Spin's Scores
- Music
For 4,260 reviews, this publication has graded:
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50% higher than the average critic
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3% same as the average critic
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47% lower than the average critic
On average, this publication grades 2.6 points lower than other critics.
(0-100 point scale)
Average Music review score: 70
Highest review score: | To Pimp A Butterfly | |
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Lowest review score: | They Were Wrong, So We Drowned |
Score distribution:
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Positive: 3,058 out of 4260
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Mixed: 1,147 out of 4260
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Negative: 55 out of 4260
4260
music
reviews
- By Date
- By Critic Score
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- Critic Score
The New Classic establishes the Australian artist as a competent rapper with a decent ear for hooks, but that's about it.- Spin
- Posted Apr 17, 2014
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- Critic Score
With Light and With Love sounds bigger, though, more accessible, conceived with an ear toward top-down, tear-out-of-town FM anthems of summers past.- Spin
- Posted Apr 16, 2014
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Like Seinfeld, as New York a document as Paul's Boutique, Quack presents itself as a comedy about nothing. But Seinfeld's nihilism, as a portrait of the neuroses of a certain class in a certain era, at least represented a kind of ethos (pace Walter Sobchak). Duck Sauce's "brain farts," on the other hand, take refuge in the idea that if you stand for nothing, you can't be held accountable for anything.- Spin
- Posted Apr 15, 2014
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Under Color Of Official Right rumbles along with tense basslines and drums that feel like they're trying to stay out of Casey's way, as guitarist Greg Ahee slashes a path forward.- Spin
- Posted Apr 15, 2014
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Lead vocalist/head louche Greg Dulli's dark obsessions and predatory narrators manage to sound as erotically entrancing as he pushes 50 as they did when he was courting 25, aging gracefully like a snifter of peaty scotch rather than a cup of flat beer.- Spin
- Posted Apr 14, 2014
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EMA has crafted a wide-eyed, open-eared, reasonably horrified, digi-noise drone-folk treatise about the soul-sucking, privacy-wrecking qualities of online life.- Spin
- Posted Apr 10, 2014
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It's no "High Enough," but it is a damn fine collection of selected ambient works.- Spin
- Posted Apr 8, 2014
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Terje can make an aging gigolo's commentary on the folly of his misspent youth the centerpiece of his otherwise invigorating dance album because he's the rare crowd-pleasing DJ whose musical skills trump his proven ability to move butts.- Spin
- Posted Apr 8, 2014
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The tunes barely let up until the Mann-led "Hummingbird" and "Honesty Is No Excuse" more than halfway through, and even then the usual boring singer/songwriter-isms become a nice resting place from the otherwise inescapable hooks.- Spin
- Posted Apr 8, 2014
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Its lyrics, though often hard to discern in the mumbles, start to get to the core of what Mess is all about--trying to find some sort of peace in this anxiety-breeding world.- Spin
- Posted Apr 7, 2014
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Beneath the arena-friendly sonics and the streamlined storytelling of Teeth Dreams lies the same old band that kicked off their very first number with a little bit of Mott The Hoople self-mythology, that fist-pumping Hold! Steady! chant within "Positive Jam."- Spin
- Posted Apr 7, 2014
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Here Be Monsters sounds like a fleshed-out band, graced with Mekons-derived musical trademarks.- Spin
- Posted Apr 7, 2014
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Buoyed by girlfriend and former Dirty Projector Angel Deradoorian and ex-Ponytail drummer Jeremy Hyman, Tare has plenty to bounce off of here.- Spin
- Posted Apr 7, 2014
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While the band itself might still be metal newcomers, their music goes down like an aged mead, and Void Worship is an early contender to be one of 2014's most satisfying drams of doom.- Spin
- Posted Apr 7, 2014
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Whether directly inspired by backpack rap or just embodying the raw energy of that era, the group has none of the preachy divisiveness that made that movement a half-joke.- Spin
- Posted Apr 7, 2014
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Much like Bon Iver's output, Range of Light delivers a set of songs with a fixed sense of place and a nostalgic sense of time.- Spin
- Posted Apr 2, 2014
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Baldi and Co. take the best bits from Albini's tutelage, apply them to lo-fi pop-punk structures and infuse all of it with tightly wound angst.- Spin
