Album Releases by Genre
The New Folk Implosion
by Folk Implosion
March 4, 2003
Lou Barlow (Sebadoh) is still the heart of The Folk Implosion, but on the lo-fi band's fourth full-length release, his supporting cast has changed. Gone is co-founder and writing partner John Davis; in his place are Sebadoh drummer Russ Pollard and Alaska guitarist Imaad Wassif.
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The Grotto
by Kristin Hersh
March 4, 2003
Hersh's sixth solo album finds the Throwing Muses founder working with Howe Gelb (Giant Sand).
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Come Here When You Sleepwalk
by Clue To Kalo
March 4, 2003
The debut album from Adelaide, Australia's Mark Mitchell (who records as Clue To Kalo) is a mix of indie rock and electronica, drawing comparisons to everyone from Badly Drawn Boy to Dntel.
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Throwing Muses [2003]
by Throwing Muses
March 4, 2003
Back together for the first time since their 1996 breakup, the college radio faves offer up 12 new tracks on this self-titled release. The lineup here includes original co-founder Kristen Hersh, drummer David Narcizo and bassist Bernard Georges, with fellow co-founder (and Hersh's half sister) Tanya Donelly on hand as well to contribute backing vocals.
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The Coral
by The Coral
March 4, 2003
This debut effort from Liverpool's The Coral is an inventive mix of numerous musical styles.
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White Noise
by Alpinestars
February 25, 2003
This second album for the Manchester (by way of Germay) electronica/Krautrock duo features guest vocals from Brian Molko (Placebo).
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Down With Wilco
by The Minus 5
February 25, 2003
On this long-delayed release, the Minus 5's Scott McCaughey, Ken Stringfellow (the Posies) and Peter Buck (R.E.M.) team up with all four members of Wilco for 13 original tracks.
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Neon Golden
by The Notwist
February 25, 2003
This breaktrhough sixth album for the German band combines a variety of disparate elements, most notably moody indie rock and glitchy electronica (think Hood's Cold House), to great effect.
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Lost Planets & Phantom Voices
by Tobin Sprout
February 25, 2003
The former member of Guided By Voices returns with a solo album (his fourth), recorded in his Michigan home.
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The Music
by The Music
February 25, 2003
They may not be easy to look up in search engines, but this very-much-rock quartet from Leeds, England could be found in all the UK music magazines, thanks to a much sought-after EP and this debut album.
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Human Conditions
by Richard Ashcroft
February 25, 2003
This is the second solo outing for the former Verve frontman.
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Giraffe
by Echoboy
February 25, 2003
Richard Warren's third LP, produced by Flood, finds the multi-instrumentalist moving more toward mainstream electro/synth pop, closer to bands such as New Order and Primal Scream than his more experimental albums 'Volume 1' and 'Volume 2.'
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The Art Of Losing
by American Hi-Fi
February 25, 2003
This is the sophomore release for the Boston-based alt-rockers.
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Bright Yellow Bright Orange
by The Go-Betweens
February 18, 2003
After taking 12 years off prior to 2000's 'The Friends of Rachel Worth,' the legendary Australian indie-pop band is suddenly undergoing a bout of creativity as evidenced by yet another release this very same decade.
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Sleep And Release
by Aereogramme
February 18, 2003
The Glaswegian guitar rockers emerge with their second full-length album, an even more intense affair than their 2001 debut 'Story In White.'
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The Datsuns
by The Datsuns
February 18, 2003
This is the debut full-length release for the New Zealand rockers, who have drawn comparisons to everyone from The Stooges and AC/DC to, of course, the White Stripes, and have been the subject of fawning articles in the UK music press (but then again, who hasn't) in recent months.
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You Are Free
by Cat Power
February 18, 2003
Chan Marshall's first album of new material since 1998 was recorded in Los Angeles with Adam Kasper (Queens of the Stone Age, Foo Fighters, Pearl Jam), who in turn brought in friends such as Dave Grohl and Eddie Vedder.
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Three-Four
by Shipping News
February 18, 2003
This disc compiles tracks from three previously-released EPs by the indie rock trio, who originally got their start composing music for NPR's "This American Life." Also included are three brand-new tracks.
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Feast of Wire
by Calexico
February 18, 2003
The Tucson, Arizona-based duo of Joey Burns and John Convertino return with their fourth full-length album.
