Paste Magazine's Scores

For 4,084 reviews, this publication has graded:
  • 67% higher than the average critic
  • 3% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 3 points higher than other critics. (0-100 point scale)
Average Music review score: 76
Score distribution:
4084 music reviews
    • 70 Metascore
    • 60 Critic Score
    It's actually a good radio-rock disc, just not the crossover hit Anastasio's been after. [Dec 2005, p.115]
    • Paste Magazine
    • 45 Metascore
    • 40 Critic Score
    The only satisfying songs here are the two Spanish-language tracks that kick off the album with booty-shaking brilliance. [Dec 2005, p.107]
    • Paste Magazine
    • 85 Metascore
    • 60 Critic Score
    A preciously solemn soundtrack for blustery days. [Dec 2005, p.124]
    • Paste Magazine
    • 72 Metascore
    • 50 Critic Score
    It's disappointing to find Gang of Four recycling the past so bluntly, trafficking in a nostalgia industry they should be well above. [Dec 2005, p.122]
    • Paste Magazine
    • 74 Metascore
    • 60 Critic Score
    The great thing about Weller at this point is that he'll shuffle the deck every other song and often (if not always) come up with a face card. [Feb/Mar 2006, p.103]
    • Paste Magazine
    • 72 Metascore
    • 60 Critic Score
    Another nice-enough album of sweetly sighing chamber pop that marks yet another incremental step forward. [Feb/Mar 2006, p.109]
    • Paste Magazine
    • 83 Metascore
    • 60 Critic Score
    Aside from better production values, little has changed about the Scotsmen’s formula.
    • 69 Metascore
    • 50 Critic Score
    An audacious but unsuccessful experiment. [Oct/Nov 2005, p.132]
    • Paste Magazine
    • 63 Metascore
    • 60 Critic Score
    A collection of introspective songs that's heavy on the flower and hardly wild. [Dec 2005, p.107]
    • Paste Magazine
    • 70 Metascore
    • 40 Critic Score
    Half the album [is] mired in embarrassing heartland cliches. [Feb/Mar 2006, p.96]
    • Paste Magazine
    • 66 Metascore
    • 50 Critic Score
    There's something disconcerting about Siberia's familiarity. [Dec 2005, p.111]
    • Paste Magazine
    • 61 Metascore
    • 50 Critic Score
    An efficient and insistent hunk of modestly effective dancefloor candy. [Oct/Nov 2005, p.125]
    • Paste Magazine
    • 74 Metascore
    • 60 Critic Score
    Occasionally, their ambitions get the better of them. [Oct/Nov 2005, p.135]
    • Paste Magazine
    • 72 Metascore
    • 60 Critic Score
    Music that's radio-ready, but never boring or insipid. [Dec 2005, p.108]
    • Paste Magazine
    • 73 Metascore
    • 40 Critic Score
    The ideas quickly wear thin. [Dec 2005, p.107]
    • Paste Magazine
    • 68 Metascore
    • 60 Critic Score
    This diverse album's eerie ambience and astute songwriting more than compensate for its periodic uneventfulness. [Oct/Nov 2005, p.145]
    • Paste Magazine
    • 72 Metascore
    • 60 Critic Score
    An uneven album that encapsulates much of what's gone flat in the scene he helped ferment, along with the few flourishes that make him a vital creative force.
    • 66 Metascore
    • 60 Critic Score
    The songwriting meanders sometimes, but some engaging moments... surface throughout. [Oct/Nov 2005, p.135]
    • Paste Magazine
    • 77 Metascore
    • 40 Critic Score
    The Outsider consistently grabs at transcendence only to watch it recede. [Aug/Sep 2005, p.110]
    • Paste Magazine
    • 63 Metascore
    • 60 Critic Score
    There's clarity visible beneath the waterline, sharp lyrics and even some hummable choruses. [Oct/Nov 2005, p.141]
    • Paste Magazine
    • 75 Metascore
    • 50 Critic Score
    But cliché is not the only thing that mars “Thames” and other tunes... It’s the lethargy of the tempos, the navel-gazing compositional complexity, the empty flashiness of the acoustic-guitar runs and over-enunciated words.
    • 58 Metascore
    • 60 Critic Score
    What makes this glossy album more charming than cloying overall is the totally unselfconscious way he throws himself into these showy and technically stunning performances. [Aug/Sep 2005, p.111]
    • Paste Magazine
    • 69 Metascore
    • 60 Critic Score
    This nostalgic psych appeal proves ideal for impulsive summertime road trips. [Aug/Sep 2005, p.128]
    • Paste Magazine
    • 57 Metascore
    • 40 Critic Score
    Hopefully next time he'll challenge himself to expand his palette and realize more of his considerable potential. [Oct/Nov 2005, p.138]
    • Paste Magazine
    • 63 Metascore
    • 60 Critic Score
    Eloquently combines elements of pop, spaced-out electronic rock and even dirty garage. [Aug/Sep 2005, p.121]
    • Paste Magazine
    • 71 Metascore
    • 60 Critic Score
    Invisible melodies--sometimes too invisible--give shape to songs like wind billowing through curtains. [Oct/Nov 2005, p.143]
    • Paste Magazine
    • 81 Metascore
    • 50 Critic Score
    A sidestep that’s as easy to admire as it is hard to love.
    • 79 Metascore
    • 60 Critic Score
    Strikes a nice balance between Shakira's more straightforward earlier sound and the bluster of her big crossover hits. [Aug/Sep 2005, p.122]
    • Paste Magazine
    • 83 Metascore
    • 60 Critic Score
    Be
    In a year that has also brought the envelope-pushing production work of Edan’s album Beauty and the Beast, the rehashed soul sometimes comes off limp, too content with itself and its well-worn form to challenge the genre’s status quo.
    • 46 Metascore
    • 40 Critic Score
    Instantly forgettable. [#16, p.139]
    • Paste Magazine