Album Releases by Genre
No Gravity
by Shontelle
September 21, 2010
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Wake Up!
by The Roots
September 21, 2010
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Airtight's Revenge
by Bilal
September 14, 2010
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Passion, Pain & Pleasure
by Trey Songz
September 14, 2010
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You Are Not Alone
by Mavis Staples
September 14, 2010
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Body Talk, Pt. 2
by Robyn
September 7, 2010
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Back to Me
by Fantasia
August 24, 2010
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Versus
by Usher
August 24, 2010
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Intimacy: Album III
by Kem
August 17, 2010
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Come And Get It!
by Eli "Paperboy" Reed
August 10, 2010
Ever since the dawn of the electric guitar, white boys have sung the blues, some with considerably more success than others. Eli “Paperboy” Reed is part of that long tradition, but he stands apart from the pack as much as he belongs to it, due in large part to his age. Raised on CD reissues of classic blues and soul -- he was not even 10 when the first Complete Stax/Volt Singles box came out -- Reed has absorbed the sound and sensibility of classic ‘60s soul but sings without any white-boy blues affectations, totally comfortable in his own skin because nobody else his age, of any race, was attempting to make this kind of music. This can cause a kind of a disconnect -- Reed sounds so white when he sings, it’s disarming -- but he pours on the passion and has fully absorbed the tight turns of Stax and loves the sound as much as the structure, so much so that Come and Get It -- his third LP and first for a major label -- feels a bit like an unearthed relic, built on songs and sounds that could pass for unheard gems if it wasn’t for Reed’s unapologetically white voice, free of affectations and ticks. Some of that may be due to producer Mike Elizondo’s work -- he manages to make this sound like a throwback without being stiff, and without having a hint of Mark Ronson’s hipster retroism for Amy Winehouse -- but he’s just articulating Reed’s gifts, letting the songs stand front and center. And that’s what’s remarkable about Come and Get It: this is not a modern-day blues album, it’s a classic soul album, with almost all the tracks clocking in at 3:30 or less, leaving very little room for showboating solos. All concentration is on the tunes themselves, with the band kicking them toward kineticism, Reed channeling all his energy into making the songs sing, and they wind up sticking, sounding a bit like forgotten classics upon first listen, then winding up as familiar favorites upon the second. If there is any fault here, it’s that Reed’s voice remains perennially boyish, sometimes preventing this from achieving a level of gravity, but there’s no attempt to hide this: it’s an honest reflection of who Reed is, a young kid from Boston in love with the Southern sounds of the ‘60s and intent on carrying them on, even if he invites ridicule or scorn. He believes it, man, and based on Come and Get It, it’s hard not to believe it too. ~ Stephen Thomas Erlewine |
The Budos Band III
by The Budos Band
August 10, 2010
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Tribal
by Dr. John/The Lower 911
August 3, 2010
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The Remix
by Lady Gaga
August 3, 2010
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Flesh Tone
by Kelis
July 6, 2010
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The Sellout
by Macy Gray
June 22, 2010
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Bionic
by Christina Aguilera
June 8, 2010
Subtlety not being part of Christina Aguilera’s vocabulary, she trades the retro-swing of Back to Basics for the future-pop of Bionic, receiving assists from a roster that reads like a who’s-who of progressive pop in 2010: M.I.A., Le Tigre, Peaches, and John Hill & Switch, known for their work with Santigold. But like the half-cyborg/half-diva illustration of the album cover, this revamp is only partial. Aguilera hedges her bets by adding a ballad from old friend Linda Perry, gets Tricky Stewart to produce a trio of cuts, drafts Polow da Don and Focus… to produce some heavy and slow R&B, respectively, letting enough air into the machines to reassure hesitant fans that she hasn’t abandoned her roots. All this hesitancy means that for as many risks as it takes, Bionic doesn’t feel daring. Apart from the stuttering opener of the title track and glassy chill of “Elastic Love,” notably the two Hill & Switch productions, this never delivers the future shock it promises, but that’s not necessarily a bad thing, because the robot-diva hybrids are often interesting even when they stumble, as they do on “WooHoo,” its incessant title loop piercing like a dental drill. Exhibit A in Xtina’s curious tin ear for sex, “WooHoo” doesn’t work as temptation, not when the chorus come-on is “licky licky yum yum,” but her crassness is no longer alienating as it was on Stripped; it’s simply part of her persona, just like her shameless narcissism, showcased on the closing “Vanity,” where she gets her kid to confirm that she’s the greatest of them all. This triumphant self-possession comes so naturally to Christina that it’s hard not to wish that she acted so boldly throughout Bionic, letting the entirety of the record be as distinctly odd as its best moments. Frankly, the deluxe edition of Bionic does suggest what the album could have been: it’s supplemented by four bonus songs that are wildly imaginative, whether it’s the clattering, chanting “Bobblehead,” the cool synth glide of “Birds of Prey,” the perfect new wave pop of “Monday Morning,” or Sia’s mournful ballad “Stronger Than Ever.” In their place on the album proper are competent, relatively colorless club odes to fashion and fabulousness and Perry’s boring inspirational “Lift Me Up,” songs that play to Aguilera’s persona without inhabiting it. The rest of Bionic -- not just the hipster flirtations and Sia’s trio of richly ruminative AAA ballads, but the tracks directly within Aguilera’s wheelhouse, like Tricky Stewart’s wildly successful, slinky “Desnudate,” and the sultry slow burner “Sex for Breakfast” -- find Christina not playing to expectations but simply acting as a natural diva and is all the more compelling for it. ~ Stephen Thomas Erlewine |
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Rokstarr
by Taio Cruz
June 1, 2010
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Interpretations: The British Rock Songbook
by Bettye LaVette
May 25, 2010
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The ArchAndroid
by Janelle Monáe
May 18, 2010
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Pulse
by Toni Braxton
May 4, 2010
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Fire Away
by Ozomatli
April 20, 2010
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I Learned The Hard Way
by Sharon Jones & the Dap-Kings
April 6, 2010
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Raymond v. Raymond
by Usher
March 30, 2010
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New Amerykah Part Two: Return of the Ankh
by Erykah Badu
March 30, 2010
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My World 2.0
by Justin Bieber
