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- By date
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Throwing Muses are the counterpart-- or maybe the antidote-- to the driven, enraptured solitude of [Hersh's] solo material; they deliver a release and an excitement that's been missing from her work for years.
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Their loudest, noisiest, most immediate album yet -- and it's one of their best.
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A raw blast of electric power that serves as a career coda, of sorts.
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The WireIt may lack subtlety but it sounds incredibly vital. [#229, p.68]
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Throwing Muses is an exhilarating ride that manages to marry the helter-skelter rhythmic pulse of the band's first few records with the poppier sensibilities of their nineties releases.
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The combination of a rough production with the beautiful vocal harmonics makes this one of the Muses' best efforts to date.
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BlenderJust as electrifying as before. [May 2003, p.125]
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Throwing Muses, the 2003 incarnation, sounds as close as it ever has to the pre-House Tornado lineup some sixteen years back.
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If the Throwing Muses are not still at the top of their game, they are very, very close.
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UncutIt's amazing they're still so punk, so relentlessly jagged and vicious. [Apr 2003, p.110]
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This is an album that's tough to love but impossible to ignore.
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As a whole, Throwing Muses still contains too much formless slop, but at least it's energetic.
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Q MagazineThough low on hooks, the ragged and faster songs are sweetened by the vocal interplay between Hersh and Donelly. [Apr 2003, p.104]
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MojoDonelly's wild, sweet tones are the perfect counterpoint to Hersh's cajoling banshee of a voice. [Apr 2003, p.97]
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The Rhode Island trio has returned for its rawest record yet.
User score distribution:
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Positive: 6 out of 8
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Mixed: 1 out of 8
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Negative: 1 out of 8
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JohnFMar 5, 2006
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RaoulXJul 14, 2004
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raApr 2, 2003This is the best album yet. Kristin's 7-year-itch has proven that she can still make mind-blowing music that has yet to be equalled.