- Posted Apr 1, 2014
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His patron saints appear to be Harry Nilsson and yacht rockers like 10cc, and rarely are either channeled with this little cheese and this much panache. He merges these influences with what's quickly become his signature guitar sound, an effortless style that can be playfully discordant. It's these dissonant bits that elevate DeMarco's easily digestible pop.- Spin
- Posted Apr 1, 2014
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It sure does prove that Bob Dylan isn't bigger than rock and roll--while also proving that rock and roll needs ace songwriters more than many current rock and rollers think.- Spin
- Posted Mar 26, 2014
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Get over Herring's Shatner-like earnestness like you did with Destroyer's Kenny G moves on Kaputt and you'll unlock the furrowed brows, baggy eyes and bulging veins beneath the metronomic perfection.- Spin
- Posted Mar 25, 2014
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Their excellent new Bless Off, which careens even more crank-ably--not to mention somewhat less grumpily--than 2011's also very good Primitive Blast.- Spin
- Posted Mar 24, 2014
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This wobbling between attempts to impress the dance music cognoscenti and to make songs as purely delightful as "Coast Is Clear" defines Recess, and occasionally bogs it down.- Spin
- Posted Mar 20, 2014
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Boldly, My Krazy Life is in the vein of Kendrick Lamar's good kid, m.A.A.d city, with a developed, knotty and, ultimately, deeply moral narrative.- Spin
- Posted Mar 20, 2014
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- Spin
- Posted Mar 17, 2014
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Graves' earnest lyrics are purposely mixed far beneath the caustic instrumentals here, but when a few words do surface, we're treated to thoughtful (if only partial) confessions.- Spin
- Posted Mar 17, 2014
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Supermodel's failing is that it's copying one of the foundational records of this trend, which is, you guessed it, Torches. It's hard to think outside a box you built yourself.- Spin
- Posted Mar 14, 2014
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There are the irretrievably cheesy moments.... [But] Therein lies the strength of Kiss Me Once: Minogue's ability to turn any contrived situation into something positive, magical, and utterly her own.- Spin
- Posted Mar 13, 2014
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If Slave Ambient represented a breakthrough, this one is an out-and-out star-maker that should rank among the year's best albums.- Spin
- Posted Mar 13, 2014
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Glow tries so hard to keep the mood pneumatic that it starts to feel over-stuffed, even at just 55 minutes long.- Spin
- Posted Mar 11, 2014
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What's great about Atlas, the quintet's huge, intentional about-face of a third record, is that it most definitely didn't organically occur.- Spin
- Posted Mar 6, 2014
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Though there aren't any clunkers, Tomorrow's Hits peaks when it achieves maximum speed and strives for the ecstatic repetition of eye-rolling, body-transcending gospel music.- Spin
- Posted Mar 5, 2014
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This is Ross at his least cohesive and most clueless since his 2006 debut, Port of Miami.- Spin
- Posted Mar 4, 2014
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From the girl in "Till He's Dead or Rises" who has "the fear of Jesus on her side" to the way in which "First Air of Autumn" is an identical twin to Brighter's superior "Perfect Timing," the album sounds like the kind of holding pattern release that causes fan-bleed.- Spin
- Posted Mar 4, 2014
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The most booty-shaking, speaker-twinkling, glitz-intensive pop-soul record to come down the turnpike in years, out-dazzling even kindred efforts by Timberlake, Bruno Mars, and Miguel.- Spin
- Posted Mar 3, 2014
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- Spin
- Posted Feb 27, 2014
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Granted, 10 of those are just a minute or less (sometimes far less: "Yet Unknown" is nothing more than a nine-second sample from a news broadcast), and 11 more don't even break the four-minute mark. On the plus side, we're treated to some of the best songs from his recent, out-of-print releases.- Spin
- Posted Feb 27, 2014
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ScHoolboy Q comes off like the dude who gives in to all the peer pressure, constantly on the verge of betraying his talents and smarts just to fit in and be one of the bros. The weirder he gets, the better.- Spin
- Posted Feb 27, 2014
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It's a major work, one that confirms that she's only marginal in the sense that she's vibrating on her own wavelength, way out at the edge of the spectrum.- Spin
- Posted Feb 26, 2014
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This one is lithe and liquid, shy of a masterwork but still a fucking great record, top to bottom.- Spin