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Animositisomina
by Ministry
February 18, 2003
Al Jourgensen is back, and, apparently, angrier than ever. Included here on the industrial band's eighth album is a cover of Magazine's "The Light Pours Out of Me."
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She Has No Strings Apollo
by Dirty Three
February 18, 2003
The Australian instrumental trio, known for their dark, minimalist, atmospheric sound, includes Bad Seeds' violinist Warren Ellis, guitarist Mick Turner, and drummer Jim White.
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Give Up
by The Postal Service
February 18, 2003
One of the highlights of Dntel's 2001 debut album was "This Is the Dream of Evan & Chan," where Dntel electronica mastermind Jimmy Tamborello was joined by Death Cab For Cutie's Ben Gibbard on vocals. Satisfied by those results, the two continued to collaborate (by mail), eventually resulting in enough material for this full album that ventures more into synth-pop/new wave territory than their previous single.
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The Beauty Of The Rain
by Dar Williams
February 18, 2003
Folkie Dar Williams returns with her sixth album, which is perhaps her most diverse and fullest-sounding yet, enhanced by the presence of a host of contributors including Alison Krauss, John Medeski, Bela Fleck, and John Popper.
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Ready For Love
by John Hammond
February 11, 2003
John Hammond follows his successful album of Tom Waits covers, Wicked Grin, with his first-ever original material. Well, ok, so he only wrote one song on this new album, but it is his first. Complimenting that track are selections written by the likes of Tom Waits, George Jones, Jagger/Richards and David Hidalgo (who also appears on the album).
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Nocturama
by Nick Cave & The Bad Seeds
February 11, 2003
Nick Cave & co. return for a follow up to 2001's 'No More Shall We Part.'
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Hearts Of Oak
by Ted Leo & The Pharmacists
February 11, 2003
Ted Leo, formerly of Chisel, returns with his fourth album of punk-influenced singer-songwriter indie-folk rock.
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Life On Other Planets
by Supergrass
February 11, 2003
The fun-loving Britpop outfit, popular in the U.K. but unsuccessful to date in the U.S., returns with its fourth LP.
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The Bar At The End Of The World
by Lupine Howl
February 4, 2003
This is the second LP for the band that was once Spiritualized--that is, before Jason Pierce fired them and hired a new Spiritualized.
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Boomslang
by Johnny Marr & The Healers
February 4, 2003
The Smiths' guitarist takes a turn at the microphone for the first time, handling vocal duties for his new band, The Healers. The lineup also includes Zak Starkey (son of Ringo Starr) on drums and Kula Shaker bassist Alonza Bevan.
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So Much Staying Alive & Lovelessness
by Joan of Arc
February 4, 2003
Mixing post-rock and emo with punk edigness and experimentalism, Chicago's Joan of Arc features members of the Owls and Cap'n Jazz, including Owls vocalist Tim Kinsella. On this fourth album, they are also joined by members of Califone, Isotope 217, and Ugly Casanova, among others.
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Let Go
by Nada Surf
February 4, 2003
One-hit wonders, you say? Well, the New York trio did score an MTV hit with "Popular," from their 1996 debut album, but it is a more mature and less commercial Nada Surf that returns now with a third LP, their first for indie label Barsuk.
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Master And Everyone
by Bonnie "Prince" Billy
January 28, 2003
Don't know Bonnie "Prince" Billy? You may know him better by his given name, Will Oldham, who recorded under his name as well as Palace Music throughout the 1990s. This is his third album under the Billy moniker, and features contributions from members of Lambchop.
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Loose Fur
by Loose Fur
January 28, 2003
This six-track disc is a collaboration between Wilco frontman Jeff Tweedy, drummer Glenn Kotche, and Jim O'Rourke (known for both his acclaimed recent solo albums and work with Wilco and Sonic Youth).
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Other People's Songs
by Erasure
January 28, 2003
What could possibly be more relevant in 2003 than an 80s band covering their favorite hits of the 60s, 70s, and 80s? Tracks here include Peter Gabriel's "Solsbury Hill," Buddy Holly's "Everday," and The Buggles' "Video Killed the Radio Star."
