Paste Magazine's Scores

For 4,081 reviews, this publication has graded:
  • 67% higher than the average critic
  • 3% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 3 points higher than other critics. (0-100 point scale)
Average Music review score: 76
Score distribution:
4081 music reviews
    • 64 Metascore
    • 40 Critic Score
    The songs are mostly weird, overly familiar, or simply bland. [Dec 2006, p.89]
    • Paste Magazine
    • 64 Metascore
    • 60 Critic Score
    Hello Everything is short on revelations but not quality. [Dec 2006, p.97]
    • Paste Magazine
    • 80 Metascore
    • 60 Critic Score
    It's on solo turns like "High Days"... that the elder statesman resounds much like... Bob Dylan recently did, stymieing a new generation with his continued craftsmanship. [Dec 2006, p.93]
    • Paste Magazine
    • 72 Metascore
    • 60 Critic Score
    A record enveloping enough to be therapeutic but vital enough to be inspiring. [Dec 2006, p.89]
    • Paste Magazine
    • 79 Metascore
    • 60 Critic Score
    It's the band's fussiest, most elaborately conceived work to date. [Nov 2006, p.83]
    • Paste Magazine
    • 80 Metascore
    • 60 Critic Score
    Hitchcock returns to his trademark: arpeggiated guitars swirling around hyperactive basslines with whimsical lyrics cloaked in harmony that turn dark without warning. [Oct 2006, p.76]
    • Paste Magazine
    • 76 Metascore
    • 60 Critic Score
    Her voice isn't a particularly versatile instrument, but it radiates a certain dignity and keeps the focus on her well-crafted songs. [Nov 2006, p.85]
    • Paste Magazine
    • 71 Metascore
    • 60 Critic Score
    Unfortunately songs that aren't immediately danceable... tend to dull the excitement. [Dec 2006, p.94]
    • Paste Magazine
    • 78 Metascore
    • 40 Critic Score
    Ornate but unremarkable headphone listening. [Oct 2006, p.80]
    • Paste Magazine
    • 60 Metascore
    • 60 Critic Score
    Release Therapy is solid; disappointing only when weighed against Luda's prodigious talent. [Dec 2006, p.89]
    • Paste Magazine
    • 70 Metascore
    • 60 Critic Score
    The band presently possesses more 'tude than tunes. [Nov 2006, p.81]
    • Paste Magazine
    • 62 Metascore
    • 50 Critic Score
    His work here seems scattered and gimmicky. [Oct 2006, p.75]
    • Paste Magazine
    • 67 Metascore
    • 50 Critic Score
    A couple songs on Continuum do hint at what Mayer is capable of if he can shed his perfectionist skin and get to the quick of his emotions. [Nov 2006, p.76]
    • Paste Magazine
    • 68 Metascore
    • 50 Critic Score
    If anything, the vocals provide the most effective dynamism in lifting these tracks out of their banality and providing sporadic moments of layered exaltation – short, shimmering flashes of greatness on an album that’s not especially compelling.
    • 76 Metascore
    • 50 Critic Score
    Meadow may amount to less than the sum of its parts, but those parts are often pretty great. [Sep 2006, p.78]
    • Paste Magazine
    • 73 Metascore
    • 60 Critic Score
    Unlike previous MagCo. releases, it finally feels like the band has achieved a unifying cohesiveness. [Nov 2006, p.79]
    • Paste Magazine
    • 80 Metascore
    • 60 Critic Score
    Only a tender take on Tom Waits' "(Looking For) The Heart of a Saturday Night" gives Peyroux the glimmer of modernity Perfect World so desperately craves. [Oct 2006, p.80]
    • Paste Magazine
    • 75 Metascore
    • 60 Critic Score
    This should go down in Mountain Goats lore as "The Quiet Album." [Sep 2006, p.82]
    • Paste Magazine
    • 84 Metascore
    • 60 Critic Score
    The urgency and bile are palpable. [Oct 2006, p.84]
    • Paste Magazine
    • 69 Metascore
    • 60 Critic Score
    Gone is the orchestral saturation that sometimes bogged down Crooked Fingers, replaced by gnomic acoustic folk that's stark to the point of nudity. [Oct 2006, p.84]
    • Paste Magazine
    • 69 Metascore
    • 60 Critic Score
    The album carries a slight-but-distinct theatrical odor. [Apr 2007, p.56]
    • Paste Magazine
    • 73 Metascore
    • 40 Critic Score
    So why is his new album so underwhelming? Because Petty has gotten away from his strength--whipping pop hooks into an emotional frenzy of harmonies--and has focused on his weakness: overly ambitious lyrics.
    • 75 Metascore
    • 50 Critic Score
    While One Day is a passable throwback rock recrod, it doesn't rise to the level of a true celebration of the Doll's legacy. [Sep 2006, p.80]
    • Paste Magazine
    • 63 Metascore
    • 60 Critic Score
    Keane knows its niche and plays it well. [Aug 2006, p.97]
    • Paste Magazine
    • 71 Metascore
    • 60 Critic Score
    The band is now displaying an elevated gift for arrangement. [Aug 2006, p.87]
    • Paste Magazine
    • 73 Metascore
    • 60 Critic Score
    Moorer's most muscularly produced and pointedly written release. [Aug 2006, p.87]
    • Paste Magazine
    • 70 Metascore
    • 60 Critic Score
    Display[s] a combination of openness and hookiness reminiscent of indie-minded chanteuses from Juliana Hatfield to Nelly Furtado. [Sep 2006, p.76]
    • Paste Magazine
    • 80 Metascore
    • 60 Critic Score
    Citrus is the crossroads where My Bloody Valentine and Sonic Youth mingle. [Aug 2006, p.88]
    • Paste Magazine
    • 77 Metascore
    • 60 Critic Score
    The album has the instantaneous feel of a blog. [Aug 2006, p.93]
    • Paste Magazine
    • 73 Metascore
    • 60 Critic Score
    The wonderfully overdramatic Spell inspires imagery of the house band in a borderland casino. [Sep 2006, p.81]
    • Paste Magazine