March 23, 2010
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Still Standing
by Monica
March 23, 2010
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Sweet 7
by Sugababes
March 15, 2010
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Jason Derulo
by Jason Derulo
March 2, 2010
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Love & War
by Daniel Merriweather
February 23, 2010
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I'm New Here
by Gil Scott-Heron
February 9, 2010
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Soldier Of Love
by Sade
February 9, 2010
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Ya-Ka-May
by Galactic
February 9, 2010
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Another Round
by Jaheim
February 9, 2010
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Kings Ballad
by Georgia Anne Muldrow
February 9, 2010
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Concrete Jungle
by Nneka
February 2, 2010
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The Sea
by Corinne Bailey Rae
January 26, 2010
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Ollusion
by Omarion
January 12, 2010
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Stronger With Each Tear
by Mary J. Blige
December 21, 2009
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The Element Of Freedom
by Alicia Keys
December 15, 2009
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Sex Therapy
by Robin Thicke
December 15, 2009
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Graffiti
by Chris Brown
December 8, 2009
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Shock Value II
by Timbaland
December 8, 2009
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Straight No Chaser
by Mr. Hudson
December 1, 2009
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Untitled
by R. Kelly
December 1, 2009
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Rated R
by Rihanna
November 23, 2009
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All Or Nothing
by Jay Sean
November 23, 2009
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Unexpected
by Angie Stone
November 23, 2009
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Echo
by Leona Lewis
November 17, 2009
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In Love & War
by Amerie
November 3, 2009
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Evolution Of A Man
by Brian McKnight
October 27, 2009
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Soulbook
by Rod Stewart
October 26, 2009
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Colour Me Free
by Joss Stone
October 20, 2009
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D.N.A.
by Mario
October 13, 2009
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Devil's Halo
by Me'Shell Ndegéocello
October 6, 2009
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Memoirs Of An Imperfect Angel
by Mariah Carey
September 29, 2009
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Ghostdini: Wizard Of Poetry
by Ghostface Killah
September 29, 2009
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Burn It Down
by The Dynamites Featuring Charles Walker
September 15, 2009
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Kamaal The Abstract
by Q-Tip
September 15, 2009
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Turn It Up
by Pixie Lott
September 14, 2009
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A Strange Arrangement
by Mayer Hawthorne
September 8, 2009
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Ready
by Trey Songz
September 1, 2009
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I Look To You
by Whitney Houston
August 31, 2009
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Turn Me Loose
by Ledisi
August 18, 2009
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Anjulie
by Anjulie
August 4, 2009
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Exposed
by Kristinia DeBarge
July 28, 2009
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BLACKsummers'night
by Maxwell
July 7, 2009
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Jeremih
by Jeremih
June 30, 2009
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A Man's Thoughts
by Ginuwine
June 23, 2009
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The E.N.D.
by The Black Eyed Peas
June 9, 2009
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Just Go
by Lionel Richie
May 19, 2009
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Fantasy Ride
by Ciara
May 5, 2009
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Epiphany
by Chrisette Michele
May 5, 2009
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Potato Hole
by Booker T.
April 21, 2009
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Elixer
by Bria Valente
March 29, 2009
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In A Perfect World...
by Keri Hilson
March 24, 2009
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Love vs Money
by The-Dream
March 10, 2009
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Ashley Walters
by Ashley Walters
February 23, 2009
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Uncle Charlie
by Charlie Wilson
February 17, 2009
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Testimony: Vol. 2, Love & Politics
by India.Arie
February 10, 2009
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Ryan Leslie
by Ryan Leslie
February 10, 2009
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Coming Back To You
by Melinda Doolittle
February 3, 2009
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Eye Legacy
by Lisa "Left Eye" Lopes
January 27, 2009
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A Different Me
by Keyshia Cole
December 16, 2008
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Intuition
by Jamie Foxx
December 16, 2008
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The Point Of It All
by Anthony Hamilton
December 16, 2008
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Human
by Brandy
December 9, 2008
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OnMyRadio
by Musiq Soulchild
December 9, 2008
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Freedom
by Akon
December 2, 2008
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The Alesha Show
by Alesha Dixon
November 24, 2008
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I Am...Sasha Fierce
by Beyoncé
November 18, 2008
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Thr33 Ringz
by T-Pain
November 11, 2008
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Soul
by Seal
November 11, 2008
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Evolver
by John Legend
October 28, 2008
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Pebble To A Pearl
by Nikka Costa
October 14, 2008
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Leave It All Behind
by The Foreign Exchange
October 14, 2008
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Unexpected
by Michelle Williams
October 7, 2008
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Jennifer Hudson
by Jennifer Hudson
September 30, 2008
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Something Else
by Robin Thicke
September 30, 2008
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Doll Domination
by Pussycat Dolls
September 23, 2008
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Year Of The Gentleman
by Ne-Yo
September 16, 2008
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