Album Releases by Genre
The Instigator
by Rhett Miller
September 24, 2002
This solo set by the frontman of the (still intact) Old 97s was produced by Jon Brion, and ventures away from the alt-country sound of that group's work.
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Nextdoorland
by The Soft Boys
September 24, 2002
The legendary (and quirky) English band fronted by Robyn Hitchcock follow their 2001 reunion tour with this, their first new studio recording in 22 years.
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Demolition
by Ryan Adams
September 24, 2002
As the title implies, this is not a true follow-up to 2001's 'Gold,' but rather a collection of demo recordings--13 never-before-released tracks (down from a rumored four-CD set!) captured on tape during spare moments while on tour.
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Jerusalem
by Steve Earle
September 24, 2002
The roots rocker tackles a variety of tough, contemporary issues on this latest release, perhaps his most political, issue-oriented album yet. Sheryl Crow and Emmylou Harris guest.
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Sea Change
by Beck
September 24, 2002
Which Beck is it? The party-loving Beck of 'Odelay' and 'Midnite Vultures,' or the more serious, singer-songwriter Beck of 'Mutations.' On this latest release, it is the latter, as Beck reunites with Mutations' producer Nigel Godrich (Radiohead) for a set of darker, atmospheric, more acoustically-oriented tracks.
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Aldhils Arboretum
by Of Montreal
September 24, 2002
Prone to making concept albums, the Athens, GA band led by Kevin Barnes returns with a more conventional offering for this, their fifth LP.
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The Creek Drank The Cradle
by Iron & Wine
September 24, 2002
Written, recorded and performed entirely by Miami, Fla-based Samuel Beam, 'The Creek Drank The Cradle' is the debut album for Iron & Wine, a largely lo-fi, acoustic affair with a darker take on folk and bluegrass.
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Up
by Peter Gabriel
September 24, 2002
Yup... Up's two-letter name signifies that this is indeed a brand-new Peter Gabriel studio recording, his first since 1992's 'Us.' The music goes in a now-typical multi-cultural direction, with input from gospel singers The Blind Boys of Alabama and the late Nusrat Fateh Ali Khan.
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Trust
by Low
September 24, 2002
The Duluth, MN indie band, known for their slow, sparse sound and vocal harmonies of husband and wife guitarist Alan Sparhawk and drummer Mimi Parker, scored their biggest critical success yet with 2001's 'Things We Lost In The Fire.' This follow-up features 13 new songs (many of which have been debuted live on recent tours) mixed by Tschad Blake.
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How Sweet It is
by Joan Osborne
September 17, 2002
The onetime budding star (you remember "One Of Us," right?) returns with an album of covers of classic soul and R&B tunes from the 1960s and 70s.
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Light & Magic
by Ladytron
September 17, 2002
The cosmopolitan electroclash foursome returns with a follow-up to their well-received 2001 debut, '604.'
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Live at Convocation Hall
by Hayden
September 17, 2002
Recorded live at a March 2002 show in Toronto, this 22-track, 2-disc set includes songs from Hayden's three previous albums, as well as three new tracks and a cover of Neil Young's "Tell Me Why."
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Now You Know
by Doug Martsch
September 17, 2002
The man behind Built to Spill issues his first album under his own name, with a more acoustic, stripped-down, blues-influenced sound than you'll find on his BTS albums.
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Believe
by Disturbed
September 17, 2002
The Chicago alt-metal band follows their 2 million-selling debut, 'The Sickness,' with this sophomore effort, working once again with producer Johnny Z.
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Time Changes Everything
by John Squire
September 16, 2002
The guitarist for the legendary Manchester outfit The Stone Roses emerges with his very first solo album (after the breakup of his less successful second band, the Seahorses). It also marks the first appearance of Squire as a vocalist, as he sings on each of these 10 tracks.