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Mary Star of the Sea
by Zwan
January 28, 2003
The new group led by Billy Corgan of The Smashing Pumpkins features a lineup including fellow Pumpkin Jimmy Chamberlin on drums and guitarists Matt Sweeney (Chavez, Skunk) and David Pajo (Slint, Tortoise).
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Sunshine Hit Me
by The Bees [Band of Bees]
January 28, 2003
Frequently compared to the Beta Band, this equally eclectic Isle of Wight-based duo of Paul Butler and Aaron Fletcher literally recorded this debut album in their shed.
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Televise
by Calla
January 28, 2003
This is the third LP for the New York-based noise-rock trio, known for their intense live shows.
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The Raven
by Lou Reed
January 28, 2003
Available in two different versions, the latest from Lou Reed is based on the writings of Edgar Allen Poe. The 2-CD set includes tracks with readings of Poe by various actors (such as Willem Dafoe, Steve Buscemi and Amanda Plummer), backed by Reed, while the single-disc set pulls only the more song-oriented pieces from the longer version. Hal Willner produces.
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Long Knives Drawn
by Rainer Maria
January 21, 2003
This is the fourth album for the Wisconsin-based indie/emo trio.
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One Bedroom
by The Sea and Cake
January 21, 2003
The Chicago-based post-rockers return with their sixth album, their once frenetic pace of releasing albums slowed over recent years due to numerous side projects (solo albums for vocalist Sam Prekop and guitarist Archer Prewitt, and work in Tortoise, among other things, for drummer John McEntire). Included here is the band's cover of David Bowie's "Sound and Vision."
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Airs Above Your Station
by Kinski
January 21, 2003
The Seattle-based experimental space-rock outfit returns with their sophomore LP, following their 2001 debut 'Be Gentle With the Warm Turtle.'
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Holopaw
by Holopaw
January 21, 2003
This Gainesville, Fla.-based five-piece band, which mixes indie rock and alt-country with a bit of electronica, features John Orth, who also appeared on the 2002 release by the Modest Mouse side project Ugly Casanova. Brian Deck produces.
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Looks At The Bird
by Brokeback
January 21, 2003
Brokeback is a side project for Eleventh Dream Day/Tortoise bassist Douglas McCombs (joined semi-permanently by second bassist Noel Kupersmith), supplemented here on this third album by Laetitia Sadier and the late Mary Hansen from Stereolab.
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Hate
by The Delgados
January 21, 2003
The Glasgow, Scotland-based band follow 2000's stunning 'The Great Eastern' with this, their fourth (and almost equally stunning) LP. Dave Fridmann (Mercury Rev) returns as producer.
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Red Devil Dawn
by Crooked Fingers
January 21, 2003
Crooked Fingers is a side project for Archers of Loaf frontman Eric Bachmann. This third album follows in the dark, drunken-blues/Americana tradition of the first two, which drew Bachmann comparisons to Tom Waits and Leonard Cohen, among others.
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Mount Eerie
by The Microphones
January 21, 2003
The Microphones is an alias for Washington state-based Phil Elvrum, who returns here with a five-part concept album named after a mountain in his home state. The album is also being released in two limited edition alternate versions, one an a capella version called "Singing from 'Mt. Eerie,'" and one a drums-only version (!) called, naturally, "Drumming from 'Mt. Eerie.'"
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Illumination
by Paul Weller
January 14, 2003
The former Style Council and Jam frontman returns with a solo album, and finds Weller producing and playing most of the instruments himself, with the help of a few celebrity guests such as Noel Gallagher, Kelly Jones and Aziz Ibrahim.
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You Win Again Gravity
by Vitesse
December 3, 2002
This is the third album for the New York-based duo of Joshua Klein and Hewson Chen, who are frequently compared to (and sound like) Stephin Merritt bands (Magnetic Fields, Future Bible Heroes) and 80s outfits such as OMD. Included here is a cover of Husker Du's "Green Eyes."
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Redemption's Son
by Joseph Arthur
November 26, 2002
The only "rock" act signed to Peter Gabriel's Real World label, Akron, Ohio native Joseph Arthur returns with his third album.
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Does This Look Infected?
by Sum 41
November 26, 2002
The Toronto, Canada punk outfit returns with a follow-up to their successful 2001 debut, 'All Killer No Filler.'
