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Apr 23, 2024White, who is deeply respected by his peers, makes some clever moves on All Hits: Memories which clear the way. The first move is to turn toward free jazz, where solo percussion is a bit more familiar than in indie rock. Without doubt he has the chops, too, shifting between groovy phrases and episodes that expand and branch rhizomatically.
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Apr 23, 2024There’s just enough time to get lost in thought before you’re jolted back to the beginning again. Only ‘Long Assemblage’ has any ambitions to break out from the sketches, a five-minute exposition that dares to create anything like a narrative arc, carried along by some intrepid hi-hats. Otherwise it’s soft and languorous and thoughtful, and occasionally a little bit sinister.
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UncutApr 23, 2024At just 25 minutes, it’s very much a listen-through, though the percussive clattering and ominous synthesiser hum of “Names Make The Name” constitute a standout. [Apr 2024, p.41]
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MojoApr 23, 2024Octopoidal, Milford Graves-style fee jazz, miraculously achieving a sort of zen clarity. [Jun 2024, p.92]
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Apr 23, 2024Jim White is undoubtedly a masterful musician, but All Hits: Memories never quite gets off the ground, and it feels like the type of record that might be of interest to fellow drummers but will have limited appeal for anyone else.