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How Animals Move
by John Parish
September 10, 2002
Known mainly for his work with PJ Harvey (most notably, 'To Bring You My Love' and 'Dance Hall At Louse Point'), producer/musician John Parish has previously released just one solo record under his own name. On this mostly instrumental record, he is supplemented by numerous guests, including Harvey and Portishead's Adrian Utley.
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Dim Stars, Bright Sky
by John Doe
September 10, 2002
Founding member of Los Angeles punkers X and occasional actor John Doe returns with his fourth solo album, this one produced by Joe Henry with guest appearances from Rhett Miller (Old 97s), Aimee Mann, Jakob Dylan and Jane Wiedlin.
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The King of Nothing Hill
by Barry Adamson
September 3, 2002
Since leaving the Bad Seeds (Nick Cave's backing band) in the late 1980s, Barry Adamson has embarked on a prolific career providing soundtrack music to films both real ('Gas Food Lodging,' 'The Beach') and imagined (numerous cinematic-sounding solo albums, including 'Moss Side Story'). This latest release falls into the latter category, and incorporates pop, rock, jazz, funk, and countless other styles in its ten tracks.
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Golden State
by Mia Doi Todd
September 3, 2002
The California-born, classically-trained Yalie makes her major-label debut, after a trio of independent solo acoustic releases. Todd is backed by a full band on this Mitchell Froom-produced album, and some of the tracks here are actually new, fleshed-out versions of songs that appeared on those earlier albums, including "Digital."
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The Joy of Sing-Sing
by Sing-Sing
September 3, 2002
This is the debut full-length release for the retro-pop band (think Cardigans or St. Etienne) founded by Lush guitarist/vocalist Emma Anderson and vocalist Lisa O'Neill. Many of the band's earlier singles appear here (in reworked versions), along with new material, all produced by Mark Van Hoen (Locust).
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A Rush Of Blood To The Head
by Coldplay
August 27, 2002
The UK quartet follows the critical and commercial success of their 2000 debut album 'Parachutes' with this long-awaited follow-up release, which the band has suggested may be their last.
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30 Seconds to Mars
by Thirty Seconds to Mars
August 27, 2002
This debut album from the Los Angeles five-piece band fronted by actor Jared Leto was produced by Bob Ezrin (Pink Floyd, Kiss), and showcases more experimental and eclectic sounds than your typical alt-metal effort.
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Between The Senses
by Haven
August 27, 2002
This debut album for the British quartet was produced by The Smiths' Johnny Marr.
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Lost In Space
by Aimee Mann
August 27, 2002
This self-released effort for the Los Angeles-based singer-songwriter (and former Til Tuesday frontwoman) is her first release since the twin 2000 critical successes of 'Bachelor No. 2' and the soundtrack to "Magnolia."
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Daylight
by Duncan Sheik
August 27, 2002
The New York singer-songwriter works with producer Patrick Leonard (Madonna, Jewel) for this, his fourth album.
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Songs For The Deaf
by Queens of the Stone Age
August 27, 2002
Stoner metal is back in the form of the third LP from Queens of the Stone Age, who are supplemented for this release (and supporting tour) by drummer Dave Grohl (Foo Fighters, Nirvana) and former Screaming Trees vocalist Mark Lanegan.
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Diorama
by Silverchair
August 27, 2002
The former Australian teen grunge stars (whose 1995 debut was released when they were just 15) are still together, and this album marks their fourth release, highlighted by a more mature, refined sound.
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Blacklisted
by Neko Case
August 20, 2002
Alt-country singer-songwriter Neko Case returns with her third solo album, after last appearing on the New Pornographers' acclaimed 'Mass Romantic" album. Here, the moody, cinematic music is provided by members of Calexico and Giant Sand.
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Eternal Youth
by Future Bible Heroes
August 20, 2002
One of the many side projects of Stephin Merritt (Magnetic Fields, The 6ths), the Future Bible Heroes features lyrics by Merritt, low-fi electronic music by Christopher Ewen, and vocals by Claudia Gonson. This is their second LP.