- Posted Feb 25, 2014
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No matter how enthusiastically some claim Beck as a zeitgeist-embracing pop chameleon of the Jean-Luc Godard variety, he's far more a craftsman of the Louis Malle school: sophisticated, assured, self-aware, and incessantly torn between competing genres.- Spin
- Posted Feb 25, 2014
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Clatter arises from songs and songs from clatter, and it's maddening how so many of them seem to randomly end before committing to actual endings.- Spin
- Posted Feb 24, 2014
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When she depletes her stock of declarative phrases, Olsen has little to say about these mercurial emotional swings except that she's feeling them. Or unprepared to commit to them. Still, the good songs on Burn Your Fire for No Witness suggest Olsen is figuring out how to sound--how to resound, actually.- Spin
- Posted Feb 21, 2014
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A confident and assured debut proving that home address aside, he fits squarely into the Black Hippy aesthetic.- Spin
- Posted Feb 20, 2014
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- Posted Feb 18, 2014
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There are odd nods on Somewhere Else.... But her full-throated attack and guitarist Todd May's twang-snarled guitar, which splits the diff between Tom Petty's Heartbreakers and Johnny Thunders', also recall a less-remembered version of that decade.- Spin
- Posted Feb 14, 2014
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Ostensibly a supernatural tale, Hotel Valentine challenges the listener to reflect on life, death, and nothingness. Whether that inspires joy or terror depends on you, but it'll inspire something.- Spin
- Posted Feb 13, 2014
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The lack of a hefty, definable, or easily digestible pop overhaul here means that Little Red probably won’t hit America as hard as even its predecessor did. But it does feel like the natural progression of an artist whose narrative is so wholly and convincingly embedded in club life.- Spin
- Posted Feb 11, 2014
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They're career musicians active since the '90s, but here, they actually sound excited again.- Spin
- Posted Feb 7, 2014
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This guy has written 40-plus albums of material, so it's saying something that Benji is one of his more challenging listens.- Spin
- Posted Feb 6, 2014
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After the Disco is the rare, superior sequel--think Toy Story 2--to Mercer and Burton's seemingly one-off self-titled 2010 debut as Broken Bells.- Spin
- Posted Feb 5, 2014
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Rough in all the right places but pleasurably smooth in others, Held in Splendor is less like the kitschy t-shirt quilt you made to remember your high school clubs and teams, and more like the perfect old blankets your grandmother used to sew: oversized, musty, and familiar even when you haven't worn them in years.- Spin
- Posted Jan 30, 2014
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The money shot is still the original 13-track album, which stridently argues (and proves) the thesis that Uncle Tupelo were the Velvet Underground of '90s alt-country.- Spin
- Posted Jan 28, 2014
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"R.I.P music," wrote Cunningham in the introduction to the album. As corpses go, this one is exquisite.- Spin
- Posted Jan 24, 2014
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As with so much of Too True, it's more Flowers in the Attic than Flowers of Evil. But it's also part of a glorious art-goth tradition: bookish rockers chasing pop into the dark, deep within the Hong Kong gardens, where all cats are grey.- Spin
- Posted Jan 23, 2014
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- Spin
- Posted Jan 21, 2014
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Once it all sinks in, the self-released approach, scrapped-together band, and 29-minute running time should only shock those who expected this to be a huge statement by Grace on anyone's terms but her own. This is no rock opera, no American Idiot, no novelty.- Spin
- Posted Jan 21, 2014
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Lyrics referencing both Greek astronomy and the Old Testament, as well as guitar textures indebted more to Glenn Branca than Black Flag, reveal an art-rock ace up the band's tattered sleeve.- Spin
- Posted Jan 15, 2014
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Despite the Dap Kings versatility--they were more hushed and drowsier backing Charles Bradley on last year's Victim of Love--and Jones' indefatigability, there aren't many new ideas here. That's not the point, though. The point is that music from another time can still thrill us in this one because of its practically tyrannical insistence on bliss.- Spin
- Posted Jan 14, 2014
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Vanderslice's arrangements glide between loping acoustic strums, delicate picking, and stately piano chords, though for such a quiet affair, Kid Face has a surprisingly sturdy bottom end.- Spin
