertain and to create. While the destination may be nebulous, Deerhunter know that the enjoyment lies within the journey. The slow, crumbling decline of civilisation has rarely sounded so good.
  2. 85
    It’s utterly, completely, resolutely and defiantly them. It’s futuristic but warm, nostalgic but distant, pretentious but human.
  3. Mojo
    Jan 7, 2019
    80
    Why Hasn't Everything Already Disappeared? is more exploratory than Fading Frontier, but there's a minimalism that helps its stark ideas and sad-eyes melodies shine through. [Feb 2019, p.88]
  4. Jan 14, 2019
    80
    Why Hasn't Everything Already Disappeared? has its high-minded lyrical concerns (the problems of the present, the problem with romanticising the past) and musical flourishes informed by the Old Continent and corners of Americana, but the greater picture and its many curious details--Cox's theatrical enunciations in "Element", the stream-of-consciousness zig-zag globe trot of "Détournement", the Eastern Bloc hallucinations of "Tarnung"--come together only upon repeated listens. In that sense, then, it's a classic album-fan's album, attention spans be damned.
  5. Jan 18, 2019
    80
    From the weariness and wonder in its title to the mix of delicacy and anger in its songs, Why Hasn't Everything Already Disappeared? is one of Deerhunter's most haunting and thought-provoking albums.
  6. 75
    This is rhythmically agile music, thankfully. The songwriting is sturdy, too, even if it can sometimes feel like Bradford & friends are running on an autopilot setting set to David Bowie’s Low.
  7. Jan 24, 2019
    50
    Like ghosts that don’t know they’re dead, the songs on Deerhunter’s Why Hasn’t Everything Already Disappeared? wander about in a well-produced limbo almost in mourning for the death they can’t die. But they don’t know it, so--and this is the saddest part about it--they become what they deplore, all loss glossed over.

See all 27 Critic Reviews

Score distribution:
  1. Positive: 8 out of 9
  2. Negative: 0 out of 9
  1. Jan 18, 2019
    10
    This is a more mature record, about a very lucid point of view about the contemporary world, no nostalgia involved. The lyrics reflect theThis is a more mature record, about a very lucid point of view about the contemporary world, no nostalgia involved. The lyrics reflect the modern society in a very raw, realistic projection, with topics like capitalism and death. Most of the themes are not about personal experiences like in Cryptograms or Halcyon Digest, instead this record talks from a "not much future left" perspective about the current situation. Which sounds sad, but i think is what Bradford Cox and company want to express with their art nowadays, and you can hear that a lot of thought has been put on the production of this album. Every song feels tight and very consistent, this is not a "we have to put another album out" situation. In recent years, the band perspective on life has changed, their desire to write about this topics feels justified and not forced. Expand
  2. Jan 18, 2019
    10
    Great production, amazing songwriting and instrumentation. Might be their best since Halcyon Digest.
  3. Mar 11, 2019
    10
    Whilst the band has been releasing albums of with sonic integrity since Halceyon’s Digest, experimenting with new sounds on each successionaryWhilst the band has been releasing albums of with sonic integrity since Halceyon’s Digest, experimenting with new sounds on each successionary album, this new album shows Deerhunter taking a slightly more radical step in a strong direction. Bradford’s lyrics have matured and the band structure their sounds to provide various anthems... big sounds, solid production! Expand
  4. Feb 23, 2019
    8
    On their 8th official studio album, this iconic band from Atlanta, Georgia continues down a path of mellow-but-weird experimental indieOn their 8th official studio album, this iconic band from Atlanta, Georgia continues down a path of mellow-but-weird experimental indie pop/rock. The songs play like cohesive nuggets of subconscious creativity. Bradford Cox’ ability to combine accessible pop melodies with odd and unexpected elements remains entertainingly intact. The lyrics are imbued with a concerned, if somewhat distant, existential passion. Overall it’s a comfortably peculiar bit of indie pop that feels open and vaguely welcoming. Members/guests have played in Atlas Sound, Lotus Plaza, Moon Diagrams, Macha, The Dream Scene, Drinks, White Fence, more. While there’s nothing here that makes me sit up and say “Woah!”, “Why Hasn’t Everything Already Disappeared?” is a pleasantly stimulating listen that holds the promise of unfolding revelations. Recommended. Expand
  5. Dec 7, 2019
    8
    Why Hasn't Everything Already Disappeared proves that Deerhunter is still the best American band. I would give this album an 8.5/10. The bandWhy Hasn't Everything Already Disappeared proves that Deerhunter is still the best American band. I would give this album an 8.5/10. The band went for more of a dream pop / indie pop sound this time around, using pianos, harpsichords, marimbas, and synthesizers. Unlike most Deerhunter albums, except for maybe Monomania, the music is very upbeat, even perky and bouncy, like Stereolab (of whom Bradford Cox is a big fan). However, the lyrics are probably Mr. Cox's darkest yet; all of the songs are about death. The album is probably Deerhunter's most psychedelic so far; "Greenpoint Gothic" is a very Stereolab instrumental, and "Detournement" is a dystopian-sounding electronic piece with an unnerving spoken word performance by Mr. Cox. The album is probably Deerhunter's most pop-oriented, too, but it is still avant garde. Overall, the band continue to both challenge and please with an album that sounds both pleasant and unnerving, like walking around in some future dystopian world. Expand
  6. Apr 28, 2019
    8
    This is a record that encapsulates Deerhunter's career. It is an album that sees experimental psychedelia and melodic indie pop rock coexistThis is a record that encapsulates Deerhunter's career. It is an album that sees experimental psychedelia and melodic indie pop rock coexist harmoniously. It's neither the bands most experimental or straight up album but a good blend of both. It can also be said that its not their best nor their worst but sits somewhere in the middle. "What Happens To People" is a great song though and stands with their best. Expand
  7. Mar 1, 2019
    6
    What a weird and irksome slant in retrospect. This Deerhunter's 8th album isn't their best, but still diverting, as they diversify all tracksWhat a weird and irksome slant in retrospect. This Deerhunter's 8th album isn't their best, but still diverting, as they diversify all tracks to make them less tedious. Some attempts weren't executed well enough resulted in vague conclusion. Expand

See all 9 User Reviews

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