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Since We've Become Translucent
by Mudhoney
August 20, 2002
This is the eighth release from the nearly 15-year-old Seattle band, and it features new instrumentation (a horn section) and a new bass player (Guy Maddison, replacing departed founding member Matt Lukin).
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We Love Life
by Pulp
August 20, 2002
The band's first album since 1997's 'This Is Hardcore' is produced by Scott Walker and features 12 new tracks.
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Turn On The Bright Lights
by Interpol
August 20, 2002
You won't read very many reviews of this New York band without seeing the words Joy Division pop up, and although there are some similarities, Interpol has something new to offer as well. This debut LP includes the tracks "PDA" and "NYC" from the group's well-received first single for Matador.
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OOOH! (Out Of Our Heads)
by Mekons
August 20, 2002
The Leeds, England band celebrate their 25th anniversary with this 11-track release that veers from country to punk.
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Black Letter Days
by Frank Black & The Catholics
August 20, 2002
Recorded direct to two-track, 'Black Letter Days' features a stripped-down sound for the former Pixie and his current band. And if the 18 new tracks here (including not one but two covers of Tom Waits' "The Black Rider") aren't enough for you, there's even more on the companion release, 'Devil's Workshop.'
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Devil's Workshop
by Frank Black & The Catholics
August 20, 2002
One of two simultaneous releases (Black Letter Days being the other), Devil's Workshop is perhaps the more straightforward of the pair, although like its companion it was recorded direct to 2-track, representing a back-to-basics approach for Black and Co.
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They Threw Us in a Trench and Stuck a Monument On Top
by Liars
August 20, 2002
This debut LP from the experimental punk outfit from Brooklyn known for their strong live sets features lengthy song titles and an even lengthier closing track (clocking in at over half an hour).
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Hitting The Ground
by Gordon Gano
August 20, 2002
The Violent Femmes' leader emerges with his very first solo release some 20 years after that band's formation. Here, Gano is joined by a star-studded cast that includes John Cale, They Might Be Giants, Mary Lou Lord, Lou Reed, Linda Perry, PJ Harvey and Frank Black.
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Kill The Moonlight
by Spoon
August 20, 2002
The Austin, Tex. indie rockers return with their fourth album, following 2001's critically acclaimed 'Girls Can Tell.'
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One Beat
by Sleater-Kinney
August 20, 2002
The acclaimed indie-rock trio from Olympia, Wash. return with their sixth album.
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Lifted or The Story Is in the Soil, Keep Your Ear to the Ground
by Bright Eyes
August 13, 2002
Prolific 22-year-old Nebraska singer-songwriter Connor Oberst returns to his Bright Eyes guise for this 13-track effort, following a stint fronting the band Desaparecidos.
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October Road
by James Taylor
August 13, 2002
The 54-year-old singer-songwriter returns with his first album of new material since 1997's Grammy-winning 'Hourglass.' Russ Titleman produces.
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Son Of Evil Reindeer
by The Reindeer Section
August 13, 2002
The creation of Snow Patrol's Gary Lightbody, the Reindeer Section is a Scottish indie-pop supergroup. For this sophomore effort, the Section includes appearances from a whopping 27 people, including members of Belle & Sebastian, Arab Strap, Astrid, Mogwai, Mull Historical Society, Idlewild and Teenage Fanclub.
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The Isness
by The Future Sound of London
August 13, 2002
The first new album for the English electronic outfit in six years sees the band heading in a completely new direction, away from their dark electronica in favor of a more organic, psychedelic rock vibe. Surprisingly (for a FSOL album), there's guitar, vocals, strings, and harmonica, and trippy song titles such as "The Mello Hippo Disco Show."
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Wiretap Scars
by Sparta
August 13, 2002
This is the debut LP from the Texas band, which features three former members of At The Drive-In (including guitarist Jim Ward).
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Kissin' Time
by Marianne Faithfull
August 13, 2002
The 60's star offers up ten new tracks with the help of friends Pulp, Blur, Billy Corgan, Beck, and Dave Stewart.
