musicOMH.com's Scores
- Music
For 5,883 reviews, this publication has graded:
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60% higher than the average critic
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4% same as the average critic
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36% lower than the average critic
On average, this publication grades 0.6 points higher than other critics.
(0-100 point scale)
Average Music review score: 73
Highest review score: | Everything's The Rush | |
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Lowest review score: | Fortune |
Score distribution:
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Positive: 4,425 out of 5883
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Mixed: 1,418 out of 5883
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Negative: 40 out of 5883
5883
music
reviews
- By Date
- By Critic Score
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- Critic Score
If you’re coming to Kings Of Leon expecting something experimental or anything really out of the ordinary, you’re a bit of a numpty (see also: Interpol, The Killers, &c.). But come to Can We Please Have Fun with an open mind and an open heart and you’ll find it’s more than worth a shot.- musicOMH.com
- Posted May 10, 2024
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That Golden Time is undeniably a slow-burner of an album, and like much of Villagers’ previous output, it’s more than likely that a few repeat plays will pay dividends.- musicOMH.com
- Posted May 10, 2024
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Deeper in the tracklist more variety emerges, featuring emotions and sounds that most listeners will have never heard from Dua.- musicOMH.com
- Posted May 9, 2024
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It’s very far from cosy easy listening, and it’s certainly a record you have to be in the right mood to fully appreciate. Yet as an entry point into the bewitching, disquieting world of Keeley Forsyth, The Hollow is pretty special.- musicOMH.com
- Posted May 8, 2024
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There’s blissful harmonies, jangly guitars and choruses that bury inside your head – and yes, while it’s not the most original sound, it’s a gloriously well put together record.- musicOMH.com
- Posted May 3, 2024
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This is a fantastic album. It may be the best of an already-excellent run of albums produced by – and it really does bear repeating – the greatest rock band in the world.- musicOMH.com
- Posted May 3, 2024
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- Posted May 2, 2024
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Sega’s production is consistently impressive, whether it’s the seasick bass on Elk Skin’s glitchy hook, True’s baroque chord sequence or the pumping trancey arrangement of Dirt. He is a better producer than a songwriter however, and some of the less musically eventful .tracks test the patience.- musicOMH.com
- Posted May 1, 2024
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The lyrics speak tellingly of life experience, but the tunes don’t quite have the pizzazz to match the singing voice. Yet their turn towards the dancefloor is expertly marshalled by Rodgers, whose production tweaks are always tasteful – and this return bodes well in the long run. If they can just add the winsome melodies, The Zutons will be right back up where they deserve to be.- musicOMH.com
- Posted Apr 29, 2024
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Hyperdrama is a well thought through album, bringing a real shot of adrenalin in its outer sections. The suspicion may be that Justice have applied just a bit too much studio gloss to the end product, but that should see it work brilliantly in the live environment. One thing is for certain – Justice are more than happy to take the French dance music mantle and run with it. Two decades in, their beats are as strong as ever.- musicOMH.com
- Posted Apr 29, 2024
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- Posted Apr 25, 2024
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Whether the stylistic digressions work for you or not is immaterial really, because they’re impressive no matter what your expectations were.- musicOMH.com
- Posted Apr 25, 2024
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As good as her earlier folk-rock songs were, this new direction is one that suits Rose extremely well.- musicOMH.com
- Posted Apr 23, 2024
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The songs themselves range from the good (the surprisingly energetic I Can Do It With A Broken Heart, throwback ballad But Daddy I Love Him, the extra textures of the Florence + The Machine duet, Florida!!!) to the somewhat samey but still enjoyable (So Long, London; the title track; Fresh Out the Slammer), to the unnecessary retreads (Who’s Afraid of Little Old Me?, The Alchemy), to the truly rotten (Down Bad – which can’t manage to disguise its hollowness with truly beautiful textures, and I Can Fix Him).- musicOMH.com
- Posted Apr 19, 2024
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A Certain Ratio’s 2024 model is a lean, mean, fighting machine that delivers one of their very finest albums to date – and for a band who have been in existence for more than 45 years, that really is saying something.- musicOMH.com
- Posted Apr 19, 2024
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Best of all, it’s an album that cuts all the fat – it’s just 11 tracks long and there’s barely anything that feels like filler. Even the more generic sounding rockers like Waiting For Stevie and Running have a palpable energy about them that will no doubt make them firm favourites on the band’s upcoming stadium tour.- musicOMH.com
- Posted Apr 19, 2024
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It may last just 25 minutes, but One Million Love Songs doesn’t feel half-sketched or incomplete. On the contrary, once it’s finished, you’ll just want to go straight back to the beginning to wallow in this strange, otherworldly gem of a record.- musicOMH.com
- Posted Apr 18, 2024
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As it’s a debut, she’s still developing her sound, but all indications are that this is a start of a long and successful journey for Nia Archives.- musicOMH.com
- Posted Apr 16, 2024
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Yummy adds itself to the James canon as an album both for fans and newcomers, a triumph over prejudice and anxiety. Everyone is welcome here.- musicOMH.com
- Posted Apr 15, 2024
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While Surrender was an album that immediately hit you, Don’t Forget Me takes a bit longer to work its magic. That does, though, bode well to her longevity as an artist. These songs have a timeless feel to them, and seem like ones we’ll be listening to for quite some time to come.- musicOMH.com
- Posted Apr 12, 2024
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It’s a debut album full of confidence, heart and ambition, with songs that sound both instantly familiar and also like nothing you’ve ever heard before.- musicOMH.com
- Posted Apr 10, 2024
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Mostly, Love In Constant Spectacles is one of Weaver’s most successful albums – it may not have the instant ‘wow factor’ of The Silver Globe or the nods to the dancefloor that her last album Flock had, but these are some beautifully intricate, thoughtful songs that deserve all of your attention.- musicOMH.com
- Posted Apr 8, 2024
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This record has been a long time coming, as Fabiana first appeared as one to watch in 2017, but with her development as a singer, songwriter and producer it’s surely been worth the wait.- musicOMH.com
- Posted Apr 8, 2024
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Feels like a jolt to the nervous system in the best possible way. As a soundtrack to the weird times we all find ourselves in, and a potent call to action, it doesn’t get much better than this.- musicOMH.com
- Posted Apr 8, 2024
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The yearning title track brings to a close an album that is quite probably Harcourt’s best since Here Be Monsters.- musicOMH.com
- Posted Apr 5, 2024
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In many ways The Sunset Violent feels like the completion of a journey: Mount Kimbie have become a very different act with a sound palette that isn’t beholden to any one genre, and on track after track they prove themselves to be masters of their own style.- musicOMH.com
- Posted Apr 5, 2024
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A La Sala succeeds in the way that a good AC/DC album does: more of the same, done well.- musicOMH.com
- Posted Apr 5, 2024
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After just a few listens, it cements itself as the best Vampire Weekend album to date and, much like the New York City to which much of this album is an ode to, there are layers and layers to this record which are a delight to unpack and discover.- musicOMH.com
- Posted Apr 5, 2024
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Interplay is a consistently fine piece of work, and even though it is a shade too long it has a strong claim to being Ride’s best album since they reformed. Given the quality of the music since that second coming, we can go all out and say they are one of the finest guitar bands in the country right now.- musicOMH.com
- Posted Apr 1, 2024
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While it’s impossible to fault Cowboy Carter’s ambition, it’s sometimes a bit too sprawling for its own good. Eighty minutes is a long runtime for an album, and some tracks inevitably sag a bit, especially in the middle section.- musicOMH.com
- Posted Apr 1, 2024
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