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Lytle settles for repetitive mood-setters that merely re-shuffle the elements he’s been working with for more than a decade now, with no discernible progress or mastery.
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By not moving further away from the sound that defined him, instead choosing to use that sound as a blanket, retreating within it rather than escaping, Lytle shows us that the commuter is still trying to find his way home.
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The tunes remain pleasantly unhurried, lush and laid-back but fail to stimulate. His small, fragile voice now seems slightly whiny and affected.
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Commuter may be a welcome return of an idiosyncratic talent, but it also finds Lytle a bit too stuck in his own head to stand alongside Grandaddy's most challenging, accomplished albums.
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MojoThe record's familarity is nourishing rather than revelatory. [Jun 2009, p.99]
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Q MagazineIt's all overly familiar in the most reassuring way. [Jun 2009, p.125]
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UncutThere is the odd suggestion here of a campfire Mercury Rev, but nothing to spook former fans. [Jun 2009, p.92]
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Under The RadarWhile Commuter for all intents and purposes revisits that same territory, it seems the well has begun to run dry as much of the album sounds like half-baked leftovers. [Spring 2009, p.66]
User score distribution:
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Positive: 7 out of 7
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Mixed: 0 out of 7
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Negative: 0 out of 7
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FlubbyBMay 25, 2009
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discombobulatorMay 21, 2009