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Folklore
by 16 Horsepower
August 6, 2002
The moody alt-country band led by David Eugene Edwards returns with its darkest set of songs yet.
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OST
by 24 Hour Party People
August 6, 2002
The soundtrack to the fictionalized account of the rise and fall of Manchester's Factory Records includes, somewhat obviously, a generous helping of New Order, Joy Division, and Happy Mondays songs (including the title track by the latter), as well as cuts from A Guy Called Gerald, Durutti Column, and the Buzzcocks. This is also the only album where you'll find the newest New Order single, "Here to Stay," a collaboration with the Chemical Brothers that failed to appear on either group's latest LP.
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Libertine
by Gene
August 6, 2002
Produced by Hugh Jones and Stephen Street, 'Libertine' is the fourth studio album for the Britpop band best known for all the Smiths comparisons it generated with its first few releases.
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X
by Def Leppard
July 30, 2002
X marks the veteran English arena-rock band's tenth album.
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Daybreaker
by Beth Orton
July 30, 2002
The English singer-songwriter's third LP features quite an array of guests, including Ryan Adams, Emmylou Harris, and the Chemical Brothers (who have utilized Orton's vocals on several of their own albums). Another longtime collaborator, William Orbit, appears for one track, with the remainder of the mixing duties falling to Everything But The Girl's Ben Watt.
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Faces & Names
by Dave Pirner
July 30, 2002
The former Soul Asylum frontman offers up a debut solo release that is quite a departure from his former band's work, emphasizing loungey R&B and soul grooves instead of punky alternative rock.
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Fashionably Late
by Linda Thompson
July 30, 2002
Talk about apt titles. The British folk legend's first album in a whopping 17 years features 10 new songs recorded mainly with her son, Teddy Thompson, and numerous guests such as Rufus Wainwright, Van Dyke Parks, and ex-husband and recording partner Richard Thompson.
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Reanimation
by Linkin Park
July 30, 2002
Not quite the next Linkin Park album, 'Reanimation' is instead a remix of their entire debut album, 'Hybrid Theory' (actually, a remix of the Japanese version, which contained extra tracks). The 19 songs here have been reinvented by an array of alternative and hip hop musicians and producers, including members of Korn, Jurassic 5, Orgy, and Staind, and given cryptic new titles such as "Rnw@y" and "My{Dsmbr." (You'd think with all the money they're making they could at least buy a vowel.)
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The Rising
by Bruce Springsteen & The E Street Band
July 30, 2002
The Boss' first studio album with the E Street Band since 1984's 'Born In The U.S.A.,' 'The Rising' contains 15 new Springsteen songs produced by Brendan O'Brien.
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The Amalgamut
by Filter
July 30, 2002
Filter's third LP finds the band moving in a less industrial/electronic direction.
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The Lonely Position of Neutral
by Trust Company
July 23, 2002
This four-piece alt-metal band from Alabama draws frequent comparisons to Linkin Park, and even work with Linkin producer Don Gilmore on this major-label debut album.
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Don't Give Up On Me
by Solomon Burke
July 23, 2002
The legendary 1960s soul singer, now a young 66 years old, is still going strong with this latest release, featuring brand-new songs penned by an impressive group of songwriters, including Elvis Costello, Brian Wilson, Tom Waits, Van Morrison, and Bob Dylan. No one will be giving up on him after this release.
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Dreamland
by Robert Plant
July 16, 2002
The former Led Zeppelin singer's first solo album in nearly 10 years is a mix of originals and covers, including Bob Dylan's "One More Cup of Coffee" (also recently covered by the White Stripes) and Tim Buckley's "Win My Train Fare Home."
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Highly Evolved
by The Vines
July 16, 2002
2001 gave us The White Stripes and The Strokes; 2002 gives us The Hives and The Vines. This Australian four-piece outfit is the latest rock band to be hyped to stratospheric proportions (and an instant major-label contract) by the UK rock press, who compared the Vines to Nirvana (the band, not the concept). But although the Aussies did indeed get their start as a Nirvana cover band, there is a bit more to their debut album 'Highly Evolved' than Grunge, Part 2.