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Steal This Album
by System Of A Down
November 26, 2002
Not the true follow-up to 'Toxicity' that fans were hoping for, 'Steal This Album' instead consists of outtakes from that 2001 album, originally leaked on the Internet in rough versions and now polished up for release on CD.
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Evil Heat
by Primal Scream
November 26, 2002
Bobby Gillespie and co. follow 2000's widely acclaimed 'XTRMNTR' with a similar blend of Stooges-style rock and electronica, thanks to the production work of semi-official Primal Scream member Kevin Shields (formerly of My Bloody Valentine) and Andy Weatherall. Tracks include first single "Miss Lucifer," "City," a remake of a Gillespie-sung track on David Holmes' most recent album, and "Some Velvet Morning," sung as a duet with supermodel Kate Moss.
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More Than You Think You Are
by Matchbox Twenty
November 19, 2002
Still lowercase, the alt-rock band led by Rob Thomas (who is perhaps more famous for "Smooth" on Santana's 1999 album) returns with their third album, the first on which the band shared songwriting duties as a unit.
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Audioslave
by Audioslave
November 19, 2002
After frontman Zack de la Rocha left Rage Against the Machine in 2000, the remaining members of that Los Angeles band enlisted former Soundgarden leader Chris Cornell, and together they formed Audioslave. This is their debut release.
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Brainwashed
by George Harrison
November 19, 2002
The late Beatle's final studio album was produced by Jeff Lynne with Harrison's son, Dhani.
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Last Night
by His Name Is Alive
November 19, 2002
Combining blues, R&B, jazz and funk influences, this latest offering from the ever-changing 4AD group headed by Warren Defever, like its predessor (2001's 'Someday My Blues Will Cover The Earth'), features the vocals of Lovetta Pippen. Included among the originals here are covers of The Equals' "Teardrops," Ida's "Maybe," and Jimi Hendrix's "Train."
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Writers Without Homes
by Piano Magic
November 19, 2002
The London-based collective is joined this time out by the likes of Simon Raymonde (Cocteau Twins), John Grant (The Czars) and Paul Anderson (Tram).
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Travelogue
by Joni Mitchell
November 19, 2002
Backed by the London Symphony Orchestra, Joni Mitchell revisits songs from throughout her 35-year career on this two-disc set.
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Whip It On
by The Raveonettes
November 19, 2002
A male-female duo a la the White Stripes, Denmark's The Raveonettes make their debut with this brief disc of 8 neo-garage tunes.
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S.T.R.E.E.T. D.A.D.
by Out Hud
November 19, 2002
Founded in 1996 in San Francisco, this now New York-based instrumental outfit (which shares some members with the band !!!) has previously drawn a bit of acclaim for their vinyl-only releases. This six-track effort represents their first CD release, which showcases their dancier, dubbier, funkier brand of post-rock.
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Loose Screw
by The Pretenders
November 12, 2002
The band's first album of new songs since 1999's Viva el Amor contains 12 mostly reggae-tinged tracks.
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Chat & Business
by Ikara Colt
November 12, 2002
Another member of the new generation of neo-art-punkers (think Interpol or Liars, perhaps), this Los Angeles-based British four-piece makes its debut with 'Chat & Business,' which comes with a complimentary set of stickers with which to decorate the album cover.
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Riot Act
by Pearl Jam
November 12, 2002
Still going strong, the Seattle grunge band returns with its seventh studio album.
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The Phoenix Album
by The Warlocks
November 12, 2002
Don't confuse The Warlocks of the 1960s (who later became the Grateful Dead) with the new band of the same name, who only sound like they come from the 1960s. This Los Angeles-based group favor lengthy, droning songs, evoking groups such as the Velvet Underground and Jesus & Mary Chain.
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Testify
by Phil Collins
November 12, 2002
Phil Collins returns with his first album of new material in six years, but will anyone care other than the guys on South Park?
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American IV: The Man Comes Around
by Johnny Cash
November 5, 2002
Johnny Cash, still going strong at age 70, returns for a fourth album with producer Rick Rubin. Like the previous three pairings, this disc mixes Cash originals with unlikely covers, which this time out include Depeche Mode's "Personal Jesus," Nine Inch Nails' "Hurt," and Simon & Garfunkel's "Bridge Over Troubled Water." Fiona Apple, Nick Cave, and Don Henley are among the guests.
