• Record Label: ACP
  • Release Date: Apr 3, 2012
Metascore
74

Generally favorable reviews - based on 22 Critic Reviews

Critic score distribution:
  1. Positive: 16 out of 22
  2. Negative: 0 out of 22
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  1. 60
    While it's unlikely to garner them a new generation of fans, as an exercise in generating fresh fodder for their festival sets it's effective enough.
  2. 60
    Further confirmation of the enduring strength of old-school electronic music.
  3. Suggests and afternoon in Ikea. Snorbital.
  4. Apr 2, 2012
    60
    [Wonky has] not improved on any of their previous work. They are merely chasing the shadows cast from their own trademarked head torches.
  5. 60
    The 90s electronic titans use vintage analogue synths, subtly retro-fitting their sound in a way that, ironically, brings it bang up to date.
  6. Apr 5, 2012
    50
    Wonky is a work full of many flaws and too few shining moments, but as ammunition for the obvious tours to follow, there's enough here to be effective enough in a large enough setting.
User Score
7.5

Generally favorable reviews- based on 13 Ratings

User score distribution:
  1. Positive: 10 out of 13
  2. Negative: 1 out of 13
  1. Apr 11, 2012
    9
    After an all-too-long hiatus, the Hartnoll brothers are back with a vengeance. Wonky is a powerful album, perhaps more powerful than anythingAfter an all-too-long hiatus, the Hartnoll brothers are back with a vengeance. Wonky is a powerful album, perhaps more powerful than anything they've released since their heyday. The production is impeccable, and Flood's mixing skills are put to good use here, extracting every essence out of every beat and bleep, creating a tapestry of sound both immediately approachable and with a panorama of hidden depth. The songs themselves are very varied, ranging from the dance floor hits of Wonky, Beelzedub and Stringy Acid to the more ethereal and soundtrack-friendly mood pieces like Never, One Big Moment and Distractions. The arch, from the first song to the last, is very strong, with only one questionable choice thrown in the mix - namely, the Zola Jesus collaboration, New France, which is interesting but ultimately an ill fit to the flow of the album - and the momentum of emotion and energy leaps from one high to another high, with the quirky ease of an acid-tripping, Kraftwerk-loving butterfly.

    This is their best album this side of the millennium, and a fantastic return to form to the original innovators of electronic home-listening music. They have produced something more than a dance album. Sure, it takes elements from current trends, like Dubstep and electro-house, but it sounds uniquely Orbital and very much like a logical progression to their work in the 1990's, in that it combines beat-oriented and dancefloor-friendly machinations with an audiophile's fascination with aural detail and a dedication to emotionally dictated musical architecture. Highly recommended.
    Full Review »
  2. Aug 26, 2014
    9
    Been a fan of Orbital for a long time and this, possibly their last album, is an awesome addition to their discography. Two or three songsBeen a fan of Orbital for a long time and this, possibly their last album, is an awesome addition to their discography. Two or three songs aren't as a good as the others but the first and last songs are so good that, if this is their last album, I'm completely satisfied. Full Review »
  3. May 26, 2012
    7
    Album Orbital - "Wonky" could surprise positively. Overall it is in fact a very ear-catching electronic music which is a combination ofAlbum Orbital - "Wonky" could surprise positively. Overall it is in fact a very ear-catching electronic music which is a combination of dubstep, techno and hause. The songs are distinctive - primarily through the instrument add-ons evident in songs such as "Never","One Big Moment" or the longest and somewhat experimental "Distractions". Album that is worth noting. Full Review »