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Shadows Of The Waxwings
by The Waxwings
July 16, 2002
This is the second album for the 60s-style rock quartet from Detroit.
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Yoshimi Battles The Pink Robots
by The Flaming Lips
July 16, 2002
The Oklahoma band finally returns with a follow-up to perhaps their strongest effort to date, 1999's 'The Soft Bulletin.' Here, the Lips venture even more into electronic territory, working once again with producer Dave Fridmann (Mercury Rev). Yoshimi of Japanese band The Boredoms guests on vocals on one track and lends her name to part of the album's title (the "Yoshimi" part, not the "Pink Robots" part).
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Busted Stuff
by Dave Matthews Band
July 16, 2002
Even the most casual DMB fan knows the story by now: Dave & Co. record a dark, challenging album with producer Steve Lillywhite, those "Lillywhite Sessions" are leaked onto the Internet where the tracks quickly become fan favorites, and the band chooses not to release them, instead heading back into the studio with producer Glen Ballard to record 'Everyday.' The new studio LP 'Busted Stuff' does not contain those original tracks from the 2000 sessions, but nine of those songs (plus two new tracks) are here, newly recorded.
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Last Call For Vitriol
by Superdrag
July 9, 2002
The Tennessee power-pop outfit returns for their fourth album (and second for indie label Arena Rock after two major-label releases for Elektra). Guided By Voices' Robert Pollard guests.
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Yeah Yeah Yeahs [EP]
by Yeah Yeah Yeahs
July 9, 2002
One of 2002's much-hyped neo-garage rock bands, New York's Yeah Yeah Yeahs have opened for acts such as the White Stripes and the Strokes, and have drawn comparisons to both. This five-track debut EP was originally released in 2001 on the indie Shifty label, and saw a rerelease in the summer of 2002 on Touch & Go.
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Hard Candy
by Counting Crows
July 9, 2002
Only the band's fourth studio recording in their 10+ year existence, 'Hard Candy' offers up 13 new tracks, including the single "American Girls" and "Butterfly Reverse," which was cowritten by Ryan Adams. Steve Lillywhite produces.
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At Sixes And Sevens
by Jason Loewenstein
July 9, 2002
This is the debut solo release for former Sebadoh drummer/songwriter Jason Loewenstein. On these 14 tracks, J.Loew handles all instruments and songwriting duties himself.
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By The Way
by Red Hot Chili Peppers
July 9, 2002
Although their ride has been rocky at times, the Los Angeles band is nearing its 20th anniversary. (And if you grew up listening to the band, doesn't that make you feel old.) This, their eighth album, finds the Chili Peppers working with producer Rick Rubin.
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Sirena
by Cousteau
July 9, 2002
The second album from the London band is a continuation of their Scott Walker-influenced dark and melancholy pop sound from their 2000 debut. (Not a Scott Walker fan? Think Tindersticks, Pulp or Divine Comedy.)
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Shenanigans
by Green Day
July 2, 2002
This 15-track collection compiles the band's B-sides, soundtrack contributions, and other oddities.
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Heathen Chemistry
by Oasis
July 2, 2002
This is the fifth studio album for the one-time superstars, who now retain only the brothers Gallagher from their original lineup. Former Ride guitarist Andy Bell and Heavy Stereo bassist Gem Archer make their first studio appearances as members of the band, and in an Oasis first, all four members share in the songwriting.
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Torino
by Cinerama
July 2, 2002
Basically a continuation of The Wedding Present (but with a broader, more "cinematic" sound), Cinerama features David Gedge and Simon Cleave from that band as well as Gedge's wife, Sally Murrell. Torino, the group's third studio album, was produced by Dare Mason and longtime collaborator Steve Albini, and features the UK hit single "Health And Efficiency."