- Posted Jan 10, 2014
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Both chilly and warm, soulful and soft, Post Tropical is an intricate ice sculpture of an album, and a fantasy come true for anyone who's ever misted up over Maxwell's version of "This Woman's Work."- Spin
- Posted Jan 10, 2014
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It's well within the Boss' right to try and freshen up old material, especially 18 albums in, but this one lacks a through-line beyond the distracting (and occasionally straight-up embarrassing) Morello.- Spin
- Posted Jan 9, 2014
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Instead of reaching that precipice and seeming to over-stretch for some sort of tipping point into the mainstream, he's forged his own world, on his own terms, and invited like-minded artists to flourish there as well.- Spin
- Posted Jan 8, 2014
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Haze's attempt to appear undefinable and resist categorization (as Dirty Gold's conversational interludes attest) is a laudable pursuit, but it leaves the record unfocused.- Spin
- Posted Jan 8, 2014
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The contentment Malkmus expresses here is so cozy you might feel a little corny calling it wisdom. But you wouldn't embarrass yourself too much if you called it perspective.- Spin
- Posted Jan 3, 2014
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As a work of scholarly revisionism, Purple Snow is peerless. How and why the Twin Cities helped transform Prince Nelson into the Artist remains a mystery. But this is a charming addition to the Paisley Park family.- Spin
- Posted Dec 17, 2013
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What makes Re-Engineering worthwhile is that the odd blooms Warwick coaxes from that soil are so pleasing to behold on their own terms. It's critical theory as easy listening that you can actually cut a rug to, if you're so inclined.- Spin
- Posted Dec 16, 2013
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The result is artistic click bait, and its genius and connective power is that it doesn’t treat music fans as factions. This one is for everyone, all at once.- Spin
- Posted Dec 16, 2013
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If anything, 7 Days acts as the inverse of The Chronic, wherein a famous hip-hop producer introduced the world to an up-and-coming MC weaned on P-Funk and George Duke; now, it's a pop-cultural hip-hop icon giving a bit of shine to an adept indie producer who can elicit all strains of funk in this 21st-century Zone of Zero Funkativity. It's not the dank, but breathe deep anyway.- Spin
- Posted Dec 10, 2013
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Maybe the entire album is a meme itself, a grand existential joke critiquing the all-conquering rise of Internet culture by parodying its overwhelming randomness. Whatever it is, though, it's a bad rap record.- Spin
- Posted Dec 10, 2013
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Blunt and crass, 2013’s Black Panties is all about selling nostalgia for a bygone age of hard-body sexist black machismo that Barack Obama is, in his own quiet way, helping to deflate.- Spin
- Posted Dec 9, 2013
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Britney Jean may chart respectably because it leads the most musically uneventful December in years, but it will soon fade like "Perfume," because there's zilch in the way of humanity here.- Spin
- Posted Dec 3, 2013
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The best mood music transfixes; merely excellent, Jetlag is sometimes too easily relegated to the background.- Spin
- Posted Nov 26, 2013
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As long as Midnight Memories offers chorus after chorus of Gary Glitter-style fodderstompf, it sounds like the best boy-band album since No Strings Attached.- Spin
- Posted Nov 25, 2013
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What's interesting about Saint Heron is that it trips giddily over the line between relatively conventional approaches (Aiko, Solange, Shawn) and more heavily processed, speculative stuff (Sampha, Iman Omari, BC Kingdom), but takes no pains to make an overarching statement.- Spin
- Posted Nov 21, 2013
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These parts slide and slip through and around one another, creating a shifting matrix that consumes your attention for as long as the band wants to play.- Spin
- Posted Nov 19, 2013
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It isn't just a celebration of the warm-up DJ; it's a self-portrait of an artist who wouldn't be who he is today without once having had all those empty rooms to fill.- Spin
- Posted Nov 18, 2013
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Packed with these canny connections between music and lyrics, Cupid highlights Hynes' tremendous recent advancement as an arranger.- Spin
- Posted Nov 18, 2013
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While there are mistakes and bum notes — and the group's enthusiasm about recording for the BBC had pretty clearly waned by the later sessions--the gorgeous harmonies from those legendary young larynxes sound as glorious as ever.- Spin
- Posted Nov 14, 2013