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Machine [EP]
by Yeah Yeah Yeahs
November 5, 2002
This three-track single (optimistically dubbed an "EP"), the band's second overall release, contains songs that allegedly will not appear on their upcoming full-length debut.
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Red Letter Days
by The Wallflowers
November 5, 2002
The fourth album from Jakob Dylan & Co. includes lead single "When You're on Top" and a bonus cover of Elvis Costello's "(What's So Funny 'bout) Peace, Love & Understanding." Long-time guitarist Michael Ward has left the group, leaving room for Pearl Jam's Mike McCready to provide some of the lead guitar on the album.
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A New Day At Midnight
by David Gray
November 5, 2002
The English singer-songwriter finally returns with a follow-up to his 1999 breakthrough hit 'White Ladder.'
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You Can Feel Me
by Har Mar Superstar
November 5, 2002
Picture a white man singing R&B. Picture a white man singing R&B while stripping down to his underwear. Picture an average-looking, slightly pudgy white man singing R&B while stripping down to his underwear. That's Har Mar Superstar, and this is his second album.
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Have You Fed the Fish?
by Badly Drawn Boy
November 5, 2002
After wowing music critics and winning Britain's Mercury Music Prize for his 2000 debut album, 'The Hour of Bewilderbeast,' Damon Gough (who is the one and only member of Badly Drawn Boy) took a bit of time off, recording only the soundtrack for 'About A Boy' in the interim. He now returns with a proper follow-up, preceded by single "You Were Right."
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Yanqui U.X.O.
by Godspeed You! Black Emperor
November 4, 2002
Slightly (and confusingly) changing their name to Godspeed You! Black Emperor for this outing, the Canadian instrumental band recorded these 5 tracks (clocking in at 75 minutes) with Steve Albini as a follow-up to their extremely well-received 2000 effort 'Lift Yr Skinny Fists Like Antennas To Heaven.'
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()
by Sigur Rós
October 29, 2002
The very, very distinctive Icelandic band generated an enormous amount of positive press (and deservingly so) for their previous effort, 'Ágætis Byrjun,' which led to a major-label deal and this album, which, like each of its eight tracks, does not have a real title.
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American Supreme
by Suicide
October 29, 2002
Legendary 1970s NYC electro-punk duo Suicide, hugely influential on the synth-pop, industrial, and electroclash movements to come in later decades, return with their first new album in ten years.
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Scarlet's Walk
by Tori Amos
October 29, 2002
The suddenly prolific Amos returns with 18 new tracks, begging the question: Y Kant Tori Capitalize Her Song Titles? The album, her first for Epic, is structured as a cross-country journey through the U.S.
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We Are Your Friends
by Simian
October 29, 2002
The Manchester-based pyschedelic pop quartet returns with a follow-up to their 2001 debut, 'Chemistry Is What We Are.'
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The Kiss of Morning
by Graham Coxon
October 24, 2002
The solo career of Blur guitarist Graham Coxon takes on a bit more importance now if you believe the rumors that he has left that successful Britpop group for good. This is his fourth solo disc.
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Finisterre
by Saint Etienne
October 22, 2002
Sarah Cracknell, Bob Stanley & Pete Wiggs build on the sparse, cool electronica sound of their last album, 'The Sound of Water,' with this latest release. Doves guitarist Jez Williams makes a guest appearance.
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Shaman
by Santana
October 22, 2002
Attempting to duplicate the unexpected mega-success of 1999's 'Supernatural,' the rock veteran returns with the formula intact, loading this disc with numerous guests from various musical genres to appeal to as many potential fans as possible. The list of contributors reads like the introductions to some televised awards show: Michelle Branch, Nickelback's Chad Kroeger, Seal, Macy Gray, Musiq, Placido Domingo, Ozomatli, Dido and P.O.D. (What, no Ozzy Osbourne?)
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One By One
by Foo Fighters
October 22, 2002
Former Nirvana drummer (and sometime Queens of the Stone Age drummer) Dave Grohl returns to the front of the stage for his role as vocalist, guitarist, and bandleader of the Foo Fighters on this, their fourth studio recording.
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Spend The Night
by The Donnas
October 22, 2002
American's favorite high school rockers have graduated and grown up, resulting in this, their fifth (and most mature) album to date.