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Murray Street
by Sonic Youth
June 25, 2002
Now into their third decade of recording, Sonic Youth offer up a return to form that has more in common with their output of the 80s than with anything they have released in recent years. Multi-instrumentalist Jim O'Rourke, who worked with the band on their previous effort 'NYC Ghosts & Flowers,' is now a full-fledged member of the group.
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Dirty Child
by Rosey
June 25, 2002
The Los Angeles singer/songwriter's eclectic debut album comes after cuts on the soundtracks to "Bridget Jones's Diary" and "Shallow Hal."
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Read & Burn 01 [EP]
by Wire
June 25, 2002
The groundbreaking English four-piece art-punk band has reunited (25 years after their debut) to record this 6-track EP, representing their first new studio output together since 1990's 'Manscape.'
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The Emotional Rescue LP
by Windsor For The Derby
June 25, 2002
The Austin band's fourth LP represents a new direction for the group (which features Dan Matz and Jason McNeely and a handful of rotating contributors) toward more delicate and intricate compositions. In addition, a new emphasis on vocals makes this the band's most accessible release to date.
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Free All Angels
by Ash
June 25, 2002
This is the third album for the Irish indie-punk quartet, and takes a less harsh, more pop approach than their poorly-received 1998 sophomore effort 'Nu-Clear Sounds.'
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Universal Truths And Cycles
by Guided by Voices
June 18, 2002
The Ohio band fronted by Robert Pollard offers up a 19-track set that is not just a return to former home Matador Records but a full return to classic, self-produced GBV form, after working with outside producers on the previous two albums.
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Long Walk Home: Music From The Rabbit-Proof Fence
by Peter Gabriel
June 18, 2002
Philip Noyce's period film about Austrialia's Aboriginal people, "Rabbit Proof Fence," serves as the inspiration for Peter Gabriel's return to recording for only the second time since 1992's 'Us.' Gabriel turns to Aboriginal music throughout the album, but don't expect any true "songs" from this work, which consists chiefly of longer, moody, instrumental pieces with a world music flavor.
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lovehatetragedy
by Papa Roach
June 18, 2002
The No-Cal rap-metal outfit returns with a second album for Dreamworks (their third overall). Lead singer Coby Dick has reverted back to his given name, Jacoby Shaddix, but otherwise, the band and sound remain the same.
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Untouchables
by Korn
June 11, 2002
The California alt-metal outfit finally returns with a successor to the smash hit 1999 album 'Issues.'
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Getting Away With It... Live
by James
June 11, 2002
This double-disc live album was recorded on the band's farewell tour in Manchester in 2001. Among the 22 tracks are most of the group's hits, including "Sit Down," "Laid," and "Born of Frustration."
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Heathen
by David Bowie
June 11, 2002
Bowie's first studio album in three years (and first for his new label ISO Records, distributed by Columbia) finds the older white duke working with producer Tony Visconti for the first time since 1980's 'Scary Monsters.' Pete Townsend and Dave Grohl guest on guitar on a track apiece.
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No!
by They Might Be Giants
June 11, 2002
This enhanced-CD experience is TMBG's first official album geared toward the younger set, with 17 children's songs with titles such as "Where Do They Make Balloons?" and "I Am Not a Grocery Bag." (Not that the titles themselves make this any different than a grownup TMBG album, mind you.)
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Three
by Archer Prewitt
June 4, 2002
The aptly named 'Three' is the third solo release for graphic artist/Sea And Cake guitarist Archer Prewitt.
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The Beginning Stages Of...
by The Polyphonic Spree
June 4, 2002
It's a bit hard NOT to get noticed when your band consists of a couple dozen people dressed in white robes, but having one of the most memorable debut albums in recent years (think Mercury Rev + Spiritualized + Up With People) certainly doesn't hurt. This 10-song debut (which was originally intended as a demo) did in fact land the Austin, Texas band led by former Tripping Daisy member Tim DeLaughter a major label deal.