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She remains singularly compelling and lovable as a celebrity, even if her records don't always match up to her outsized persona. Even at their worst, they only prove that the art is sometimes unworthy of the artist.- Spin
- Posted Nov 11, 2013
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Ferreira is finally fully reveling in the swirling cacophony that is her sound and her life.- Spin
- Posted Nov 7, 2013
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"Indie rock" has long since ceased to be either "indie" or "rock," of course, but Surfing Strange signifies on both counts, just when we desperately needed a refresher on the fundamentals.- Spin
- Posted Nov 6, 2013
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The record is so one-note it makes its predecessor sound like an entire season at the London Philharmonic.- Spin
- Posted Nov 5, 2013
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Like its creator, Matangi is flawed, frustrating, and occasionally confusing, but it's also intermittently brilliant and completely unique.- Spin
- Posted Nov 4, 2013
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This album will never top MM1 or even 1999's Slim Shady LP for the visceral thrill of watching a celebrity twist and distort his own identity like a comic strip transferred onto Silly Putty. But we get rhymes. So many rhymes. More rhymes than some rappers manage in a whole career.- Spin
- Posted Nov 1, 2013
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Reflektor is long and weird and indulgent and deeply committed. It has three to five genuinely great songs; it also wanders off into the filler hinterlands for 20 minutes or so (out of 70).- Spin
- Posted Oct 28, 2013
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Scales are Middle Eastern, obviously; tempos range from up to mid-plus; the programmed drums generate rhythms that few American tub-thumpers could map, much less replicate. There's far more variety in what Sa'id plays than in what Souleyman sings--flute sounds, an orchestra once. But Souleyman's intensity nails it.- Spin
- Posted Oct 24, 2013
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This is a pivot, this record, and a shrewd one, but "shrewd" and "boring" are not mutually exclusive.- Spin
- Posted Oct 22, 2013
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Each song boasts a memorable harmonic shift or guitar filigree or hook, but successive listens reveal an overstuffed package whose melodic involutions aren't complex and/or simple enough to sustain more than an hour's worth of music.- Spin
- Posted Oct 18, 2013
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Quickly working 11 tracks into 40 minutes, the album is visceral and unrefined, two qualities not often associated with Hebden.- Spin
- Posted Oct 17, 2013
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Despite the full dismissal of punk roots here--the blended-in drumming, the lack of rollercoaster twists and turns in the tempos and time signatures--Uncanney Valley's only real stumbles are lyrical.- Spin
- Posted Oct 17, 2013
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There's an exhilarating bleakness at the center of Virgins--the hollow at the heart of all things, nibbling inexorably away.- Spin
- Posted Oct 15, 2013
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Get me out of here, take me back: That's breaking up in a nutshell, and Cults till this soil multiple ways.- Spin
- Posted Oct 14, 2013
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- Spin
- Posted Oct 14, 2013
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While 2010 debut Treats was an exotic, overdubbed roar (Big Black-meets-the-Waitresses for people who give a shit about those references), and 2012's Reign of Terror winked through a heavy heart at Mutt Lange's scorched-earth sound field, Bitter Rivals is sly and sleek.- Spin
- Posted Oct 9, 2013
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Here is another deeply considered collection of top-shelf beats and uncompromising-though-still-pop-enough raps that justifies the fairly awful personalities driving it, which, depending on your tolerance for wounded narcissism and a complete lack of insight, is either fascinating or frustrating.- Spin
- Posted Oct 7, 2013
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Bangerz is a precise album that flits between bombastic and turgid; it is not very fun.- Spin
- Posted Oct 7, 2013
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With his first album for Warp, OPN proves his mettle amid labelmates like Aphex Twin and Flying Lotus.- Spin
- Posted Oct 2, 2013
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It isn't traditionally enjoyable, and it isn't supposed to be.... It's the most daring record he could've made.- Spin
- Posted Oct 2, 2013
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- Spin
- Posted Oct 1, 2013
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If nothing else, the music is aggressively okay (there's coiled-spring potential in the crackling, anxious "White Teeth Teens"). But its overall unspecialness undercuts Pure Heroine's devotion to playing both sides of Lorde's "only 16" coin.- Spin
- Posted Sep 30, 2013
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