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You Can Play These Songs With Chords
by Death Cab for Cutie
October 22, 2002
This collection of B-sides, alternate versions and rarities contains 18 tracks, including an early cover of the Smiths' "This Charming Man."
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New Earth Mud
by Chris Robinson
October 22, 2002
Black Crowes frontman Chris Robinson takes leave from his band for this debut solo release.
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Let It Rain
by Tracy Chapman
October 15, 2002
On her sixth studio album, the singer-songwriter works with producer John Parish (PJ Harvey) for the first time.
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Happyness
by The Aluminum Group
October 15, 2002
The Chicago indie band's fifth album is the first in a planned trilogy, and features a bit more electronics than previous outings. Members of Tortoise guest on the album, as does Rebecca Gates from the Spinanes.
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I To Sky
by JJ72
October 14, 2002
This is the sophomore effort for the Dublin trio, who generated some attention (and some unavoidable Joy Division comparisons) with their self-titled 2000 debut.
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The Last DJ
by Tom Petty & the Heartbreakers
October 8, 2002
The latest from Tom Petty is a concept album (or diatribe, if you will) about/against the domination of popular music by large, greedy corporations. It was released on October 8, 2002 by a large, greedy corporation.
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Free So Free
by J. Mascis & the Fog
October 8, 2002
Although the album cover may say it's by J. Mascis & The Fog, there's not much left of The Fog other than J. himself on this 10 track effort.
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Bounce
by Bon Jovi
October 8, 2002
Just when you feared the New Jersey hair band would never release another album, they did. Oh joy.
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Close Cover Before Striking [EP]
by Luna
October 8, 2002
This seven-track EP recorded during the sessions for 'Romantica' includes covers of the Rolling Stones' "Waiting On A Friend" and Kraftwerk's "Neon Lights," as well as five new songs and videos for "Lovedust" and "1995."
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Cruelty Without Beauty
by Soft Cell
October 8, 2002
Yes, it's *that* Soft Cell, the English band that brought you early 80s hits such as "Tainted Love" and "Sex Dwarf." Their first release since 1984's 'This Last Night in Sodom,' 'Cruelty Without Beauty' offers 12 brand-new tracks from the reunited duo of Dave Ball and Marc Almond.
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Velocity of Sound
by The Apples In Stereo
October 8, 2002
This is the Denver indie-pop band's first new album since 2000's 'The Discovery of a World Inside the Moone.'
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Amore del Tropico
by The Black Heart Procession
October 8, 2002
The San Diego-based band returns with their fourth album of dark, atmospheric music, following previous albums '1,' '2,' and, yes, '3' (c'mon guys, what happened to '4?'). This one is a concept album of sorts, about a murder mystery.
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Sean-Nós Nua
by Sinéad O'Connor
October 8, 2002
The mercurial singer-songwriter returns with an album of interpretations of 13 traditional Irish songs.
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Cobblestone Runway
by Ron Sexsmith
October 8, 2002
The Canadian singer-songwriter's fifth album finds Sexsmith experimenting with electronica for the first time.
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Make Up The Breakdown
by Hot Hot Heat
October 8, 2002
This Sub Pop debut for the British Columbia band falls into the 80s/punk revival category occupied by the likes of French Kicks and Radio 4, although Cure comparisons are more likely (since lead singer Steve Bays' voice sounds, at times, almost identical to Robert Smith's).
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The Ragpicker's Dream
by Mark Knopfler
October 1, 2002
This is the third (non-soundtrack) solo album for the Dire Straits leader, and finds him in a somewhat acoustic, American roots style.
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The Execution of All Things
by Rilo Kiley
October 1, 2002
This is the second full-length album for the Los Angeles-based indie band, who are now labelmates of Omaha's Bright Eyes. Fans of the TV program "Boy Meets World" (all three of you) may recognize guitarist Blake Sennett, who played Joey on that show. (Singer Jenny Lewis has also guested on numerous sitcoms over the years.)
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Read & Burn 02 [EP]
by Wire
October 1, 2002
This is the second in a series of self-released EPs from the newly-reborn band, following 'Read & Burn 01' which was released earlier in 2002.
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A New Morning
by Suede
September 30, 2002
Stephen Street is the producer for the Britpop band's catchy fifth album, their first since singer Brett Anderson's recovery from drug problems. Not surprisingly, it is also happier-sounding than previous Suede efforts.
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