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Storytelling OST
by Belle and Sebastian
June 4, 2002
The Glasgow band's fifth album serves as the soundtrack to the Todd Solondz film of the same name--in theory, that is, as only a few minutes of this new material is actually used in the movie (in fact, much of the album was recorded after the movie was released). However, as with a typical soundtrack album, expect snatches of dialogue and numerous instrumental tracks interspersed with fully-developed songs.
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The Last Broadcast
by Doves
June 4, 2002
The Manchester, England band reunites with producer Steve Osborne for their sophomore album, following 2000's 'Lost Souls,' which launched them into stardom in both the U.S. and U.K. "There Goes the Fear" is the lead single.
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Finelines
by My Vitriol
June 4, 2002
This debut LP for the electric English quartet was originally released in March 2001 to enough critical acclaim that Sony/Epic picked the album up for a re-release in the summer of 2002. Their sound combines harder-edged alt-rock with "shoegazing"-style noise manipulation.
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Anna
by Anna Waronker
June 4, 2002
The former frontwoman of the Los Angeles indie group that dog. strikes off on her own with this solo debut.
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Let Go
by Avril Lavigne
June 4, 2002
The 17-year-old Canadian singer-songwriter-skater nails the adult alternative Michelle Branch/Jewel/Alanis Morissette sound on this debut album, featuring her breakout hit single "Complicated."
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High Society
by Enon
June 4, 2002
This is the second album for the eclectic indie-rock band fronted and founded by John Schmersal (Brainiac). For this outing, the band has expanded to a four-piece, with new members Matt Schultz and former Blonde Redhead bassist Toko Yasuda (who replaces Steve Calhoon and handles some vocals).
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Italian Platinum
by Silkworm
June 4, 2002
Steve Albini was behind the boards for the Chicago-by-way-of-Seattle band's third album for Touch & Go Records.
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Title TK
by The Breeders
May 21, 2002
A comeback of sorts, 'Title TK' comes a full nine years after The Breeders' previous effort (1993's 'Last Splash') and sees the group with a new lineup (only Kim Deal and sister Kelley remain) and producer (Steve Albini).
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Sharpen Your Teeth
by Ugly Casanova
May 21, 2002
Ugly Casanova is the alter ego of Modest Mouse singer/guitarist Isaac Brock, who makes his solo debut with this release. The 13 tracks were produced by Brian Deck (Tortoise, Sea and Cake), and the backing band includes Pall Jenkins (Black Heart Procession) and Tim Rutili (Red Red Meat), but it sounds a lot like a Modest Mouse release.
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Frantic
by Bryan Ferry
May 21, 2002
Fresh off the Roxy Music reunion tour, Bryan Ferry resumes his solo career with this 13-track effort, a mix of Ferry originals and covers (including two Dylan tracks). Ferry has actually been working on this album for parts of the last eight (!) years, and it includes contributions from former Roxy Music partner/nemesis Brian Eno, the Eurythmics' Dave Stewart, and Radiohead's Johnny Greenwood.
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The Golden Dove
by Mary Timony
May 21, 2002
The second solo release for former Helium singer/guitarist Mary Timony was produced by Sparklehorse's Mark Linkous.
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South
by Heather Nova
May 21, 2002
Bermuda-born singer/songwriter Heather Nova returns with her fourth album, which was a hit in England upon its release there in the fall of 2001.
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Vapor Trails
by Rush
May 14, 2002
Canada's favorite prog rockers return with their first album of new material in six years, eh.
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You Can't Fight What You Can't See
by Girls Against Boys
May 14, 2002
Moving back to the indie leagues after one major-label release (1998's 'Freak*on*ica' for Geffen), the hard-rocking foursome return to form for the most part on these 11 tracks, retaining only a few techno touches from the experimentation of their previous effort.
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Commencement
by Deadsy
May 14, 2002
This 80s-esque goth/electro-pop debut album from the Los Angeles band fronted by P. Exeter "Elijah" Blue (the son of Cher and Greg Allman) finally sees an official release, after five years of delays and two separate major label deals.
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