Paste Magazine's Scores

For 4,084 reviews, this publication has graded:
  • 67% higher than the average critic
  • 3% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 3 points higher than other critics. (0-100 point scale)
Average Music review score: 76
Score distribution:
4084 music reviews
    • 65 Metascore
    • 60 Critic Score
    While stocked with skillful guitars, tuneful vocals and the occasional hook, Without Feathers feels oddly unassuming, a plain-vanilla modern-rock record. [Jun/Jul 2006, p.122]
    • Paste Magazine
    • 55 Metascore
    • 60 Critic Score
    All in all, it's a strange but refreshing and likely unintentional throwback. [Sep 2006, p.81]
    • Paste Magazine
    • 57 Metascore
    • 50 Critic Score
    Although Goodbye winds down after the brilliant power pop of "Only One Too", Jewel never appears to be going through the motions. [Jun/Jul 2006, p.131]
    • Paste Magazine
    • 80 Metascore
    • 60 Critic Score
    Most of Songs balances caustic lyrics with beautiful power-pop interludes. [Jun/Jul 2006, p.119]
    • Paste Magazine
    • 75 Metascore
    • 50 Critic Score
    Its ideas tend to outnumber its hooks. [Apr/May 2006, p.102]
    • Paste Magazine
    • 67 Metascore
    • 50 Critic Score
    Back to the Web finds the band at its best when Elf Power shakes off its drowsiness and recaptures glimpses of its former weirdness. [Aug 2006, p.95]
    • Paste Magazine
    • 67 Metascore
    • 60 Critic Score
    It's refreshingly under-eager. [Aug 2006, p.94]
    • Paste Magazine
    • 78 Metascore
    • 60 Critic Score
    Blessing is merely good, solid rock.
    • 61 Metascore
    • 40 Critic Score
    If you don't mind a little old-fashioned leering misogyny and plenty of lobotomized choruses, the power chords and snarling vocals will shake you all night long. [Sep 2006, p.81]
    • Paste Magazine
    • 75 Metascore
    • 60 Critic Score
    Strangely underwhelming. [Apr/May 2006, p.100]
    • Paste Magazine
    • 74 Metascore
    • 50 Critic Score
    The monotone delivery on Ideal Lives undercuts the urgency characteristic of Rahim's best performances. [Sep 2006, p.81]
    • Paste Magazine
    • 79 Metascore
    • 60 Critic Score
    Everything I loved about Fever... is minimized on this follow-up, replaced by a more temperate jangle. [Jun/Jul 2006, p.129]
    • Paste Magazine
    • 70 Metascore
    • 50 Critic Score
    The approach proves enjoyable, sometimes even beguiling... But... more adventurous songs... reveal Lerche's shortcomings with red-faced results. [Jun/Jul 2006, p.112]
    • Paste Magazine
    • 68 Metascore
    • 50 Critic Score
    This stuff is often pretty infectious in spite of itself--you know, "so bad it's good." [Apr/May 2006, p.118]
    • Paste Magazine
    • 67 Metascore
    • 50 Critic Score
    Lyrics have never been Gilmour's forte, but now hooks have also abandoned him. [Jun/Jul 2006, p.117]
    • Paste Magazine
    • 73 Metascore
    • 60 Critic Score
    Abrasive, apocalyptic rock. [Apr/May 2006, p.105]
    • Paste Magazine
    • 74 Metascore
    • 50 Critic Score
    A premature nostalgia trip: a journey back to college radio at the end of the '90s. [Apr/May 2006, p.106]
    • Paste Magazine
    • 85 Metascore
    • 60 Critic Score
    Case... still approximates a Northwestern Patsy Cline with a graduate degree, and while the stories she tells are mournful, her delivery remains buoyant. [Apr/May 2006, p.101]
    • Paste Magazine
    • 74 Metascore
    • 60 Critic Score
    Recall's Johnny Cash's recordings with Rick Rubin. [Apr/May 2006, p.111]
    • Paste Magazine
    • 59 Metascore
    • 60 Critic Score
    Call it Trip-Pop. [Apr/May 2006, p.117]
    • Paste Magazine
    • 71 Metascore
    • 60 Critic Score
    Swings from rapid-fire rockers to acoustic-inspired melodic pieces. [Feb/Mar 2006, p.97]
    • Paste Magazine
    • 60 Metascore
    • 50 Critic Score
    Timeless sounds like a pop-charts-and-trends magazine exploded in the studio. [Apr/May 2006, p.115]
    • Paste Magazine
    • 64 Metascore
    • 60 Critic Score
    [A] solid, satisfying effort. [Feb/Mar 2006, p.95]
    • Paste Magazine
    • 68 Metascore
    • 60 Critic Score
    Uneven. [Apr/May 2006, p.117]
    • Paste Magazine
    • 71 Metascore
    • 60 Critic Score
    Entrenched fans will be pleased to have another wing to explore in his ever-expanding mansion of song. [Feb/Mar 2006, p.110]
    • Paste Magazine
    • 68 Metascore
    • 60 Critic Score
    There isn't much to distinguish him from a million other talented but interchangeable coffe-shop-circuit troubadours. [Feb/Mar 2006, p.95]
    • Paste Magazine
    • 69 Metascore
    • 60 Critic Score
    The Strokes don't have much of their own to say here. [Dec 2005, p.106]
    • Paste Magazine
    • 73 Metascore
    • 60 Critic Score
    Oldham lacks the commanding vocal presence needed to convert delicate songs like "Master And Everyone" into shambling rock epics. [Feb/Mar 2006, p.110]
    • Paste Magazine
    • 74 Metascore
    • 60 Critic Score
    All the pros and cons of Bright Eyes present themselves here. [Feb/Mar 2006, p.110]
    • Paste Magazine
    • 58 Metascore
    • 40 Critic Score
    At once punishingly long and oddly incomplete. [Feb/Mar 2006, p.110]
    • Paste Magazine